5
" The satyr, as the Dionysiac chorist, dwells in a reality sanctioned by myth and ritual. That tragedy should begin with him, that the Dionysiac wisdom of tragedy should speak through him, is as puzzling a phenomenon as, more generally, the origin of tragedy from the chorus. Perhaps we can gain a starting point for this inquiry by claiming that the satyr, that fictive nature sprite, stands to cultured man in the same relation as Dionysian music does to civilization. Richard Wagner has said of the latter that it is absorbed by music as lamplight by daylight. In the same manner, I believe, the cultured Greek felt himself absorbed into the satyr chorus, and in the next development of Greek tragedy state and society, in fact everything that separates man from man, gave way before an overwhelming sense of unity that led back into the heart of nature. This metaphysical solace (which, I wish to say at once, all true tragedy sends us away) that, despite every phenomenal change, life is at bottom indestructibly joyful and powerful, was expressed most concretely in the chorus of satyrs, nature beings who dwell behind all civilization and preserve their identity through every change of generations and historical movement.
With this chorus the profound Greek, so uniquely susceptible to the subtlest and deepest suffering, who had penetrated the destructive agencies of both nature and history, solaced himself. Though he had been in danger of craving a Buddhistic denial of the will, he was saved through art, and through art life reclaimed him. "
― Friedrich Nietzsche , The Birth of Tragedy
6
" For the same reason there is nowhere to begin to trace the sheaf or the graphics of differance. For what is put into question is precisely the quest for a rightful beginning, an absolute point of departure, a principal responsibility. The problematic of writing is opened by putting into question the value of the arkhe. What I will propose here will not be elaborated simply as a philosophical discourse, operating according to principles, postulates, axioms, or definitions, and proceeding along the discursive lines of a linear order of reasons. In the delineation of differance everything is strategic and adventurous. Strategic because no transcendent truth present outside the field of writing can govern theologically the totality of the field. Adventurous because this strategy is a not simple strategy in the sense that strategy orients tactics according to a final goal, a telos or theme of domination, a mastery and ultimate reappropriation of the development of the field. Finally, a strategy without finality, what might be called blind tactics, or empirical wandering if the value of empiricism did not itself acquire its entire meaning in opposition to philosophical responsibility. If there is a certain wandering in the tracing of differance, it no more follows the lines of philosophical-logical discourse than that of its symmetrical and integral inverse, empirical-logical discourse. The concept of play keeps itself beyond this opposition, announcing, on the eve of philosophy and beyond it, the unity of chance and necessity in calculations without end. "
― Jacques Derrida , Margins of Philosophy
8
" When Coleridge tried to define beauty, he returned always to one deep thought; beauty, he said, is unity in variety! Science is nothing else than the search to discover unity in the wild variety of nature,—or, more exactly, in the variety of our experience. Poetry, painting, the arts are the same search, in Coleridge’s phrase, for unity in variety. "
― Bronowski
9
" *There is only one God*. Whatever exists is *ipso facto* individual; to be one it needs no extra property and calling it one merely denies that it is divided. Simple things are neither divided nor divisible; composite things do not exist when their parts are divided. So existence stands or falls with individuality, and things guard their unity as they do their existence. But what is simply speaking one can yet in certain respects be many: an individual thing, essentially undivided, can have many non-essential properties; and a single whole, actually undivided, can have potentially many parts.
Only when one is used to count with does it presuppose in what it counts some extra property over and above existence, namely, quantity. The one we count with contrasts with the many it counts in the way a unity of measurement contrasts with what it measures; but the individual unity common to everything that exists contrasts with plurality simply by lacking it, as undividedness does division. A plurality is however *a* plurality: though simply speaking many, inasmuch as it exists, it is, incidentally, one. A continuum is homogeneous: its parts share the form of the whole (every bit of water is water); but a plurality is heterogeneous: its parts lack the form of the whole (no part of the house is a house). The parts of a plurality are unities and non-plural, though they compose the plurality not as non-plural but as existing; just as the parts of a house compose the house as material, not as not houses. Whereas we define plurality in terms of unity (many things are divided things to each of which is ascribed unity), we define unity in terms of division. For division precedes unity in our minds even if it doesn’t really do so, since we conceive simple things by denying compositeness of them, defining a point, for example, as lacking dimension. Division arises in the mind simply by negating existence. So the first thing we conceive is the existent, then―seeing that this existent is not that existent―we conceive division, thirdly unity, and fourthly plurality.
