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Jeffrey Stepakoff QUOTES

5 " Grace leaned forward, studying him up close, able to make out some of his facial features in the clay mask: strong brow, broad cheekbones, prominent jawline and chin. As a flavorist, she was familiar with kaolin clay, a virtually tasteless edible mineral often used as an anti-caking agent in processed foods, various toothpastes, and originally kaopectate. But she'd never encountered the raw product out of the lab, and certainly not like this. She leaned closer to him.
He smelled of sediment and mostly sweat, a decidedly masculine note, the precise replication of which one could base an entire career, and then some. Even the most skilled perfumers in the world, experts in the animal secrets of civet and ambergris, couldn't get it just right. It was a human thing. And she'd studied it, androstadienone and most of the known male pheromones, and she knew the effects certain concentrates could have on certain women. She'd written the reports and seen the CT scans of activity in women's brains. Still, knowing about it intellectually and rationally did not in any way lessen what it was doing to her right now, the effect it was having on her senses and her body. 'Can he tell?' she wondered.
Lean and broad-shouldered, he had the build of a man who spent his days using his body in labor. She could see it in the way the mud set into the ridged musculature of his forearms, like the russeting across a firm apple. Still, the inner details of him escaped her. His hair was caked with dry clay, and she thought of the figures she'd seen artists craft in their hillside studios in Montmartre, with the Sacre-Coeur church on the summit above and the bawdy Moulin Rouge crowds teeming below. He looked like that, an unglazed unfinished sculpture of a man, but for his eyes, vast and deep, and very much alive, as if he were trapped inside his statued body. "

Jeffrey Stepakoff , The Orchard

8 " There was something about the scent of apple, she thought, that was truly unique to just that fruit-- it really did touch on so many childhood memories. Probably because it was among the first baby foods so many ate.
"This is going to be so very popular," she said thoughtfully. "I might tone down some of the earth notes, maybe bring up some of the brightness."
Dylan observed as she made some exacting adjustments to the dials while simultaneously watching their correlating meters.
Grace took a few quick sniffs, smiled, and then held the nose cup to his face again. He put his hand on hers and drew the cup even closer.
"I think this balance would make a lovely cider or a blend to an organic cinnamon and apple oatmeal," she said.
"Yes," said Dylan, nodding. "Hot from the pan on a cold autumn morning. I can absolutely smell that."
"Let's bring up a spice note, warm up the composition a bit." Watching his face, her left hand still with his, her right hand reaching out to the dials, Grace adjusted the machine, and she could see from his face when she was hitting just the right notes.
Dylan started laughing.
"What?" she asked happily.
"I smell my mother's apple pie." He pressed his warm hand to hers on the cup as he inhaled. "That's amazing!" Then he grabbed her hand and moved the cup toward her. "Here, you have to try this."
Their hands still together, she inhaled. "Oh, this 'is' amazing. Yum." Grace reached for a dial and adjusted it. "I think I can bring up a butter note in here." A blissful expression came over her face as she sniffed the computer's new modulation. "Try this," she said, moving the cup toward Dylan.
Eagerly, he leaned in to her, his head nearly against hers, their hair touching as she held the nose cup out for him. He took in a whiff. "How about just a little more butter?"
She adjusted a dial and leaned even closer, so that they were both taking in the scent from the one nose cup.
Grace turned to him and they locked eyes, their faces together, their hands together on the nose cup before them, which eased forth the intoxicating aroma of hot apple pie. "

Jeffrey Stepakoff , The Orchard

11 " Twenty-eight courses?" Dylan mused.
"Get comfortable," Grace said with anticipation.


They came on little spoons, tiny plates, in small glasses, atop mini-pedestals even speared and hung, suspended on custom-made wire serving devices like little edible works of art, which was entirely the point: mint-scented lamb lollypops, osetra and oysters on frothed tapioca, beet gazpacho and savory mustard shooters, foie gras porridge with a sweet ginger spritz in an atomizer, ankimo sashimi on house-made pop-rocks, plums in powdered yogurt, goat cheese marshmallows, venison maple syrup mastic, warm black truffle gumdrops with chilled sauternes centers. Foamed and freeze-dried, often accompanied by little spray bottles of fragrance and tiny scent-filled pillows, the food crackled and smoked and hissed and sizzled, appealing to all the senses. Thin slices of blast-frozen Kobe carpaccio were hung on little wire stands to thaw between courses at the table. All sorts of textures and presentations were set forth. Many were entirely novel and unexpected renderings of traditional dishes.
Intrigued and delighted by the sensory spectacle, Dylan and Grace enjoyed the experience immensely, oohing and aahing, and mostly laughing. For as strange as each course might be, as curious as the decorative objects that presented them, each one was an adventure of sorts, and without exception, each one was delicious, some to the point of profound. And each one came with an expertly matched extraordinary wine, in the precisely correct Riedel glass. "

Jeffrey Stepakoff , The Orchard

19 " After several courses, Dylan looked at the menu, noting that "Cheeseburger" was next up. "Okay, this is something I recognize," he said with relief.
"Don't get too excited," said Grace knowingly as she sipped the last of a bright and barnyard funky Romanee-Saint-Vivant from a big-bowled burgundy stem.
The waiter stepped out of the shadows and set two servings of the next course on the table simultaneously. Another server placed two very large Bordeaux stems on the table, and then carefully filled each with just one and a half ounces of wine. "This is Chef's cheeseburger," the waiter said. "Paired with the '70 Latour." The waiter and other server then backed away.
Dylan and Grace leaned forward, examining the strange creation.
It smelled amazing, though it looked much more like something from a science class than from a Michelin-starred restaurant-- a tiny piece of freeze-dried cheese on a teaspoon of bison tartare, lying atop a small lettuce pillow that had been filled with Vidalia onion smoke. It sat on a small warm open-face wheat bun, and the whole thing was presented on a miniature plate on which was a little pool of foamed heirloom tomato, and another of foamed mustard seed. And it was all topped with a few droplets of pureed brined Japanese cucumber.
Dylan just stared at it. "I feel like it belongs in a museum."
"I know. It's almost too beautiful to eat," Grace said.
They were both captivated by the variety of scents coming from the presentation. It did, indeed, smell like an amazing cheeseburger.
"Well, I'm gonna try," said Dylan, putting the little top bun on. Grace watched as he picked it all up with his thumb and forefinger, dapped it in the foamed tomato and mustard, and popped it in his mouth.
Dylan's mouth and nose were filled to bursting with all the expected flavors and scents of a great cheeseburger-- bread, meat and cheese, ketchup and mustard, lettuce and pickle. Oh, wow, it was good. And as he chewed, he popped the lettuce pillow, adding just the right touch of sweet onion scent and flavor to the mouthful. "

Jeffrey Stepakoff , The Orchard