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1 " He [Tom Klay]'d watched people tend to corpses thousands of times. They straightened eyeglasses, fixed neckties, picked away bits of makeup, adjusted stray hair. They leaned into caskets and kissed the dead on the forehead, the cheeks, the lips. They spoke to them.Klay had seen so many dead he couldn't remember his first, but he didn't understand it. A corpse was not a person. It was a thing--an abandoned thing, no more worthy of sentiment than was a dead person's shoes or toothbrush. "
― Bryan Christy , In the Company of Killers
2 " This is life, Tom,' his father had explained, standing in the doorway to their funeral home's main chapel before approaching her [Tom's mother]. 'And this is death.' Jack Klay switched off the light and darkness filled the room. 'Death is always present, but death is afraid of the light.' His father switched the light back on. 'Your mother was a light.' He squeezed Klay's hand. 'You are a light, Tom. But when a light is switched off, the world is back to its natural state. Do you understand?'Klay said he did. He took from the lesson a message his father had not intended: if the fundamental state of the world is darkness, it is foolish to grieve. He deid not want to be foolish. His mother wouldn't like that. And so to honor her he swore he would not cry at her funeral. He would not mourn her, or anyone....Without realizing it, his definition of darkness expanded over the years so that it wasn't just grief over a lost life he silenced. He found ways to switch off his feelings for all sorts of things that might end: friendships, loves, dreams. Over time, his idea of what constituted an end expanded, too. He learned to protect himself not just from the prospect of grieving, but from any loss, any pain. He began pulling the plug on possibilities earlier and earlier, shutting himself off from everything he might care deeply about before it had a chance to hurt him by dying in front of him--the way his mother had. "
― Bryan Christy
3 " Desire is opportunity. It creates leverage. It was a basic rule of tradecraft.... A man without desire was invisible... There are no truly invisible men, Klay reminded himself. Every person wants something. "
4 " A squiggle, they are believed to be the first animal ever drawn. "
― Bryan Christy , The Lizard King: The True Crimes and Passions of the World's Greatest Reptile Smugglers
5 " Truth may be stranger than fiction, but fiction can be more illuminating. "
6 " Snakes are the most widely dreamed about, most feared, most religiously significant creature in the world. A squiggle, they are believed to be the first animal ever drawn. As sea serpents they embodied terra incognita on ancient maps; they marked a “Don’t Tread on Me” barrier between the colonies and the rest of the world; they are the physical line between the Judeo-Christian notions of good and evil. No other creature figures so widely in folklore and myth. No other creature is so universally accused of hijacking the amygdala, the region of the brain responsible for flight. According to a recent hypothesis published in the Journal of Human Evolution, the shape of the human head—eyes front, large brain—stems from a desire by man’s ancestors to avoid snake predators. "
7 " Healing and protection are long-standing themes for the serpent: the wand of Asclepius, Greek god of medicine, wrapped by a single serpent, inspires the symbols of the American Medical Association and the World Health Organization. Hermes’ winged staff, entwined by a pair of snakes, forms the caduceus, a symbol of alchemy and commerce, and a second symbol of medicine. Jung considered ouroboros, the snake swallowing its own tail, to be the one archetypal symbol that explained absolutely everything. "
8 " In The Frog Prince, a beautiful princess drops her golden ball into a deep spring and must allow a frog into her bedroom to get it back, maturing thereby into a woman. Fairy tales and myth often place an odd creature on the path of the hero to signal an opportunity exists: turn right for good or left for evil. Of all the harbingers of change in fairy tales and myth—disfigured dwarfs, shriveled witches, even Yoda—it is reptiles (and amphibians) that are considered ugly enough without embellishment to awaken the part of the brain that listens to fairy tales. In real life, it is possible that reptiles have the power to switch off a person’s thinking brain and switch on the subconscious, opening the door to a person’s most deeply suppressed passions. Perhaps this is what makes reptiles so terrifying.Coiled at the center of the Oxford English Dictionary’s definition of the word fascinate is this: “of a serpent.” Evolved from lizards, deliverers of venom—snakes are the villains of the animal kingdom. And yet, throughout history, snakes have been recognized for their power to bewitch man, to deprive him of resistance, to draw him near. "
