3
" And as we stood there, a curious thing happened: a kind of window opened in the rain, just as if a cloud had been hitched aside like a curtain, and in the space between we saw a landscape that took our breath away. The high ground along which the road ran fell away through a black, woody belt, and beyond it, for more miles than you can imagine, lay the whole basin of the Black Country, clear, amazingly clear, with innumerable smokestacks rising out of it like the merchant shipping of the world laid up in an estuary at low tide, each chimney flying a great pennant of smoke that blew away eastward by the wind, and the whole scene bleared by the light of a sulphurous sunset. No one need ever tell me again that the Black Country isn't beautiful. In all Shrophire and Radnor we'd seen nothing to touch it for vastness and savagery. And then this apocalyptic light! It was like a landscape of the end of the world, and, curiously enough, though men had built the chimneys and fired the furnaces that fed the smoke, you felt that the magnificence of the scene owed nothing to them. Its beauty was singularly inhuman and its terror – for it was terrible, you know – elemental. It made me wonder why you people who were born and bred there ever write about anything else. "
― Francis Brett Young , Cold Harbour
5
" Hic Jacet Arthurus Rex Quondam Rexque Futurus
Arthur is gone…Tristram in Careol
Sleeps, with a broken sword - and Yseult sleeps
Beside him, where the Westering waters roll
Over drowned Lyonesse to the outer deeps.
Lancelot is fallen . . . The ardent helms that shone
So knightly and the splintered lances rust
In the anonymous mould of Avalon:
Gawain and Gareth and Galahad - all are dust.
Where do the vanes and towers of Camelot
And tall Tintagel crumble? Where do those tragic
Lovers and their bright eyed ladies rot?
We cannot tell, for lost is Merlin's magic.
And Guinevere - Call her not back again
Lest she betray the loveliness time lent
A name that blends the rapture and the pain
Linked in the lonely nightingale's lament.
Nor pry too deeply, lest you should discover
The bower of Astolat a smokey hut
Of mud and wattle - find the knightliest lover
A braggart, and his lilymaid a slut.
And all that coloured tale a tapestry
Woven by poets. As the spider's skeins
Are spun of its own substance, so have they
Embroidered empty legend - What remains?
This: That when Rome fell, like a writhen oak
That age had sapped and cankered at the root,
Resistant, from her topmost bough there broke
The miracle of one unwithering shoot.
Which was the spirit of Britain - that certain men
Uncouth, untutored, of our island brood
Loved freedom better than their lives; and when
The tempest crashed around them, rose and stood
And charged into the storm's black heart, with sword
Lifted, or lance in rest, and rode there, helmed
With a strange majesty that the heathen horde
Remembered when all were overwhelmed;
And made of them a legend, to their chief,
Arthur, Ambrosius - no man knows his name -
Granting a gallantry beyond belief,
And to his knights imperishable fame.
They were so few . . . We know not in what manner
Or where they fell - whether they went
Riding into the dark under Christ's banner
Or died beneath the blood-red dragon of Gwent.
But this we know; that when the Saxon rout
Swept over them, the sun no longer shone
On Britain, and the last lights flickered out;
And men in darkness muttered: Arthur is gone… "
― Francis Brett Young
8
" Of course I knew what to expect. He told me the story of his reef. Very much as Blagden had told it. Shyly, at first, as though he felt I was too young to be interested, or, perhaps, that I was listening from the point of view of a mental specialist. Well, if that old man were mad, he certainly had a good excuse for his
insanity. He spoke, as usual, with a simple, courtly precision; but it was his very directness that made that old horror live with a vividness that had never appeared in Blagden’s version. If I could have written
it down, word for word, as he told it, you would have given me credit for an imaginative masterpiece. I can’t, alas! All that remains with me now is the incommunicable atmosphere of an actual, intense, lonely
terror — so present and compelling that it swept all consciousness of my real surroundings, the whitewashed temple and the high festoons of exotic foliage, out of
my mind. “At that point,” Shellis was saying, “I felt that the quartermaster and I were looking at each other almost greedily. We weren’t civilized human beings any longer — just hungry cannibals. I determined that if anybody were going to be killed and eaten I would rather it was I.”
He told me these ghastly details with a detached and dreamy coldness. "
― Francis Brett Young , The Cage Bird and Other Stories
19
" For the first time in her life she was aware of the man ’s potential strength; and it came as a shock to her, for, so far, she had merely been concerned with his physical weakness; and though she was flattered by this display of passion she couldn’t quite persuadeherself
that it was seemly, or be sure that incidents of this kind wouldn’t interfere with his music. She could never really think of him as anything but the white-faced invalid whom she had rescued from the cinema. So, con-
scientiously, and in spite of his irritation, she restrained these ardours. She couldn’t see that the man had been suddenly smitten with beauty, that the thawed blood was beginning to move in his veins, that love was a necessity. "
― Francis Brett Young , The Cage Bird and Other Stories
20
" His attitude towards her changed. When they had been settled for less than a month at La Fiorita, as their villa was called, they were sitting out one night in the belvedere at the end of their pergola watching the full moon climb above the mountains of Sorrento.
The night was not chilly; but fearing that Willoughby might take cold, she came down the garden with an Alpine cloak that she had bought for him in Munich. She found him rapt, gazing at the snaky track of yellow
moonlight on the water. Even before he spoke she was aware of something tense and emotional in the air; but when she threw the cloak over his shoulders he did not thank her as usual. He stood gazing down at her with a look in his eyes that she had never seen
before except when he was playing. She felt herself blushing beneath his gaze. Then, clasping her in his arms, he kissed her lips. It was the kiss of a lover, the like of which she had never known before, and she, with her curious, spinsterly instinct, shrank from it.
“What are you doing?” he cried. “What’s the matter with you? Can’t I kiss you?”
“Julian, you’re so rough. I don’t understand kisses like that.”
“Aren’t you my wife?” he said. “Is there any reason why I shouldn’t love you? "
― Francis Brett Young , The Cage Bird and Other Stories