understated QUOTES

1 " She was a damn good kisser, maybe the best I'd ever had the immense pleasure of kissing. It helped that her lips were like pillows and she tasted sweet. Not like strawberries or peaches. Sunshine and sweet—her own brand of it. Plus there was desperation in the kiss, an understated but raw passion I couldn't recall ever experiencing before.

Or maybe that had been me. Maybe I'd been the passionate, desperate one. No matter. Either way, she'd stolen my breath, robbed me of thought and sense. She was a master thief, and I loved her for it. "

― Penny Reid , Grin and Beard It (Winston Brothers, #2)

2 " I have heard some people complain that if Jesus was God as well as man, then His suffering and death lose all value in their eyes, 'because it must have been so easy for him.' Others may (very rightly) rebuke the ingratitude and ungraciousness of this objection; what staggers me is the misunderstanding it betrays. In one sense, of course, those who make it are right. They have even understated their own case. The perfect submission, the perfect suffering, the perfect death were not only easier to Jesus because he was God, but were possible only because He was God. But surely that is a very odd reason for not accepting them? The teacher is able to form the letters for the child because the teacher is grown-up and knows how to write. That, of course, makes it easier for the teacher; and only because 'it's easy for grown ups' and waited to learn writing from another child who could not write itself (and so had no 'unfair' advantage), it would not get on very quickly. If I am drowning in a rapid river, a man who still has one foot on the bank may give me a hand which saves my life. Ought I to shout back (between my gasps) 'No, it's not fair! You have an advantage! You're keeping one foot on the bank? That advantage--call it 'unfair' if you like--is the only reason why he can be of any use to me. To what will you look for help if you will not look to that which is stronger than yourself? "

― C.S. Lewis

3 " Of course one’s sense of identification with the nation is inflected by all kinds of particulars, including one’s class, race, gender, and sexual identification. … But [regarding] national character …, aside from references to a national aesthetic — literary, musical, and choreographic, there are two poles I reference: minimalist and maximalist. I love them both — the cryptic poems of Emily Dickinson folded up in tiny packets and hidden away in a box, the sparse, understated choreographies of Merce; but also the “trashy, profane and obscene” poems of Whitman and Ginsberg, [and] Martha Graham’s expressionism. I am, myself, a minimalist. But I love distortion guitar and the wild exhibitionism of so many American artists. Also, these divisions are false. Emily Dickinson, in fact, can be as trashy and obscene as the best of them! Anyway, Dickinson and Whitman are at the heart of this narrative. They are the Dancing Queen and the Guitar Hero. "

4 " Even the most understated ceremony involves a certain respect for ritual and pageantry. No one plays more of a significant role than the bride's attendants. "