1
" Where is the land of Luthany,Where is the tract of Elenore?I am bound therefore.'Pierce thy heart to find the key;With thee takeOnly what none else would keep;Learn to dream when thou dost wake;Learn to wake when thou dost sleep.Learn to water joy with tears,Learn from fears to vanquish fears;To hope, for thou dar'st not despair;Exult, for that thou dar'st not grieve;Plough thou the rock until it bear;Know, for thou else couldst not believe;Lose, that the lost thou may'st receive;Die, for none other way canst live.'When earth and heave lay down their veil,And that apocalypse turns thee pale;When thy seeing blindeth theeTo what thy fellow-mortals see;When their sight to thee is sightless;Their living, death; their light, most lightless;Search no more--Pass the gates of Luthany,Tread the region Elenore!'Where is the land of Luthany?And where the region Elenore?I do faint therefore.'When to the new eyes of theeAll things by immortal power,Near or far,HiddenlyTo each other linked are,That thou canst not stir a flowerWithout troubling of a star;When thy song is shield and mirrorTo the fair snake curled pain,Where thou dar'st affront her terrorThat on her thou may'st attainPersean Conquest; seek no more,O seek no more!Pass the gates of Luthany,Tread the region Elenore! "
5
" And then also, again, still, what are those boundaries, if they’re not baselines, that contain and direct its infinite expansion inward, that make tennis like chess on the run, beautiful and infinitely dense? The true opponent, the enfolding boundary, is the player himself. Always and only the self out there, on court, to be met, fought, brought to the table to hammer out terms. The competing boy on the net’s other side: he is not the foe: he is more the partner in the dance. He is the what is the word excuse or occasion for meeting the self. As you are his occasion. Tennis’s beauty’s infinite roots are self-competitive. You compete with your own limits to transcend the self in imagination and execution. Disappear inside the game: break through limits: transcend: improve: win. Which is why tennis is an essentially tragic enterprise… You seek to vanquish and transcend the limited self whose limits make the game possible in the first place. It is tragic and sad and chaotic and lovely. All life is the same, as citizens of the human State: the animating limits are within, to be killed and mourned, over and over again…Mario thinks hard again. He’s trying to think of how to articulate something like: But then is battling and vanquishing the self the same as destroying yourself? Is that like saying life is pro-death? … And then but so what’s the difference between tennis and suicide, life and death, the game and its own end? "
― David Foster Wallace , Infinite Jest
12
" The Fool in the Tarot deck frequently depicted a boy with a dog at his heels, staring at the sky while he walked blithely off a cliff, burdened only by a bundle on a stick. The diabolist had admitted a relationship to the card.
No single detail was quite right, but much as something might appear similar if one were to unfocus their vision…
The young diabolist walked with the sparrow at his shoulder, eyes on the windows without looking through the windows, walking forward as if he were afraid to stop. His burden here was the gas containers.
No, he was burdened not just by the gas containers, but by some notion of responsibility.
A man, when facing death, aspires to finish what he started.
What had the custodian of the Thorburn estate started? What drove him?
She knew he sought to do good and to vanquish evil, and she could surmise that both good acts and the existence of evil had touched him deeply.
The Fool card was akin to the ace. Depending on the game being played, it was often the lowest card or the highest. Valueless or highly valued. Powerless or powerful.
It all depended on context. He sought to kill the demon, and he would either catastrophically fail or succeed.
This Fool sought to slay the metaphorical dragon. He felt his own mortality, which was quite possibly her fault, in part, and now he rushed to finish the task he’d set for himself. To better the world.
The Fool was wrought with air – the clouds he gazed at, the void beyond the cliff, the feather in his cap, even the dog could often be found mid-step, bounding, just above the ground.
He was a Fool wrought with a different element. The familiar didn’t quite fit for the departure from the air, but the traditional dog didn’t conjure ideas of air right off the bat either.
What was he wrought with? That was another question that begged an answer. "
― , Pact
14
" The life of the hero of the tale is, at the outset, overshadowed by bitter and hopeless struggles; one doubts that the little swineherd will ever be able to vanquish the awful Dragon with the twelve heads. And yet, ...truth and courage prevail and the youngest and most neglected son of the family, of the nation, of mankind, chops off all twelve heads of the Dragon, to the delight of our anxious hearts. This exultant victory, towards which the hero of the tale always strives, is the hope and trust of the peasantry and of all oppressed peoples. This hope helps them bear the burden of their destiny. "
― , Once Upon a Time: Forty Hungarian Folk-Tales