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1 " As he walked along the runway, he came upon a United Airlines pilot. “He tried to sit up,” Martz said. “I saw a huge triangular hole in his forehead and I told him to just lie still and that help was on the way, but it was too late for him. "
― Laurence Gonzales , Flight 232: A Story of Disaster and Survival
2 " Spare parts lay scattered, every turn wrought with twisted dread, all over the ground, the rooftops, and they were still. Some moving, twitching, enough to almost see. Half cracked and shattered, but still visible and eerie, smiles spread wide and thin, teeth decayed and not, paralleled by hollowed, some missing or in other places, eyes of shades green and blue and some brown with red, but no white, just color portrayed, even if it may be dampened in every way. The beauty in the frivolity, the polished shining gears and cracked glass illuminated so brightly, create a portrait of terror and wonder, significance of a different sort, that only human eyes can see and human minds can feel, but all this is something only dreams, the ethereal concepts that fuse and mince chaos and order into a more paradoxical state, can create and fathom and fashion and make. And yet, doubts upon anxious contradictions, my fingers can feel the brokenness of what can be witnessed, an abyss within a void where deeper within the still lies a glow, a half pulse of a flutter, a vein of mimicry of the reverse of all I see, with concave eyes lost in the magnitude of image whole. Massive and monumental, my feet dragged behind me, cuts in the dirt and spiraling tracks. And then I awoke, half my world disappeared. So much empty within the whole, holes of sizes big and small and all between, the loss of, what it was to be called, my dream. And then my life ended, the holes and tears and cracks complete, empty eyes can still see so clearly, the nothingness that everything has become, shadow and matte a combination of dark on black, in the nothingness that all has become, it is all complete in a way opposite of what I know, a world different in every way and stretch I see, vision upon view of different and strange, only when empty eyes, longing for purpose dreading its meaning, gaze upon their own reflection will the last piece fall into place, a round puzzle of pieces triangular and square, the completeness in the nothingness can be seen, mind flooded with wonder, envisioning the antonym of a dream, and what, in this new beginning, this all could mean. With a blink it all changes, incomplete images appear, holes are wide and seen because you are back now, between death and dream, interwoven as an integral part of this necessary in between seam, and when you touch, worry creases the brow, their faces, half real and the other untouchable, your hand passes through their skin, penetration of the most intimate sort, holding their hearts as if for sport. The warmth, the beating, the crimson piercing blood, so beautiful, the engine that we run, pumping and pumping only to cause the most dreaded flood. Now I drown, and I see you drown too. Together, we are, for split seconds few, we are torn apart and disappear in this vast blood red hue. "
3 " I sat down in the middle of the garden, where snakes could scarcely approach unseen, and leaned my back against a warm yellow pumpkin. There were some ground-cherry bushes growing along the furrows, full of fruit. I turned back the papery triangular sheaths that protected the berries and ate a few. All about me giant grasshoppers, twice as big as any I had ever seen, were doing acrobatic feats among the dried vines. The gophers scurried up and down the ploughed ground. There in the sheltered draw-bottom the wind did not blow very hard, but I could hear it singing its humming tune up on the level, and I could see the tall grasses wave. The earth was warm under me, and warm as I crumbled it through my fingers. Queer little red bugs came out and moved in slow squadrons around me. Their backs were polished vermilion, with black spots. I kept as still as I could. Nothing happened. I did not expect anything to happen. I was something that lay under the sun and felt it, like the pumpkins, and I did not want to be anything more. I was entirely happy. Perhaps we feel like that when we die and become a part of something entire, whether it is sun and air, or goodness and knowledge. At any rate, that is happiness; to be dissolved into something complete and great. When it comes to one, it comes as naturally as sleep. "
― Willa Cather
4 " Novels institutionalize the ruse of eros. It becomes a narrative texture of sustained incongruence, emotional and cognitive. It permits the reader to stand in triangular relation to the characters in the story and reach into the text after the objects of their desire, sharing their longing but also detached from it, seeing their view of reality but also its mistakenness. It is almost like being in love. "
― Anne Carson , Eros the Bittersweet
5 " Why? Because true translation is not a binary affair between two languages but a triangular affair. The third point of the triangle being what lay behind the words of the original text before it was written. True translation demands a return to the pre-verbal "
― John Berger , Confabulations
6 " In a front of each home garden the villagers fixed a triangular wooden lamp-house on the top of a pole planted on the ground to hold a small statue of Lord Buddha and some deities. They used to offer flowers at this small shrine and light a tiny clay oil lamp. "
― , The Master’s Daughter
