Home > Work > Ashes to Ashes (Anne Rice's Interview With the Vampire #11)
1 " You gave me your immortal kiss. "
― Anne Rice , Ashes to Ashes (Anne Rice's Interview With the Vampire #11)
2 " ¿Qué significa morir cuando puedes vivir hasta el fin del mundo? "
3 " We alone understand the passage of time and the value of every minute of human life. And what constitutes evil, real evil, is the taking of a single human life. Whether a man would have died tomorrow or the day after or eventually … it doesn’t matter. Because if God does not exist, this life … every second of it … is all we have. "
4 " But why . . . you've said Lestat shouldn't have made you start with people. Did you mean . . . do you mean for you it was an aesthetic choice, not a moral one?’’Had you asked me then, I would have told you it was aesthetic, that I wished to understand death in stages. That the death of an animal yielded such pleasure and experience to me that I had only begun to understand it, and wished to save the experience of human death for my mature understanding. But it was moral. Because all aesthetic decisions are moral, really.’‘I don’t understand,’ said the boy. ‘I thought aesthetic decisions could be completely immoral. What about the cliché of the artist who leaves his wife and children so he can paint? Or Nero playing the harp while Rome burned?’‘Both were moral decisions. Both served a higher good, in the mind of the artist. The conflict lies between the morals of the artist and the morals of society, not between aesthetics and morality. But often this isn’t understood; and here comes the waste, the tragedy. An artist, stealing paints from a store, for example, imagines himself to have made an inevitable but immoral decision, and then he sees himself as fallen from grace; what follows is despair and petty irresponsibility, as if morality were a great glass world which can be utterly shattered by one act. But this was not my great concern then. I did not know these things then. I believed I killed animals for aesthetic reasons only, and I hedged against the great moral question of whether or not by my very nature I was damned. "
5 " - Sí - le dije en voz baja -, este es el máximo mal: que hasta podemos llegar tan lejos como amarnos, tú y yo ¿Quién más nos podría mostrar una partícula de amor, una pizca de compasión o misericordia?¿Quién más, conociéndonos como nosotros nos conocemos, podría hacer algo más que destruirnos? Y, sin embargo, nos podemos amar. "
6 " Am I damned? Am I from the devil? Is my very nature that of a devil? I was asking myself over and over. And if it is, why then do I revolt against it, tremble when Babette hurls a flaming lantern at me, turn away in disgust when Lestat kills? What have I become in becoming a vampire? Where am I to go? "