3
" Helen’s secretary’s phone was ringing off the hook as Clavier and I passed through the antechamber and into the hallway. Once we were outside, I rounded on him.
“I’m not going to apologize. What you did to me was unconscionable, and now that Alexa is sick—” The urge to strike out at him welled up in me like a flash fire, and I braced my hand against the wall so as not to give in to the impulse. “I want access to everything. And your full cooperation. I am going to make this right, damn it, whatever it takes.”
He stared at me coldly. “Save your self-righteous invectives for someone who will be moved by them.”
I took a menacing step forward, despite my determination to remain poised. “Hoping for a repeat performance? You must get off on asphyxiation.” At the spark of anger in his eyes, I laughed. “The first thing that’s going to happen is that I am going to talk to Sebastian. And you are going to call whoever you need to call to make that happen. Right now.”
Without waiting for a response, I turned sharply and headed for the stairwell. "
― Nell Stark , nevermore (everafter, #2)
5
" Katherine gave in to the wonder of the moment, imagining herself in the astronauts' place. What emotions welled up from the depths of their hearts as they regarded their watery blue home from the void of space? How did it feel to be separated by a nearly unimaginable gulf from the rest of humanity yet carry the hopes, dreams, and fears of their entire species there with them in their tiny, vulnerable craft? Most people she knew wouldn't have traded places with the astronauts for all of the gold in Fort Knox. The men existed all alone out their in the void of space, connected so tenuously to Earth, with the real possibility that something could go wrong. But given the chance to throw her lot in with the astronauts, Katherine Johnson would have packed her bags immediately. Even without the pressure of the space race, even without the mandate to beat the enemy. For Katherine Johnson, curiosity always bested fear. "
― , Hidden Figures
6
" WILL WORK FOR FOOD © 2013 Lyrics & Music by Michele Jennae
There he was with a cardboard sign,
Will Work For Food
Saw him on the roadside,
As I took my kids to school
I really didn’t have time to stop,
Already running late
Found myself pulling over,
Into the hands of fate
The look in his eyes was empty,
But he held out his hand
I knew my kids were watching,
As I gave him all I had
My heart in my throat I had to ask,
“What brought you here?”
He looked up and straight into my eyes,
I wanted to disappear.
CHORUS
He said… Do you think I really saw myself,
Standing in this light
Forgotten by society,
After fighting for your rights
WILL WORK FOR FOOD,
WILL DIE FOR YOU
I AM JUST A FORGOTTEN SOLDIER,
I DON’T KNOW WHAT TO DO
v. 2 He put the money in his pocket,
Then he took me by the hand
Thank you dear for stopping by,
I am sure that you have plans
He nodded toward my children,
Watching from afar
It’s time they were off to school,
You should get in the car
My eyes welled up and tears fell down,
I couldn’t say a word
Here this man with nothing to his name,
Showing me his concern
I knew then that the lesson,
That today must be taught
Wouldn’t come from textbooks,
And it could not be bought
CHORUS
He said… Do you think I really saw myself,
Standing in this light Forgotten by society,
After fighting for your rights
WILL WORK FOR FOOD,
WILL DIE FOR YOU
I AM JUST A FORGOTTEN SOLDIER,
I DON’T KNOW WHAT TO DO
v. 3 I told him then that I had a job,
That I could give him work
And in return he’d have a meal,
And something to quench his thirst
He looked at me and shrugged a bit,
And followed me to the car
We went right over to a little café,
Just up the road not too far
After I ordered our food he looked at me,
And asked about the kids
“Shouldn’t these tykes be in school,
And about that job you said.”
“Your job,” I said, “is to school my girls,
In the ways of the world
Explain to them your service,
And how your life unfurled.”
He said… Do you think I really saw myself,
Standing in this light
Forgotten by society,
After fighting for your rights
WILL WORK FOR FOOD,
WILL DIE FOR YOU
I AM JUST A FORGOTTEN SOLDIER,
I DON’T KNOW WHAT TO DO
v. 4He wasn’t sure quite what to do,
As he ate his food
And began to tell us all about his life…
the bad… the good.
He wiped his own tears from his eyes,
His story all but done
My girls and I all choked up,
Hugged him one by one
Understanding his sacrifice,
But not his current plight
We resolved then and there that day,
That for him, we would fight.
We offered him our friendship,
And anything else we had
He wasn’t sure how to accept it,
But we made him understand
LAST CHORUS
That we had not really seen before,
Him standing in the light
No longer forgotten by us,
We are now fighting for his rights
He had… WORKED FOR FOOD
HE HAD ALL BUT DIED FOR ME AND YOU
NOT FORGOTTEN ANYMORE
BUT STILL A SOLDIER IN TRUST "
― Michele Jennae
7
" That would make it easy for Amara. Not having a choice was always easy. It was always safer. However bad things were, you kept your head down and did as you were told in order to avoid worse.
The world always wanted people like her to believe those lies.
You were never safe as long as you were at someone else’s whim.
Amara’s eyes met Cilla’s, dark and beaten and haunted.
Not having a choice was the worst thing in the world.
Amara pushed the knife down. Nolan didn’t stop her. And in that moment, with her enemy’s knife in her own hand, a point pressing on Cilla’s arm, Cilla’s skin familiar against hers, relief sneaked up on her and refused to let go. Because what she’d told Cilla wasn’t true. It wasn’t that she couldn’t go back to her old life; she could. If she went back, she’d hate herself, but it meant survival. It might be worth it or it might not be, and she’d never have to find out because it would never happen. She wasn’t going back.
It wasn’t because of what Maart wanted, or because of what Cilla asked, or because of what Jorn said. She’d made the choice. It was hers alone. This or nothing.
