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1 " The townspeople took the prince for deadWhen he never returned with the dragon’s headWhen with her, he stayedShe thought he’d be too afraidBut he loved her too much instead. "
― Jess C. Scott ,
2 " Up and down the lanes, the last unevacuated townspeople wake, groan, sigh. Spinsters, prostitutes, men over sixty. Procrastinators, collaborators, disbelievers, drunks. Nuns of every order. The poor. The stubborn. The blind. "
― Anthony Doerr , All the Light We Cannot See
3 " This humanity we would claim for ourselves is the legacy, not only of the Enlightenment, but of the thousands of European peasants and poor townspeople who came here bringing their humanity and their sufferings with them. It is the absence of a stable upper class that is responsible for much of the vulgarity of the American scene. Should we blush before the visitor for this deficiency? The ugliness of American decoration, American entertainment, American literature - is not this the visible expression of the impoverishment of the European masses, a manifestation of all the backwardness, deprivation, and want that arrived here in boatloads from Europe? The immense popularity of American movies abroad demonstrates that Europe is the unfinished negative of which America is the proof. The European traveler, viewing with distaste a movie palace or a Motorola, is only looking into the terrible concavity of his continent of hunger inverted startlingly into the convex. Our civilization, deformed as it is outwardly, is still an accomplishment; all this had to come to light. "
― Mary McCarthy , A Bolt from the Blue and Other Essays
4 " The grand castle in Cartigo, the capital city of Cierith, stood high against the full moon and cast a heavy shadow across the city. The forest surrounding the city whispered eerily throughout the night, and the townspeople bolted their doors shut in fear of the soldiers who patrolled the streets looking for an excuse to arrest someone. The man responsible for this tyranny, on the other hand, sat comfortably on his stolen throne and ruled the land with an iron fist. "
― Brittany Comeaux , Deliverance
5 " When Magnus looked at Imasu, he saw Imasu had dropped his head into his hands." Er," Magnus said. " Are you quite all right?" " I was simply overcome," Imasu said in a faint voice.Magnus preened slightly. " Ah. Well." " By how awful that was," Imasu said.Magnus blinked. " Pardon?" " I can't live a lie any longer!" Imasu burst out. " I have tried to be encouraging. Dignitaries of the town have been sent to me, asking me to plead with you to stop. My own sainted mother begged me, with tears in her eyes - " " It isn't as bad as all that - " " Yes, it is!" It was like a dam of musical critique had broken. Imasu turned on him with eyes that flashed instead of shining. " It is worse than you can possibly imagine! When you play, all of my mother's flowers lose the will to live and expire on the instant. The quinoa has no flavor now. The llamas are migrating because of your music, and llamas are not a migratory animal. The children now believe there is a sickly monster, half horse and half large mournful chicken, that lives in the lake and calls out to the world to grant it the sweet release of death. The townspeople believe that you and I are performing arcane magic rituals - " " Well, that one was rather a good guess," Magnus remarked." - using the skull of an elephant, an improbably large mushroom, and one of your very peculiar hats!" " Or not," said Magnus. " Furthermore, my hats are extraordinary." " I will not argue with that." Imasu scrubbed a hand through his thick black hair, which curled and clung to his fingers like inky vines. " Look, I know that I was wrong. I saw a handsome man, thought that it would not hurt to talk a little about music and strike up a common interest, but I don't deserve this. You are going to get stoned in the town square, and if I have to listen to you play again, I will drown myself in the lake." " Oh," said Magnus, and he began to grin. " I wouldn't. I hear there is a dreadful monster living in that lake." Imasu seemed to still be brooding about Magnus's charango playing, a subject that Magnus had lost all interest in. " I believe the world will end with a noise like the noise you make!" " Interesting," said Magnus, and he threw his charango out the window." Magnus!" " I believe that music and I have gone as far as we can go together," Magnus said. " A true artiste knows when to surrender." " I can't believe you did that!" Magnus waved a hand airily. " I know, it is heartbreaking, but sometimes one must shut one's ears to the pleas of the muse." " I just meant that those are expensive and I heard a crunch. "
