Home > Topic > your fingers
1 " But maybe you never really had someone, she thought now. Maybe, no matter how much you loved them, they could slip through your fingers like water, and there was nothing you could do about it. "
― Cassandra Clare , City of Fallen Angels (The Mortal Instruments, #4)
2 " Like ThisIf anyone asks youhow the perfect satisfactionof all our sexual wantingwill look, lift your faceand say,Like this.When someone mentions the gracefulnessof the nightsky, climb up on the roofand dance and say,Like this.If anyone wants to know what " spirit" is,or what " God’s fragrance" means,lean your head toward him or her.Keep your face there close.Like this.When someone quotes the old poetic imageabout clouds gradually uncovering the moon,slowly loosen knot by knot the stringsof your robe.Like this.If anyone wonders how Jesus raised the dead,don’t try to explain the miracle.Kiss me on the lips.Like this. Like this.When someone asks what it meansto " die for love," pointhere.If someone asks how tall I am, frownand measure with your fingers the spacebetween the creases on your forehead.This tall.The soul sometimes leaves the body, the returns.When someone doesn’t believe that,walk back into my house.Like this.When lovers moan,they’re telling our story.Like this.I am a sky where spirits live.Stare into this deepening blue,while the breeze says a secret.Like this.When someone asks what there is to do,light the candle in his hand.Like this.How did Joseph’s scent come to Jacob?Huuuuu.How did Jacob’s sight return?Huuuu.A little wind cleans the eyes.Like this.When Shams comes back from Tabriz,he’ll put just his head around the edgeof the door to surprise us Like this. "
3 " Whoever said that love hurts was wrong. Love is excruciating, especially when you can feel it slipping through your fingers and there is nothing you can do about it. Like someone was playing tug-of-war with my limbs, ripping to shreds whatever was left behind. What it would feel like when love was lost...I wouldn't survive that "
― Julie Hockley , Crow's Row (Crow's Row, #1)
4 " I have so much love for you, I could fill rooms with it. Buildings. You’re surrounded by it wherever you go, you walk through it, breathe it...it’s in your lungs, and under your tongue, and between your fingers and toes...” His mouth moved passionately over hers, urging her lips apart. It was a kiss to level mountains and shake stars from the sky. It was a kiss to make angels faint and demons weep...a passionate, demanding, soul-searing kiss that nearly knocked the earth off its axis. Or at least that was how Poppy felt about it. "
― Lisa Kleypas , Tempt Me at Twilight (The Hathaways, #3)
5 " It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing.It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive. It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of further pain!I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it. I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human. It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithlessand therefore trustworthy. I want to know if you can see beauty even when it's not pretty, every day,and if you can source your own life from its presence. I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!”It doesn't interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children. It doesn't interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back. It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away. I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments. "
― Oriah Mountain Dreamer
6 " What’s not so great is that all this technology is destroying our social skills. Not only have we given up on writing letters to each other, we barely even talk to each other. People have become so accustomed to texting that they’re actually startled when the phone rings. It’s like we suddenly all have Batphones. If it rings, there must be danger. Now we answer, “What happened? Is someone tied up in the old sawmill?”“No, it’s Becky. I just called to say hi.”“Well you scared me half to death. You can’t just pick up the phone and try to talk to me like that. Don’t the tips of your fingers work? "
― Ellen DeGeneres , Seriously... I'm Kidding
7 " A man will never love you or treat you as well as a store. If a man doesn’t fit, you can’t exchange him seven days later for a gorgeous cashmere sweater. And a store always smells good. A store can awaken a lust for things you never even knew you needed. And when your fingers first grasp those shiny, new bags… "
― Sophie Kinsella , Confessions of a Shopaholic (Shopaholic, #1)
8 " Take the matter as you find it ask no questions, utter no remonstrances; it is your best wisdom. You expected bread and you have got a stone: break your teeth on it, and don't shriek because the nerves are martyrised; do not doubt that your mental stomach - if you have such a thing - is strong as an ostrich's; the stone will digest. You held out your hand for an egg, and fate put into it a scorpion. Show no consternation; close your fingers firmly upon the gift; let it sting through your palm. Never mind; in time, after your hand and arm have swelled and quivered long with torture, the squeezed scorpion will die, and you will have learned the great lesson how to endure without a sob. "
― Charlotte Brontë , Shirley
