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4 " But you won’t abdicate." Of course not. It’s my duty to go on, to maintain the line. I can’t possibly fail in that. It’s as if you and I were throwing a ball back and forth to establish a record, and had been doing so for a millennium. You cannot drop a ball that has remained airborne through good effort for most of a thousand years. You cannot stop an unlikely heart that has been beating for so long. I would rather die than betray continuity, for its own sake if for nothing else. And Britain needs a king, just as it needs motormen and cooks and a prime minister. Just as it needs soldiers who will die for it if they must. It’s my job, or it will be, but you should know that I’ve never wanted it. I was only born to it, as if with a deformity, to which I hope I can respond with grace." Fredericka had been running her finger over the carpet, tracing a pattern in the way children do when they have learnt something overwhelming and are moved, but cannot say so. Freddy expected her to look up, with tears, and that in this moment she might have begun the long and arduous process of becoming a queen. She was so beautiful. To embrace her now, with high emotion flowing from her physical majesty, was all he wanted in the world. Her finger stopped moving, and she turned her eyes to him.Freddy?" Yes?" he answered.What’s raw egg? I read a recipe in She that called for a cup of raw egg. What is that?" After a long silence, Freddy asked, " Which part of the formulation escapes you? Egg? Raw? The link between the two?" The two what?" Fredericka?" Yes, Freddy?" Would you like to go dancing?" Oh, yes Freddy!" Come then. We will. "

12 " I’m having my lunch when I hear a familiar hoarse shout, ‘Oy Tony!’ I whip round, damaging my neck further, to see Michael Gambon in the lunch queue. …

Gambon tells me the story of Olivier auditioning him at the Old Vic in 1962. His audition speech was from Richard III. ‘See, Tone, I was thick as two short planks then and I didn’t know he’d had a rather notable success in the part. I was just shitting myself about meeting the Great Man. He sussed how green I was and started farting around.’

As reported by Gambon, their conversation went like this:

Olivier: ‘What are you going to do for me?’

Gambon: ‘Richard the Third.’

Olivier: ‘Is that so. Which part?’

Gambon: ‘Richard the Third.’

Olivier: ‘Yes, but which part?’

Gambon: ‘Richard the Third.’

Olivier: ‘Yes, I understand that, but which part?’

Gambon: ‘Richard the Third.’

Olivier: ‘But which character? Catesby? Ratcliffe? Buckingham’s a good part …’

Gambon: ‘Oh I see, beg your pardon, no, Richard the Third.’

Olivier: ‘What, the King? Richard?’

Gambon: ‘ — the Third, yeah.’

Olivier: “You’ve got a fucking cheek, haven’t you?’

Gambon: ‘Beg your pardon?’

Olivier: ‘Never mind, which part are you going to do?’

Gambon: ‘Richard the Third.’

Olivier: ‘Don’t start that again. Which speech?’

Gambon: ‘Oh I see, beg your pardon, “Was every woman in this humour woo’d.”‘

Olivier: ‘Right. Whenever you’re ready.’

Gambon: ‘ “Was ever woman in this humour woo’d –” ‘

Olivier: ‘Wait. Stop. You’re too close. Go further away. I need to see the whole shape, get the full perspective.’

Gambon: ‘Oh I see, beg your pardon …’ Gambon continues, ‘So I go over to the far end of the room, Tone, thinking that I’ve already made an almighty tit of myself, so how do I save the day? Well I see this pillar and I decide to swing round it and start the speech with a sort of dramatic punch. But as I do this my ring catches on a screw and half my sodding hand gets left behind. I think to myself, “Now I mustn’t let this throw me since he’s already got me down as a bit of an arsehole”, so I plough on … “Was ever woman in this humour woo’d –”‘

Olivier: ‘Wait. Stop. What’s the blood?’

Gambon: ‘Nothing, nothing, just a little gash, I do beg your pardon …’

A nurse had to be called and he suffered the indignity of being given first aid with the greatest actor in the world passing the bandages. At last it was done.

Gambon: ‘Shall I start again?’

Olivier: ‘No. I think I’ve got a fair idea how you’re going to do it. You’d better get along now. We’ll let you know.’

Gambon went back to the engineering factory in Islington where he was working. At four that afternoon he was bent over his lathe, working as best as he could with a heavily bandaged hand, when he was called to the phone. It was the Old Vic.

‘It’s not easy talking on the phone, Tone. One, there’s the noise of the machinery. Two, I have to keep my voice down ’cause I’m cockney at work and posh with theatre people. But they offer me a job, spear-carrying, starting immediately. I go back to my work-bench, heart beating in my chest, pack my tool-case, start to go. The foreman comes up, says, “Oy, where you off to?” “I’ve got bad news,” I say, “I’ve got to go.” He says, “Why are you taking your tool box?” I say, “I can’t tell you, it’s very bad news, might need it.” And I never went back there, Tone. Home on the bus, heart still thumping away. A whole new world ahead. We tend to forget what it felt like in the beginning. "

Antony Sher , Year of the King: An Actor's Diary and Sketchbook