Home > Work > Mistress Bradstreet: The Untold Life of America's First Poet
1 " Still, the limitations of what we can know, no matter how obsessed we are, have, inevitably, become clear to me. She walks ahead of me and I don't get to see her face. Was her hair brown or pale? Was she slim? Did she get heavier as she bore her children? Or was she petite, like a bird? What did her voice sound like? Did she argue with her husband? Did she like to cook? Was she as ambitious as I think she was? Would she have approved of my writing about her? But the closer I have drawn, the more she has receded, her figure diminishing, no matter how I strain to catch up. Those shores of early America are irretrievable, as is Anne. I have tried to retrieve her here, but some of the most important things are bound to be left unknown. "
― Charlotte Gordon , Mistress Bradstreet: The Untold Life of America's First Poet
2 " The first choice Anne had to make before she picked up her pen was what meter to use, since this was a crucial part of declaring her intentions as a Puritan and as a poet. Once she had decided, she could not waver. This was partly for practical reasons. Each page was precious to Anne. Although her wealthy father did have a larger supply of paper and vellum than most people and she herself had a small bound book to write in, once she had used up this writing material, it was expensive to get more, and it could take months to arrive from England. Mistakes were a costly luxury, therefore, and drafts were an impossibility. Anne would have to think out the lines first and memorize them before hazarding them onto paper. "
