1
" A shade of sorrow passed over Taliesin's face. 'There are those,' he said gently, 'who must first learn loss, despair, and grief. Of all paths to wisdom, this is the cruelest and longest. Are you one who must follow such a way? This even I cannot know. If you are, take heart nonetheless. Those who reach the end do more than gain wisdom. As rough wool becomes cloth, and crude clay a vessel, so do they change and fashion wisdom for others, and what they give back is greater than what they won. "
― Lloyd Alexander , The High King (The Chronicles of Prydain, #5)
3
" An abolitionist is, as I have developed that notion, one who (1) maintains that we cannot justify animal use, however “humane” it may be; (2) rejects welfare campaigns that seek more “humane” exploitation, or single-issue campaigns that seek to portray one form of animal exploitation as morally worse than other forms of animal exploitation (e.g., a campaign that seeks to distinguish fur from wool or leather); and (3) regards veganism, or the complete rejection of the consumption or use of any animal products, as a moral baseline. An abolitionist regards creative, nonviolent vegan education as the primary form of activism, because she understands that the paradigm will not shift until we address demand and educate people to stop thinking of animals as things we eat, wear, or use as our resources. "
― Gary L. Francione
4
" On the black earth on which the ice plants bloomed, hundreds of black stink bugs crawled. And many of them stuck their tails up in the air. " Look at all them stink bugs," Hazel remarked, grateful to the bugs for being there. " They're interesting," said Doc. " Well, what they got their asses up in the air for?" Doc rolled up his wool socks and put them in the rubber boots and from his pocket he brought out dry socks and a pair of thin moccasins. " I don't know why," he said. " I looked them up recently--they're very common animals and one of the commonest things they do is put their tails up in the air. And in all the books there isn't one mention of the fact that they put their tails up in the air or why." Hazel turned one of the stink bugs over with the toe of his wet tennis shoe and the shining black beetle strove madly with floundering legs to get upright again. " Well, why do you think they do it?" " I think they're praying," said Doc. " What!" Hazel was shocked. " The remarkable thing," said Doc, " isn't that they put their tails up in the air--the really incredibly remarkable thing is that we find it remarkable. We can only use ourselves as yardsticks. If we did something as inexplicable and strange we'd probably be praying--so maybe they're praying." " Let's get the hell out of here," said Hazel. "
8
" 2
NOTES
“You broke your other appointment, didn’t you?”
“I did not! I told you on the phone—these people canceled at the last minute—”
“Oh, Geo dear, come off it! You know, I sometimes think, about you, whenever you do something really sweet, you’re ashamed of it afterwords! You knew jolly well how badly I needed you tonight, so you broke that appointment. I could tell you were fibbing, the minute you opened your mouth! You and I can’t pull the wool over each other’s eyes. I found that out, long ago. Haven’t you—after all these years?”
“I certainly should have,” he agrees, smiling and thinking what an absurd and universally accepted bit of nonsense it is that your best friends must necessarily be the ones who best understand you. "
― Christopher Isherwood , A Single Man
11
" His words reminded me of something else I’d meant to bring up when he got back to town, something that had taken a very low priority. “Your coat—you never took it back after the wedding. It’s in my car.”
He waved dismissively “Keep it. I’ve got others.”
“What am I going to do with a wool coat?” I asked. “Especially here in Palm Springs?”
“Sleep with it,” he suggested. “Think of me.”
I put my hands on my hips and tried to stare him down, which wasn’t easy since he was so tall. That, and because his words suddenly returned me to the disorienting feeling I’d had sitting on his bed. “You said you weren’t going to bring up any romantic stuff around me.”
“Was that romantic?” he asked. “I was just making the suggestion, since the coat’s so heavy and warm. I figured you’d think of me since it was such a nice gesture. And yet, once again, you’re the one who finds romantic subtext in everything I say.”
“I do not. You know that’s not what I meant.”
He shook his head in mock sympathy. “I tell you, Sage. Sometimes I think I’m the one who needs to take out the restraining order on you.”