There is only one God. Firstly, God and his nature are identical: to be God is to be this individual God. In the same way, if to be a man was to be Socrates there would only be one man, just as there was only one Socrates. Moreover, God’s perfection is unlimited, so what could differentiate one God from another? Any extra perfection in one would be lacking in the other and that would make him imperfect. And finally, the world is one, and plurality can only produce unity incidentally insofar as it too is somehow one: the primary and non-incidental source of unity in the universe must himself be one. The one we count with measures only material things, not God: like all objects of mathematics, though defined without reference to matter, it can exist only in matter. But the unity of individuality common to everything that exists is a metaphysical property applying both to non-material things and to God. But what in God is a perfection has to be conceived by us, with our way of understanding things, as a lack: that is why we talk of God as lacking a body, lacking limits and lacking division. "
― Thomas Aquinas , Summa Theologica
10
" Science and philosophy have for centuries been sustained by unquestioning faith in perception. Perception opens a window on to things. This means that it is directed, quasi-teleologically, towards a *truth in itself* in which the reason underlying all appearances is to be found. The tacit thesis of perception is that at every instant experience can be co-ordinated with that of the previous instant and that of the following, and my perspective with that of other consciousnesses—that all contradictions can be removed, that monadic and intersubjective experience is one unbroken text—that what is now indeterminate for me could become determinate for a more complete knowledge, which is as it were realized in advance in the thing, or rather which is the thing itself. Science has first been merely the sequel or amplification of the process which constitutes perceived things. Just as the thing is the invariant of all sensory fields and of all individual perceptual fields, so the scientific concept is the means of fixing and objectifying phenomena. Science defined a theoretical state of bodies not subject to the action of any force, and *ipso facto* defined force, reconstituting with the aid of these ideal components the processes actually observed. It established statistically the chemical properties of pure bodies, deducing from these those of empirical bodies, and seeming thus to hold the plan of creation or in any case to have found a reason immanent in the world. The notion of geometrical space, indifferent to its contents, that of pure movement which does not by itself affect the properties of the object, provided phenomena with a setting of inert existence in which each event could be related to physical conditions responsible for the changes occurring, and therefore contributed to this freezing of being which appeared to be the task of physics. In thus developing the concept of the thing, scientific knowledge was not aware that it was working on a presupposition. Precisely because perception, in its vital implications and prior to any theoretical thought, is presented as perception of a being, it was not considered necessary for reflection to undertake a genealogy of being, and it was therefore confined to seeking the conditions which make being possible. Even if one took account of the transformations of determinant consciousness, even if it were conceded that the constitution of the object is never completed, there was nothing to add to what science said of it; the natural object remained an ideal unity for us and, in the famous words of Lachelier, a network of general properties. It was no use denying any ontological value to the principles of science and leaving them with only a methodical value, for this reservation made no essential change as far as philosophy was concerned, since the sole conceivable being remained defined by scientific method. The living body, under these circumstances, could not escape the determinations which alone made the object into an object and without which it would have had no place in the system of experience. The value predicates which the reflecting judgment confers upon it had to be sustained, in being, by a foundation of physico-chemical properties. In ordinary experience we find a fittingness and a meaningful relationship between the gesture, the smile and the tone of a speaker. But this reciprocal relationship of expression which presents the human body as the outward manifestation of a certain manner of being-in-the-world, had, for mechanistic physiology, to be resolved into a series of causal relations.”
—from_Phenomenology of Perception_. Translated by Colin Smith, pp. 62-64
—Artwork by Cristian Boian "
― Maurice Merleau-Ponty
16
" There are times...when we are in the midst of life-moments of confrontation with birth or death, or moments of beauty when nature or love is fully revealed, or moments of terrible loneliness-times when a holy and awesome awareness comes upon us. It may come as deep inner stillness or as a rush of overflowing emotion. It may seem to come from beyond us, without any provocation, or from within us, evoked by music or by a sleeping child. If we open our hearts at such moments, creation reveals itself to us in all it's unity and fullness. And when we return from such a moment of awareness, our hearts long to find some way to capture it in words forever, so that we can remain faithful to it's higher truth.
...When my people search for a name to give to the truth we feel at those moments, we call it God, and when we capture that understanding in timeless poetry, we call it praying. "
― Mary Doria Russell , The Sparrow (The Sparrow, #1)
