2
" I dreamed I stood upon a little hill,
And at my feet there lay a ground, that seemed
Like a waste garden, flowering at its will
With buds and blossoms. There were pools that dreamed
Black and unruffled; there were white lilies
A few, and crocuses, and violets
Purple or pale, snake-like fritillaries
Scarce seen for the rank grass, and through green nets
Blue eyes of shy peryenche winked in the sun.
And there were curious flowers, before unknown,
Flowers that were stained with moonlight, or with shades
Of Nature's willful moods; and here a one
That had drunk in the transitory tone
Of one brief moment in a sunset; blades
Of grass that in an hundred springs had been
Slowly but exquisitely nurtured by the stars,
And watered with the scented dew long cupped
In lilies, that for rays of sun had seen
Only God's glory, for never a sunrise mars
The luminous air of Heaven. Beyond, abrupt,
A grey stone wall. o'ergrown with velvet moss
Uprose; and gazing I stood long, all mazed
To see a place so strange, so sweet, so fair.
And as I stood and marvelled, lo! across
The garden came a youth; one hand he raised
To shield him from the sun, his wind-tossed hair
Was twined with flowers, and in his hand he bore
A purple bunch of bursting grapes, his eyes
Were clear as crystal, naked all was he,
White as the snow on pathless mountains frore,
Red were his lips as red wine-spilith that dyes
A marble floor, his brow chalcedony.
And he came near me, with his lips uncurled
And kind, and caught my hand and kissed my mouth,
And gave me grapes to eat, and said, 'Sweet friend,
Come I will show thee shadows of the world
And images of life. See from the South
Comes the pale pageant that hath never an end.'
And lo! within the garden of my dream
I saw two walking on a shining plain
Of golden light. The one did joyous seem
And fair and blooming, and a sweet refrain
Came from his lips; he sang of pretty maids
And joyous love of comely girl and boy,
His eyes were bright, and 'mid the dancing blades
Of golden grass his feet did trip for joy;
And in his hand he held an ivory lute
With strings of gold that were as maidens' hair,
And sang with voice as tuneful as a flute,
And round his neck three chains of roses were.
But he that was his comrade walked aside;
He was full sad and sweet, and his large eyes
Were strange with wondrous brightness, staring wide
With gazing; and he sighed with many sighs
That moved me, and his cheeks were wan and white
Like pallid lilies, and his lips were red
Like poppies, and his hands he clenched tight,
And yet again unclenched, and his head
Was wreathed with moon-flowers pale as lips of death.
A purple robe he wore, o'erwrought in gold
With the device of a great snake, whose breath
Was fiery flame: which when I did behold
I fell a-weeping, and I cried, 'Sweet youth,
Tell me why, sad and sighing, thou dost rove
These pleasent realms? I pray thee speak me sooth
What is thy name?' He said, 'My name is Love.'
Then straight the first did turn himself to me
And cried, 'He lieth, for his name is Shame,
But I am Love, and I was wont to be
Alone in this fair garden, till he came
Unasked by night; I am true Love, I fill
The hearts of boy and girl with mutual flame.'
Then sighing, said the other, 'Have thy will,
I am the love that dare not speak its name. "
― Alfred Bruce Douglas
12
" What shall I say, what word, what cry recall,
What god invoke, what charm, what amulet,
To make a sonnet pay a hopeless debt,
Or heal a bruised soul with a madrigal?
O vanity of words! my cup of gall
O'erflows with this, I have no phrase to set,
And all my agony and bloody sweat
Comes to this issue of no words at all.
This is my book, and in my book my soul
With its two woven threads of joy and pain,
And both were yours before they were begun.
Oh! that this dream would like a mist unroll,
That I might look upon your face again,
And hear your kind voice say: 'This was well done. "
― Alfred Bruce Douglas
15
" But poetry is an affair of the spirit and people who imagine that they are going to turn themselves into great poets by an inordinate admiration of beautiful material things or beautiful people are fostering the most puerile of delusions. It follows that when I talk of the preoccupation with beauty as being absolutely necessary to the poet, I mean spiritual beauty and nothing else.
The reason of this is that ethical beauty is at the back of all beauty. Beautiful forms, beautiful sounds, beautiful colours, beautiful faces are simply the channels by which spiritual perfection is suggested to our spirit, and the resulting yearning, the desperate struggle upwards of the soul towards the Supreme Beauty, however dimly and darkly 120 felt, is what produces all great art whether in poetry or in music, or in sculpture, or in painting.
That is why all really great Art is founded on and springs from morality. Beauty in the sphere of the spirit is simply goodness in a greater or less degree. The difference between the highest Art and “ Art for Art’s sake ” corresponds to the difference between Philosophy and Sophistry. "
― Alfred Bruce Douglas , The Collected Poems Of Lord Alfred Douglas