9 " There is something charming and peculiar about a beginning. You feel it, like the change of seasons, from winter to spring, from spring to summer. You feel it; the new blood pumping inside your veins. You feel it; a thousand butterflies fluttering around your fingers to help you fly. You feel it; on your lips, when you smile at the absurdities of life that suddenly make perfect sense.You smile... Because in every beginning, there is a rebirth. Because in every beginning, there is a layer of you that you just discovered. A layer you forgot was buried in you all this time. You smile because you are reminded of the immensity of fate. You smile because suddenly you feel so small and you like it.So let's begin my dear. This life is beautiful. "
― Malak El Halabi
10 " Every time I go to sleep, I know I may never wake up. How could anyone expect to? You drop your tiny, helpless mind into a bottomless well, crossing your fingers and hoping when you pull it out on its flimsy fishing wire it hasn't been gnawed to bones by nameless beasts below. "
― Isaac Marion , Warm Bodies (Warm Bodies, #1)
11 " I thought leaving you would be easy, just walking out the door but I keep getting pinned against it with my legs around your waist and it’s like my lips want you like my lungs want air, it’s just what they where born to do so I am sitting at work thinking of you cutting vegetables in my kitchen your hair in my shower drain your fingers on my spine in the morningwhile we listen to Muddy Waters, I knowyou will never be the one I call home but the way you talk about poems like marxists talk of revolution it makes me want to keep trying. I’m still looking for reasons to love you.I’m still looking for proof you love me. "
― Clementine von Radics
12 " Sometimes writing is running downhill, your fingers jerking behind you on the keyboard the way your legs do when they can’t quite keep up with gravity. "
― Rainbow Rowell , Fangirl
13 " Writer's block is real. It happens. Some days you sit down at theold typewriter, put your fingers on the keys, and nothing popsinto your head. Blanko. Nada. El nothingissimo. What you dowhen this happens is what separates you from the one-of-thesedays-I'm-gonna-write-a-book crowd. "
14 " But how?" my students ask. " How do you actually do it?" You sit down, I say. You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively. So you sit down at, say, nine every morning, or ten every night. You put a piece of paper in the typewriter, or you turn on the computer and bring up the right file, and then you stare at it for an hour or so. You begin rocking, just a little at first, and then like a huge autistic child. You look at the ceiling, and over at the clock, yawn, and stare at the paper again. Then, with your fingers poised on the keyboard, you squint at an image that is forming in your mind -- a scene, a locale, a character, whatever -- and you try to quiet your mind so you can hear what that landscape or character has to say above the other voices in your mind. "
15 " Edit your manuscript until your fingers bleed and you have memorized every last word. Then, when you are certain you are on the verge of insanity...edit one more time! "
― C.K. Webb
16 " Write until your fingers break. It may be the cure for everything. "
17 " Tell them there are no holes for your fingers in the masks ofmen. Tell them how could you ever even hope to love what you can'tgrab onto. "
― David Foster Wallace , Girl with Curious Hair
18 " The wider you spread your fingers apart while clapping is equal to the amount of retarded you look while clapping. "
― Christy Leigh Stewart
19 " Eating be eating, b'ain't it, Birdie?''Nay, Uncle Bear: In Caermelor, at the Royal Court, they be so-oh, so much more advanced than anywhere else. 'Tis not done to wipe your fingers on your hair or the tablecloth, or belch, or speak with your mouth full of food, or scratch, or pick your teeth at table. Ye have to use little forks to pick up the food. Ye not allowed to pour wine for your betters or for yourself, but to wait for them to deign to pour it for ye, if they be feeling generous. And the carving of the meats must be done a certain way, and as for the toasts-it would take ye a whole day just to learn the complications.'Takes the fun out of eating,' observed Sianadh. "
― Cecilia Dart-Thornton , The Ill-Made Mute (The Bitterbynde, #1)
20 " Working on a typewriter by touch, like riding a bicycle or strolling on a path, is best done by not giving it a glancing thought. Once you do, your fingers fumble and hit the wrong keys. To do things involving practiced skills, you need to turn loose the systems of muscles and nerves responsible for each maneuver, place them on their own, and stay out of it. There is no real loss of authority in this, since you get to decide whether to do the thing or not, and you can intervene and embellish the technique any time you like; if you want to ride a bicycle backward, or walk with an eccentric loping gait giving a little skip every fourth step, whistling at the same time, you can do that. But if you concentrate your attention on the details, keeping in touch with each muscle, thrusting yourself into a free fall with each step and catching yourself at the last moment by sticking out the other foot in time to break the fall, you will end up immobilized, vibrating with fatigue. It is a blessing to have options for choice and change in the learning of such unconsciously coordinated acts. If we were born with all these knacks inbuilt, automated like ants, we would surely miss the variety. It would be a less interesting world if we all walked and skipped alike, and never fell from bicycles. If we were all genetically programmed to play the piano deftly from birth, we might never learn to understand music. "
― Lewis Thomas , The Lives of a Cell: Notes of a Biology Watcher