3
" Robot BoyMr. an Mrs. Smith had a wonderful life.They were a normal, happy husband and wife.One day they got news that made Mr. Smith glad.Mrs. Smith would would be a momwhich would make him the dad!But something was wrong with their bundle of joy.It wasn't human at all,it was a robot boy!He wasn't warm and cuddlyand he didn't have skin.Instead there was a cold, thin layer of tin.There were wires and tubes sticking out of his head.He just lay there and stared,not living or dead.The only time he seemed alive at allwas with a long extension cordplugged into the wall.Mr. Smith yelled at the doctor," What have you done to my boy?He's not flesh and blood,he's aluminum alloy!" The doctor said gently," What I'm going to saywill sound pretty wild.But you're not the father of this strange looking child.You see, there still is some questionabout the child's gender,but we think that its fatheris a microwave blender." The Smith's lives were now filledwith misery and strife.Mrs. Smith hated her husband,and he hated his wife.He never forgave her unholy alliance:a sexual encounterwith a kitchen appliance.And Robot Boygrew to be a young man.Though he was often mistakenfor a garbage can. "
4
" My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask'd, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground:
And yet, by heaven, I think my love as rare
As any she belied with false compare. "
― William Shakespeare , Shakespeare's Sonnets
14
" Mister Geoffrey, my experiment shows that the dynamo and the bulb are both working properly," I said. " So why won't the radio play?" " I don't know," he said. " Try connecting them here." He was pointing toward a socket on the radio labeled " AC," and when I shoved the wires inside, the radio came to life. We shouted with excitement. As I pedaled the bicycle, I could hear the great Billy Kaunda playing his happy music on Radio Two, and that made Geoffrey start to dance." Keep pedaling," he said. " That's it, just keep pedaling." " Hey, I want to dance, too." " You'll have to wait your turn." Without realizing it, I'd just discovered the difference between alternating and direct current. Of course, I wouldn't know what this meant until much later.After a few minutes of pedaling this upside-down bike by hand, my arm grew tired and the radio slowly died. So I began thinking, " What can do the pedaling for us so Geoffrey and I can dance? "
17
" Stand here, he thought, and count the lighted windows of a city. You cannot do it. But behind each yellow rectangle that climbs, one over another, to the sky - under each bulb - down to there, see that spark over the river which is not a star? - there are people whom you will never see and who are your masters. At the supper tables, in the drawing rooms, in their beds and in their cellars, in their studies and in their bathrooms. Speeding in the subways under your feet. Crawling up in elevators through vertical cracks around you. Jolting past you in every bus. Your masters, Gail Wynand. There is a net - longer than the cables that coil through the walls of this city, larger than the mesh of pipes that carry water, gas and refuse - there is another hidden net around you; it is strapped to you, and the wires lead to every hand in the city. They jerked the wires and you moved. You were a ruler of men. You held a leash. A leash is only a rope with a noose at both ends. "
― Ayn Rand , The Fountainhead