Blood welled up from Cilla’s arm. Amara let the knife clatter to the ground. She reached for the cut. She was almost smiling now, a desperate smile that had her lips trembling, that came with tears burning her eyes.
This or nothing. "
― Corinne Duyvis , Otherbound
8
" Turn it beautiful.
His words came faintly at first, but they came again and again, always softly, always with the insistence of an elder commanding wisdom.
Turn it all to beauty.
She walked to the rail. When she turned and sat upon it, she heard a sailor in the crowd murmur that she might play them a tune. She hoped he was right. She needed the voices to be wrong. Fin raised the instrument to the cleft of her neck and closed her eyes. She emptied her mind and let herself be carried back to her earliest memory, the first pain she ever knew: the knowledge that her parents didn’t want her. The despair of rejection coursed through her. It fathered a knot of questions that bound her, enveloped her. Waves of uncertainty and frailty shook her to the bones. Her body quivered with anger and hopelessness. She reeled on the edge of a precipice. She wanted to scream or to throw her fists but she held it inside; she struggled to control it. She fought to subjugate her pain, but it grew. It welled up; it filled her mind. When she could hold it no more, exhausted by defiance and wearied by years of pretending not to care, Bartimaeus’s words surrounded her.
Got to turn it beautiful.
She dropped her defenses. She let weakness fill her. She accepted it. And the abyss yawned. She tottered over the edge and fell. The forces at war within her raced down her arms and set something extraordinary in motion; they became melody and harmony: rapturous, golden. Her fingers coaxed the long-silent fiddle to life. They danced across the strings without hesitation, molding beauty out of the miraculous combination of wood, vibration, and emotion. The music was so bright she felt she could see it. The poisonous voices were outsung. Notes raged out of her in a torrent. She had such music within her that her bones ached with it, the air around her trembled with it, her veins bled it. The men around fell still and silent. Some slipped to the deck and sat enraptured like children before a travelling bard. "
― A.S. Peterson , Fiddler's Green (Fin's Revolution, #2)
14
" I remembered during puberty, through the anorexic mists of intermittent menstrual cycles, that man, my father, lifting Shirley's nightdress over her head and asking her in his mocking way to choose what colour condom she wanted. 'Red or yellow?' Which did she choose? I can't remember. Perhaps she alternated. Perhaps there were other colours. It didn't happen once. It happened again and again. I had no power to stop it. That man, my father, had some control over me. I was drugged by the black silence in that big house, the vile whiff of aftershave, the crushing torment of inevitability. My father fucked Shirley using red or yellow condoms and it was those condoms that brought it all to an end. It was my last realization of the day; any more would have been too much to contemplate.
That time when my mother had found used condoms in bedroom, he had admitted, after a pointless burst my father's of denial, that he had been going to prostitutes. That was no doubt true but I can't imagine clients take used condoms away with them; prostitutes would surely get rid of the things. No. My father kept those used condoms as a prize. He was fucking his fourteen-year-old-daughter. He was proud of it.
Rebecca welled up with tears. Poor thing, she kept saying. Poor thing. "
― , Today I'm Alice: Nine Personalities, One Tortured Mind
15
" From: The Crown of Telus
She opened her eyes, saw the crown sitting on her bedside table, and wished that it was all a dream. The crown of Trist was nothing special. It had no gemstones, no gold or silver filigree; instead it was simple, a metal circlet with four points and some inlay around a scratched and dented band.
“It’s a working man’s crown,” she remembered her father holding the symbol of power out to her when she younger. “See the inlay? Three moons, one for each of our gods, over an oak which represents the mighty forests of the north, a shock of wheat for the Plainsmen to the south, a ship for the Gheltes to the west, and a hashap flower for the spice in the east. Nothing more. We don’t need anymore.”
Tears welled in her eyes. A working man’s crown. Nothing fancy or bejeweled, a symbol of the power that guides the land and cares for its people.
This was going to be the first day she wore it as queen. "
― William Laws
16
" She loved sinking into her bed on evenings like this, but apparently she shouldn't, because it worried her aunts, who thought she ought to be out dancing. It worried her a little bit, too, because what if they were right, and because sometimes a great loneliness welled up in her and threatened all the dams she built to hold it back. You couldn't cure loneliness by wallowing in it, up above the world, on an island removed from everything. She knew that. But she had such a hard time with all the cures. They seemed rough and brusque and brutal, as if they abused her skin with a pot scrubber . . . forcing herself into a mass of people, a stranger among strangers. . . . But it was much more tempting to curl up with a book under her thick white comforter.Still, sometimes after she curled up, she regretted her lack of courage and felt bleakly l "
20
" First off,” he said, “I want to say I’m sorry about E.Z. He was a good kid. He didn’t deserve…” For a moment he almost lost it as a surge of emotion welled up from nowhere. “I’m sorry he died.”
Someone sobbed loudly.
“Look, I’m going to get right to it: we have three hundred and thirty-two…I’m sorry, three hundred and thirty-one mouths to feed,” Sam said. He placed his hands on his hips and planted his feet wide apart. “We were already pretty bad off for food supplies. But after the attack by the Coates kids…well, it’s not pretty bad off, anymore, it’s desperate.”
He let that sink in. But how much were six-and eight-year-olds really grasping? Even the older kids looked more glazed than alarmed.
“Three hundred and thirty-one kids,” Sam reiterated, “And food for maybe a week. That’s not a long time. It’s not a lot of food. And as you all know, the food we have is awful.”
That got a response from the audience. The younger kids produced a chorus of gagging and retching sounds.
“All right,” Sam snapped. “Knock it off. The point is, things are really desperate. "
― Michael Grant , Hunger (Gone, #2)
