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1 " Regular maps have few surprises: their contour lines reveal where the Andes are, and are reasonably clear. More precious, though, are the unpublished maps we make ourselves, of our city, our place, our daily world, our life; those maps of our private world we use every day; here I was happy, in that place I left my coat behind after a party, that is where I met my love; I cried there once, I was heartsore; but felt better round the corner once I saw the hills of Fife across the Forth, things of that sort, our personal memories, that make the private tapestry of our lives. "
― Alexander McCall Smith , Love Over Scotland (44 Scotland Street, #3)
2 " In the statistical gargon used in psychology, p refers to the probability that the difference you see between two groups (of introverts and extroverts, say, or males and females) could have occurred by chance. As a general rule, psychologists report a difference between two groups as 'significant' if the probability that it could have occurred by chance is 1 in 20, or less. The possibility of getting significant results by chance is a problem in any area of research, but it's particularly acute for sex differences research. Supppose, for example, you're a neuroscientist interested in what parts of the brain are involved in mind reading. You get fifteen participants into a scanner and ask them to guess the emotion of people in photographs. Since you have both males and females in your group, you rin a quick check to ensure that the two groups' brains respond in the same way. They do. What do you do next? Most likely, you publish your results without mentioning gender at all in your report (except to note the number of male and female participants). What you don't do is publish your findings with the title " No Sex Differences in Neural Circuitry Involved in Understanding Others' Minds." This is perfectly reasonable. After all, you weren't looking for gender difference and there were only small numbers of each sex in your study. But remember that even if males and females, overall, respond the same way on a task, five percent of studies investigating this question will throw up a " significant" difference between the sexes by chance. As Hines has explained, sex is " easily assessed, routinely evaluated, and not always reported. Because it is more interesting to find a difference than to find no difference, the 19 failures to observe a difference between men and women go unreported, whereas the 1 in 20 finding of a difference is likely to be published." This contributes to the so-called file-drawer phenomenon, whereby studies that do find sex differences get published, but those that don't languish unpublished and unseen in a researcher's file drawer. "
3 " The pain of an unpublished manuscript is akin to the trauma of bearing an unborn. "
― Anurag Shourie , An Ode Towards Hope – (Crumpled Voices 3)
4 " I'm more interested in becoming a commercial writer, and unfortunately, commentary on my writing from a bunch of other unpublished writers is of little utility in that regard. Being a better writer is something of a moot point, since if you're not a commercial writer to some extent, very few people will know whether your writing is any good or not. "
― John Scalzi
5 " An unpublished writer should doubt themselves. They should constantly wonder whether what they’re creating has merit. And then, having doubted, they should take up their pen and see if they can’t make it better. "
― Johnny Rich
6 " The lady who works in the grocery store at the corner of my block is called Denise, and she's one of America's great unpublished novelists. Over the years she's written forty-two romantic novels, none of which have ever reached the bookstores. I, however, have been fortunate enough to hear the plots of the last twenty-seven of these recounted in installments by the authoress herself every time I drop by the store for a jar of coffee or can of beans, and my respect for Denise's literary prowess knows no bounds. So, naturally enough, when I found myself faced with the daunting task of actually starting the book you now hold in your hands, it was Denise I turned to for advice. "
― Dave Gibbons , Watchmen
7 " As he spoke, the wind whistled through the gaps in his teeth, creating an odd musical accompaniment to his words. -- unpublished as of Jan 11 2016, but surely due to appear in one of my works eventually. "
8 " To refer even in passing to unpublished or struggling authors and their problems is to put oneself at some risk, so I will say here and now that any unsolicited manuscripts or typescripts sent to me will be destroyed unread. You must make your way yourself. Why you should be so set on the nearly always disappointing profession is a puzzling question. "
― Kingsley Amis , The Amis Collection: Selected Non-fiction
9 " Writers, even unpublished writers, have a tendency not to notice what’s going on around them when they are the center of attention. "
― Gary Reilly , Ticket To Hollywood (Asphalt Warrior, #2)
10 " I find things hidden in books: dried flowers, locks of hair, tickets, labels, receipt, invoices, photographs, postcards, all manner of cards. I find letters, unpublished works by the ordinary, the anguished, the illiterate. Clumsily written or eloquent, they are love letters, everyday letters, secret letters and mundane letters talking about fruit and babies and tennis matches, from people signing themselves as Majorie or Jean....I can't bring myself to dispose of these snippets and snapshots of lives that once meant (or still do mean) so much. "
11 " When I came out into the outside room again, I saw her shoe still lying there, where it had come off in the course of our brief wrestle. It looked so pathetic there by itself without an owner, it looked so lonely, it looked so empty. Something made me pick it up arid take it in to her. Like when someone's going away, you help them on with their coat, or their jackboots, or whatever it is they need for going away.I didn't try to put it back on her, I just set it down there beside her close at hand. You're going to need this, I said to her in my mind. You're starting on a long walk. You're going to keep walking from now on, looking for your home.I stopped and wondered for a minute if that was what happened to all of us when we crossed over. Just keep walking, keep on walking, with no ahead and no in-back-of; tramps, vagrants in eternity. With our last hope and horizon - death - already taken away.In the Middle Ages they had lurid colors, a bright red hell, an azure heaven shot with gold stars. They knew where they were, at least. They could tell the difference. We, in the Twentieth, we just have the long walk, the long walk through the wispy backward-stringing mists of eternity, from nowhere to nowhere, never getting there, until you're so tired you almost wish you were alive again. (" Life Is Weird Sometimes" - first chapter of unpublished novel THE LOSER) "
12 " No one is treated with more patronizing condescension than the unpublished author or, in general, the would-be artist. At best he is commiserated. At worst mocked. He has presumed to rise above others and failed. I still recall a conversation around my father’s deathbed when the visiting doctor asked him what his three children were doing. When he arrived at the last and said young Timothy was writing a novel and wanted to become a writer, the good lady, unaware that I was entering the room, told my father not to worry, I would soon change my mind and find something sensible to do. Many years later, the same woman shook my hand with genuine respect and congratulated me on my career. She had not read my books. "
― Tim Parks , Where I'm Reading From: The Changing World of Books
13 " There is a gaping hole in the history of the Holocaust. Between Adolf Hitler and Joseph Mengele there was a hierarchy of scientists whom were responsible for writing the infamous racial legislation of the Third Reich. These scientists, doctors, and legislators enjoyed prestigious positions in the various institutions within Hitler's Germany. To be more precise, many of the ghastly experiments credited to Mengele were ordered by this group of high-ranking scientists and doctors. Mengele was following their orders, yet many of these German doctors and scientists were set free after being captured by the Allies. Previously unpublished manuscripts, correspondence, and conveniently forgotten publications reveal professional and political relationships as well as shared scientific convictions between high-profile American Progressives, British Fabian Socialists, and their German counterparts. The mounting evidence points to the long-standing designs and machinations of " scientific racism" , a still poorly understood aspect of history. This book documents the hundred year trajectory of the history of " scientific racism" from its initial intentions to create " a race of masters" to the Holocaust, which resulted from Hitler's conviction to create a " master race" . These scientific prejudices and political dogmas are as relevant today as they were leading up to WWII. A thorough understanding of the origins of this movement is in order. "
14 " CONGRATULATIONS DL Havlin! Your entry, " There are No Lights in Naples" , an unpublished short fiction - flash fiction genre category, is a finalist for the 2016 Royal Palm Literary Awards competition! "