7 " For about 48 weeks of the year an asparagus plant is unrecognizable to anyone except an asparagus grower. Plenty of summer visitors to our garden have stood in the middle of the bed and asked, 'What is this stuff? It's beautiful!' We tell them its the asparagus patch, and they reply, 'No this, these feathery little trees.' An asparagus spear only looks like its picture for one day of its life, usually in April, give or take a month as you travel from the Mason-Dixon Line. The shoot emerges from the ground like a snub nose green snake headed for sunshine, rising so rapidly you can just about see it grow. If it doesn't get it's neck cut off at ground level as it emerges, it will keep growing. Each triangular scale on the spear rolls out into a branch until the snake becomes a four foot tree with delicate needles. Contrary to lore, fat spears are no more tender or mature than thin ones. Each shoot begins life with its own particular girth. In the hours after emergence, it lengthens but does not appreciably fatten. To step into another raging asparagus controversy, white spears are botanically no different from their green colleagues. White shoots have been deprived of sunlight by a heavy mulch pulled up over the plant's crown. European growers go to this trouble for consumers who prefer the stalks before they've had their first blush of photosynthesis. Most Americans prefer the more developed taste of green. Uncharacteristically, we're opting for the better nutritional deal here also. The same plant could produce white or green spears in alternate years, depending on how it is treated. If the spears are allowed to proceed beyond their first exploratory six inches, they'll green out and grow tall and feathery like the house plant known as asparagus fern, which is the next of kin. Older, healthier asparagus plants produce chunkier, more multiple shoots. Underneath lies an octopus-shaped affair of chubby roots called a crown that stores enough starch through the winter to arrange the phallic send-up when winter starts to break. The effect is rather sexy, if you're the type to see things that way. Europeans of the Renaissance swore by it as an aphrodisiac and the church banned it from nunneries. "
8 " The vulgar modern argument used against religion, and lately against common decency, would be absolutely fatal to any idea of liberty. It is perpetually said that because there are a hundred religions claiming to be true, it is therefore impossible that one of them should really be true. The argument would appear on the face of it to be illogical, if anyone nowadays troubled about logic. It would be as reasonable to say that because some people thought the earth was flat, and others (rather less incorrectly) imagined it was round, and because anybody is free to say that it is triangular or hexagonal, or a rhomboid, therefore it has no shape at all; or its shape can never be discovered; and, anyhow, modern science must be wrong in saying it is an oblate spheroid. The world must be some shape, and it must be that shape and no other; and it is not self-evident that nobody can possibly hit on the right one. What so obviously applies to the material shape of the world equally applies to the moral shape of the universe. The man who describes it may not be right, but it is no argument against his rightness that a number of other people must be wrong. "
― G.K. Chesterton
9 " Even a goat got to be a goat." Esperança's comments about slaves during the triangular slave trade. "
10 " And then came the three-toed sloth. Stupid sloth. It was a crazy-looking beastie, all arms and bristling grey fur; its body was a blob, the kind of shape a six-year-old would draw for a pig, and its face was flattened like a racoon that had run full tilt into a brick wall. A triangular stub of a nose jutted out at an angle beneath a fringe that must have been difficult to see through. In fact, from side-on it looked disturbingly like John Lennon. "
― Tony James Slater , That Bear Ate My Pants!: Will Boy Become Man? Or Will Boy Become Breakfast...
11 " She was beautiful, only hers was the dark beauty of night, just as Sherry's was the bright beauty of daytime. Her hair was raven-black, ending in a sort of widow's peak low on her forehead, and her face and arms were alabaster- white. Her gown was a clinging thing of swirling black, almost like smoke, and two peculiar shoulder-draperies she wore, hanging down loosely and caught at the wrists, almost suggested great triangular wings when her arms were in motion.Her lips were a red gash in the pallor of her face, and they glistened as though she had daubed them with fresh blood instead of rouge." What's your name?" I asked." Call me Faustine," she said low. I saw her staring fixedly at me, with a sort of half-smile on her face, but her gaze rested a little lower than my own face. I fingered my neck uneasily. " Is there something on my collar?" (" Vampire's Honeymoon" ) "
12 " Now and then, an inch below the water's surface, the muscles of his stomach tightened involuntarily as he recalled another detail. A drop of water on her upper arm. Wet. An embroidered flower, a simple daisy, sewn between the cups of her bra. Her breasts wide apart and small. On her back, a mole half covered by a strap. When she climbed out of the pond a glimpse of the triangular darkness her knickers were supposed to conceal. Wet. He saw it, he made himself see it again. The way her pelvic bones stretched the material clear of the skin, the deep curve of her waist, her startling whiteness. When she reached for her skirt, a carelessly raised foot revealed a patch of soil on each pad of her sweetly diminished toes. Another mole the size of a farthing on her thigh and something purplish on her calf--a strawberry mark, a scar. Not blemishes. Adornments. "
― Ian McEwan , Atonement
13 " I played guitar from the age of four or five. Every year there would be a slightly larger triangular box under the Christmas tree, until finally I got one that was big enough to make a proper sound. "
