26
" March 15, 1998
Let me forget
when the hanged man
looks in the window.
Outside, the desperate
speak in a lost language.
Let us in, they sigh,
with the tongues of waterfalls.
But you, out of breath,
category of the misplaced;
serial-killer of my days;
while my left ventricle
pumps the exact pressure
of the universe . . .
in spite of your default,
with no substantial reason,
I speak for you
as though you are still here.
We are arranged like that.
A sad mistake, a Mendelbrot,
a fractal glitch, a gift from zero. "
― Ruth Stone , In the Next Galaxy
32
" Stone: Yes, we are everything, every experience we've ever had, and in some of us, a lot of it translates and makes patterns, poems. But, my God, we don't even began to touch upon it. There's an enormous amount, but we can touch such a little.
Interviewer: That's true, just a very small portion.
Stone: Very small. I think that's one of the things that our minds do; they sort out, somehow, often, and make patterns of significant things to us. And I think our minds do that for us in the dark, and then they offer them back in poems. I think your mind makes up your poem before you get it. You know, you receive the poem from your mind, you know you do. It takes a multitude of experiences, and all this language, and all this sound, and puts it together in these patterns that are significant to you and gives it back to you. "
― Ruth Stone
33
" Interviewer: The other day, when we first talked, you said that you felt that, when you were writing, you were often following invisible patterns.
Stone: I don't see them so much as hear them, and I know that a poem will happen and later I will look at it, and say: Wow, where did that come from? how did I do that? I didn't set out to do that, but the neural connections are so fast, the body, the self is so slow, (laughs) that you're kind of astonished. It's odd. "
― Ruth Stone
38
" SPECULATION
In the coolness here I care
Not for the down-pressed noises overhead,
I hear in my pearly bone the wear
Of marble under the rain; nothing is truly dead,
There is only the wearing away,
The changing of means. Nor eyes I have
To tell how in the summer the mourning dove
Rocks on the hemlock’s arm, nor ears to rend
The sad regretful mind
With the call of the horned lark.
I lie so still that the earth around me
Shakes with the weight of day;
I do not mind if the vase
Holds decomposed cut flowers, or if they send
One of their kind to tidy up. Such play
I have no memories of,
Nor of the fire-bush flowers, or the bark
Of the rough pine where the crows
With their great haw and flap
Circle in kinned excitement when a wind blows.
I am kin with none of these,
Nor even wed to the yellowing silk that splits;
My sensitive bones, which dreaded,
As all the living do, the dead,
Wait for some unappointed pattern. The wits
Of countless centuries dry in my skull and overhead
I do not heed the first rain out of winter,
Nor do I care what they have planted. At my center
The bone glistens; of wondrous bones I am made;
And alone shine in a phosphorous glow,
So, in this little plot where I am laid. "
― Ruth Stone , Essential Ruth Stone