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1 " If you're reading this book, there is probably an artist or band whose music you have an intense personal relationship with. I would also guess that this artist or band came into your life during a time when you were highly vulnerable. if this is the case, this artist or band might be the closest thing you had to a confidant. in fact, he, she, or it was better than a confidant, because his/her/its music articulated your own thoughts and feeling better than you ever could. This music elevated the raw materials of your life to the heights of art and poetry. It made you feel as if your personal experience was grander and more meaningful than it might otherwise have been. And naturally you attributed whatever that music was doing to your heart and brain to the people who made the music, and you came to believe that the qualities of the music were also true of the music's creators. " If this music understands me, then the people behind the music must also understand me," goes this line of thought. "
2 " Music escapes ideological characterization. Just as there are some social scientists who believe that what cannot be measured does not truly exist, and some psychologists used to believe that consciousness does not exist because it cannot be observed by instruments, so ideologists find anything that escapes their conceptual framework threatening - because ideologists want a simple principle, or a few simple principles, by which all things may be judged. When I was a student, I lived with a hard-line dialectical materialist who said that Schubert was a typical petit bourgeois pessimist, whose music would die out once objective causes for pessimism ceased to exist. But I suspect that even he was not entirely happy with this formulation. "
― Theodore Dalrymple
3 " Choreographer Twyla Tharp, who directed the opera and dance scenes for thefilm Amadeus, has this to say about the film’s portrait of Mozart:There are no ‘natural’ geniuses… No-one worked harder thanMozart. By the time he was twenty-eight years old, his hands were deformed because ofall the hours he had spent practicing, performing, and gripping a quill pen to compose…As Mozart himself wrote to a friend, “People err who think my art comes easily to me. Iassure you, dear friend, nobody has devoted so much time and thought to composition asI. There is not a famous master whose music I have not industriously studied throughmany times. "
4 " People err who think my art comes easily to me. I assure you, dear friend, nobody has devoted so much time and thought to compositions as I. There is not a famous master whose music I have not industriously studied through many times. "
― Wolfgang Amadeus Mozart
