Home > Work > The Truth and Beauty: How the Lives and Works of England's Greatest Poets Point the Way to a Deeper Understanding of the Words of Jesus
1 " Maybe the problem is that you are trying to understand a philosophy instead of trying to get to know a man.” I recognized this on the instant as the single smartest thing anyone had ever said to me. "
― Andrew Klavan , The Truth and Beauty: How the Lives and Works of England's Greatest Poets Point the Way to a Deeper Understanding of the Words of Jesus
2 " If God listened to mothers,” the rabbi responds severely, “we would all rot away in a bog of security and easy living. "
3 " I have no interest in declaring how people should organize their personal lives. Jesus said, “Judge not,”26 and I take that to heart: if you are peering into another person’s soul, you are looking in the wrong direction. But after a long life, I can report anecdotally that all the most joyful people I have ever met were married, and all the happiest marriages I have ever seen were arranged, in some sense, on the Ephesian principles. "
4 " It is the paradox of virtue knit into the fabric of reality: you will not be free unless you are virtuous; you cannot be virtuous unless you are free. "
5 " Because God’s reality is reality, there is no way to escape it. Because it is goodness itself, there is no way to defy it with anything but evil. When it comes to the politics of rebellion and change, the rebel can either seek to work in partnership with God’s creation or find himself outside it and thus in hell. "
6 " This, finally, is the model of all radicalism, in the grip of which men reenact the fall of man as adults so often reenact their childhood traumas. Radicals transgress the paradox of virtue because they claim the knowledge of good and evil for themselves and strip the power to freely choose virtue from others. In this way, they transform their imagined paradise into a living hell. "
7 " To explore the mind of man is to know the face of damnation and salvation both—to know them in the only way we can know them, a human way, just as we know light and good and evil and the falling silver rain. "
8 " This same thing happens too, I think, in one of the most profound and important scenes in all of literature: Moses before the burning bush. Like autumn, the bush contains life-and-death in a single eternal process, the growing bush never consumed by the destructive fire that never dies. Like autumn, the bush, when Moses looks at it, reveals itself to be a person: I AM. "
9 " 28 It is as if he had begun to suspect—to feel, to sense, to imagine—that there was a realm beyond nature, a living reality that nature only symbolized. "
10 " Only Coleridge was philosophically brilliant enough to understand that their declarations about nature—its immortality, its beauty and truth—needed to rest upon the supernatural, “a kind of common sensorium”—as he called Jesus Christ—“the total Idea that modifies all thoughts. "
11 " Maybe the problem is that you are trying to understand a philosophy instead of trying to get to know a man. "
12 " The gospel is good news, not good advice,” popular preacher Timothy Keller writes. “The gospel is not primarily a way of life. It is not something we do, but something that has been done for us and something that we must respond to. "
13 " Unbelief—this was and is at the core of our divisions because faith was and is at the core of Western culture. "
14 " that the deepest experience of human existence, the most creative, the most joyful, and surely the most true is the experience taught to us by the incarnate Word of God and bought for us by his crucifixion and resurrection. "
15 " I hope that others will find what I found: that that journey—that literary journey of the Romantics through an age of unbelief back to the entryway of faith—is nothing less than the journey home. "
16 " In the end, life becomes literature, and literature has meaning because life has meaning. "
17 " A work of art speaks a truth we can’t speak outright: the truth of the human experience. Love, joy, grief, guilt, beauty—no words can communicate these. We can only represent them in stories and pictures and songs. Art is the way we speak the meaning of our lives. "
18 " And while he was speaking, did we not feel our hearts burning within us? "
19 " Meaning is above nature—it is supernatural—because it is the idea that nature expresses. "
20 " A metaphor has three parts: the object we are trying to describe, the term we use to describe it, and the idea that is conveyed when the two come together. In this, a metaphor is itself a metaphor for the Trinity. In the Trinity, the object we are trying to describe is God the Father, the term we use to describe it is Jesus the Son, and when we grasp that idea, we are filled with the Spirit. "