1
" Cage
It's a tear i want to shed,
For the weathered roses that once was red,
Today it's a decision want to make,
To move on in life ignoring the fate,
It's the promises i want to break,
Because its a nightmare and i want to awake,
It is the poem that don't rhyme,
I don't know how, but things changed with the tides of time,
It's the memories i want to forget,
Now i am tired, no more i can regret,
I'm the one, who feels alone in the crowd,
I want to cry, run and shout out loud,
Please leave me alone, relieve me from the pain,
I am empty now, there is nothing more you can regain,
Look at me and deep into my eyes,
You will find the love that never dies "
― Ratish Edwards
18
" Trees are like people and give the answers to the way of Man. They grow from the top down. Children, like treetops, have flexibility of youth, and sway more than larger adults at the bottom. They are more vulnerable to the elements, and are put to the test of survival by life's strong winds, rain, freezing cold, and hot sun. Constantly challenged. As they mature, they journey down the tree, strengthening the family unit until one day they have become big hefty branches. In the stillness below, having weathered the seasons, they now relax in their old age, no longer subject to the stress from above. It's always warmer and more enclosed at the base of the tree. The members remain protected and strong as they bear the weight and give support to the entire tree. They have the endurance. "
― , Modoc: The True Story of the Greatest Elephant That Ever Lived
19
" A weathered black and silver Dodge pickup towing a small motorboat pulled up behind us, and Alex circled back to greet the driver. I couldn’t see who sat behind the crusted and dirty windshield, but Alex stood at the driver’s window and pointed down the block where the boulevard disappeared into floodwater.
The truck pulled ahead, maneuvered a deft U-turn, and backed toward the water. Alex motioned for me to follow. By the time I lurched my way to the truck, he and the pickup driver were sliding the boat down the trailer ramp. Sweat trickled down my neck, and if I hadn’t been afraid of being poisoned by toxic sludge, I’d have made like a pig and wallowed in the mud to cool off.
I kicked at a fire hydrant, trying to jolt some of the heaviest sludge off my boots, and heard a soft laugh behind me. With a final kick that sent a spray of brown gunk flying, I turned to see what was so funny. I needed a laugh.
A man leaned against the side of the pickup with his arms crossed. He was a few inches shorter than Alex, maybe just shy of six feet, with sun-streaked blond hair that reached his collar and a sleeveless blue T-shirt and khaki shorts. His tanned legs between the bottom of the shorts and the top of sturdy black shrimp boots were scored with scars, bad ones, as if whatever made them meant to do serious damage.
He’d been grinning when I turned around, flashing a heart-stopping set of dimples, but when he saw my eyes linger on his legs, the grin eased into something more wary. "
― Suzanne Johnson , Royal Street (Sentinels of New Orleans, #1)