85
" Frigid bitch,' he seizes her hair, pulls back her head. He is strong: she is helpless: if he wishes to rape her, he could, he would. It is in the air. The little girls fall quiet: terror silences them. Ben makes love to Lucy, these days, with hatred, not with love. The love he feels for her (and he does) weakens him, softens him, makes him impotent. He feels it. She is far from frigid: she is ashamed of her response to his violence: frightened of being out of her own control - if she not a mother? "
― Fay Weldon , Praxis
92
" PRAXIS DUVEEN, AT THE age of five, sitting on the beach at Brighton, made a pretty picture for the photographer. Round angel face, yellow curls, puffed sleeves, white socks and little white shoes—one on, one off, while she tried to take a pebble from between her tiny pink toes—delightful! The photographer had hoped to include her elder sister Hypatia in the picture, but that sullen, sallow little girl had refused to appear on the same piece of card as her ill-shod sister. "
― Fay Weldon , Praxis
95
" Grief is a lovely word and a lovely thing. It heals, as resentment cannot. Grief must be admitted and lived through, or it turns into resentment, and continues to bother you for the rest of your life, rearing its depressed little head at all the wrong moments, so that one Sunday tea time at the old lady's home you will unexpectedly begin to cry into your toasted teacake, and the nurses will say "Poor Mrs. Frazer, that's the end," and will move you into the senile ward, when the truth of the matter is quite different. It's not senility, but grief grown uncheckable with age. Myself, I cry now and eat now, so as not to cry later, when it is yet more dangerous. I shall make a very cheerful old lady. "
― Fay Weldon , The Fat Woman's Joke