1
" I pull my foot back again, but Four's hands clamp around my arms, and he pulls me away from her with irresistible force. I breathe through gritted teeth, staring at Molly's blood-covered face, the color deep and rich and beautiful, in a way. She groans, and I hear a gurgling in her throat, watch blood trickle from her lips. " You won," Four mutters. " Stop." I wipe the sweat from my forehead. He stares at me. His eyes too wide; they look alarmed. " I think you should leave," he says. " Take a walk." I'm fine," I say. " I'm fine now," I say again, this time for myself.I wish I could say I felt guilty for what I did.I don't. "
11
" Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.”The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back.A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life. "
14
" In ordinary perception, the senses send an overwhelming flood of information to the brain, which the brain then filters down to a trickle it can manage for the purpose of survival in a highly competitive world. Man has become so rational, so utilitarian, that the trickle becomes most pale and thin. It is efficient, for mere survival, but it screens out the most wondrous parts of man's potential experience without his even knowing it. We're shut off from our own world. Primitive man once experienced the rich and sparkling flood of the senses fully. Children experience it for a few months-until " normal" training, conditioning, close the doors on this other world, usually for good. Somehow, the drugs opened these ancient doors. And through them modern man may at last go, and rediscover his divine birthright... "
17
" I can’t believe it.’ I whispered.
‘You can’t let him lure you back in, Felicia. He’s wrong. He’s wrong!’ Vanian pleaded, I could feel the quiver of his magic, the wisps that were fighting against the iron burning into his wrists, I could feel the crackle as it fought in the air, against his emotions, against his pain. I shook my head, was about to speak but Adam grabbed him by the front of his shirt; as if a few more tears and shreds couldn’t go amiss. The tightness of his grip paled the Faerie’s cheeks, caused the blood to trickle down faster, dropping to the floor.
‘My wife.’ He yelled, ‘She’s my wife, silverblood.’ With each growl of a syllable he accented it with a punch to Vanian’s face.
I couldn’t take much more. I jumped over and pulled at Adam’s shoulders, fingertips driving into the nook of his collarbone, pressing down with as much as I had in me, anything to break his hold. He recoiled and rose his hand to me, at first I flinched but I stopped. He wouldn’t hurt me. He wouldn’t. "
― Charlotte Munro , Requiem City: The Butcher (Requiem City #1)