“Adrian! "
― Richelle Mead , The Indigo Spell (Bloodlines, #3)
13
" Whenever a state or an individual cited 'insufficient funds' as an excuse for neglecting this important thing or that, it was indicative of the extent to which reality had been distorted by the abstract lens of wealth. During periods of so-called economic depression, for example, societies suffered for want of all manner of essential goods, yet investigation almost invariably disclosed that there were plenty of goods available. Plenty of coal in the ground, corn in the fields, wool on the sheep. What was missing was not materials but an abstract unit of measurement called 'money.' It was akin to a starving woman with a sweet tooth lamenting that she couldn't bake a cake because she didn't have any ounces. She had butter, flour, eggs, milk, and sugar, she just didn't have any ounces, any pinches, any pints. The loony legacy of money was that the arithmetic by which things were measured had become more valuable than the things themselves. "
― Tom Robbins , Skinny Legs and All
16
" Lucinda might sneak from her own house at midnight to place a wager somewhere else, but she dared not touch the pack that lay in her own sideboard. She knew how passionate he had become about his 'weakness.' She dared not even ask him how it was he had reversed his opinions on the matter. But, oh, how she yearned to discuss it with him, how much she wished to deal a hand on a grey wool blanket. There would be no headaches then, only this sweet consummation of their comradeship.
But she said not a word. And although she might have her 'dainty' shoes tossed to the floor, have her bare toes quite visible through her stockings, have a draught of sherry in her hand, in short appear quite radical, she was too timid, she thought, too much a mouse, to reveal her gambler's heart to him. She did not like this mouselike quality. As usual, she found herself too careful, too held in.
Once she said: 'I wish I had ten sisters and a big kitchen to laugh in.'
Her lodger frowned and dusted his knees.
She thought: He is as near to a sister as I am likely to get, but he does not understand.
She would have had a woman friend so they could brush each other's hair, and just, please God, put aside this great clanking suit of ugly armor.
She kept her glass dreams from him, even whilst she appeared to talk about them. He was an admiring listener, but she only showed him the opaque skin of her dreams--window glass, the price of transporting it, the difficulties with builders who would not pay their bills inside six months. He imagined this was her business, and of course it was, but all the things she spoke of were a fog across its landscape which was filled with such soaring mountains she would be embarrassed to lay claim to them. Her true ambition, the one she would not confess to him, was to build something Extraordinary and Fine from glass and cast iron. A conservatory, but not a conservatory. Glass laced with steel, spun like a spider web--the idea danced around the periphery of her vision, never long enough to be clear. When she attempted to make a sketch, it became diminished, wooden, inelegant. Sometimes, in her dreams, she felt she had discovered its form, but if she had, it was like an improperly fixed photograph which fades when exposed to daylight. She was wise enough, or foolish enough, to believe this did not matter, that the form would present itself to her in the end. "
― Peter Carey , Oscar and Lucinda
20
" Wait." Walter went to the basket, taking what was a gray sleeve, drawing it out fro the middle of the heap. " Oh," He said. He held the shapeless wool sweater to his chest. Joyce had knit for months the year Daniel died, and here was the result, her handiwork, the garment that would fit a giant. It was nothing more than twelve skeins of yarn and thousands of loops, but it had the power to bring back in a flash the green-tiled walls of the hospital, the sound of an ambulance trying to cut through city traffic in the distance, the breathing of the dying boy, his father staring at the ceiling, the full greasy bucket of fried chicken on he bed table. " I'll take this one," Walter said, balling up the sweater as best he could, stuffing it into a shopping bag that was half full of the books he was taking home, that he was borrowing." Oh, honey," Joyce said. " You don't want that old scrap." " You made it. I remember your making it." Keep it light, he said to himself, that's a boy. " There's a use for it. Don't you think so, Aunt Jeannie? No offense, Mom, but I could invade the Huns with it or strap the sleeves to my car tires in a blizzard, for traction, or protect our nation with it out in space, a shield against nuclear attack." Jeannie tittered in her usual way in spite of herself. " You always did have that sense of humor," she said as she went upstairs. When she was out of range, Joyce went to Walter's bag and retrieved the sweater. She laid it on the card table, the long arms hanging down, and she fingered the stitches. " Will you look at the mass of it," she exclaimed. " I don't even recall making it." " " 'Memory -- that strange deceiver,'" Walter quoted. "