6 " Cole envisioned the next few weeks passing as a sort of painless montage: there'd be music, and different moments of the townspeople hard at work building a defensive wall around the perimeter of the town, and digging holes to serve as traps, and training with the few weapons they had. There'd be a wiping of perspiration and drinks raised to one another and the exchange of friendly smiles between comrades, and perhaps deeper, more meaningful glances between him and MaryAnn.But by midmorning of the first day, Cole had come to the unavoidable conclusion that the remainder of the experience would in fact drag on in exceedingly real time, with lots of heaving and hoing and digging and hauling under the hot sun, full of the kind of intense straining that raised the danger of a really spectacular hernia. And, judging from the few tense conversations he'd had so far, he foresaw a series of increasingly strident arguments with Nora regarding matters strategic. Plus, of course, at the end of all this effort they'd all probably be dead. "
― Michael Rubens , The Sheriff of Yrnameer
7 " King Drowden has given his men instructions to infiltrate the town, bribe townspeople for the secrets of their neighbors, steal the neighbors’ hidden treasures. Much more subtle than Drowden’s usual smash and burn technique. We do hope Drowden isn’t growing a brain. "
― , Kristin Cashore eSampler
8 " Beer gurgled through the beard. 'You see,' the young man began, 'the desert's so big you can't be alone in it. Ever notice that? It's all empty and there's nothing in sight, but there's always something moving over there where you can't quite see it. It's something very dry and thin and brown, only when you look around it isn't there. Ever see it?''Optical fatigue -' Tallant began.'Sure. I know. Every man to his own legend. There isn't a tribe of Indians hasn't got some way of accounting for it. You've heard of the Watchers? And the twentieth-century white man comes along, and it's optical fatigue. Only in the nineteenth century things weren't quite the same, and there were the Carkers.''You've got a special localized legend?''Call it that. You glimpse things out of the corner of your mind, same like you glimpse lean, dry things out of the corner of your eye. You incase 'em in solid circumstance and they're not so bad. That is known as the Growth of Legend. The Folk Mind in Action. You take the Carkers and the things you don't quite see and put 'em together. And they bite.'Tallant wondered how long that beard had been absorbing beer. 'And what were the Carkers?' he prompted politely.'Ever hear of Sawney Bean? Scotland - reign of James the First or maybe the Sixth, though I think Roughead's wrong on that for once. Or let's be more modern - ever hear of the Benders? Kansas in the 1870's? No? Ever hear of Procrustes? Or Polyphemus? Or Fee-fi-fo-fum?'There are ogres, you know. They're no legend. They're fact, they are. The inn where nine guests left for every ten that arrived, the mountain cabin that sheltered travelers from the snow, sheltered them all winter till the melting spring uncovered their bones, the lonely stretches of road that so many passengers traveled halfway - you'll find 'em everywhere. All over Europe and pretty much in this country too before communications became what they are. Profitable business. And it wasn't just the profit. The Benders made money, sure; but that wasn't why they killed all their victims as carefully as a kosher butcher. Sawney Bean got so he didn't give a damn about the profit; he just needed to lay in more meat for the winter.'And think of the chances you'd have at an oasis.''So these Carkers of yours were, as you call them, ogres?''Carkers, ogres - maybe they were Benders. The Benders were never seen alive, you know, after the townspeople found those curiously butchered bodies. There's a rumor they got this far West. And the time checks pretty well. There wasn't any town here in the 80s. Just a couple of Indian families - last of a dying tribe living on at the oasis. They vanished after the Carkers moved in. That's not so surprising. The white race is a sort of super-ogre, anyway. Nobody worried about them. But they used to worry about why so many travelers never got across this stretch of desert. The travelers used to stop over at the Carkers, you see, and somehow they often never got any further. Their wagons'd be found maybe fifteen miles beyond in the desert. Sometimes they found the bones, too, parched and white. Gnawed-looking, they said sometimes.''And nobody ever did anything about these Carkers?''Oh, sure. We didn't have King James the Sixth - only I still think it was the First - to ride up on a great white horse for a gesture, but twice there were Army detachments came here and wiped them all out.''Twice? One wiping-out would do for most families.'Tallant smiled at the beery confusion of the young man's speech.'Uh-huh, That was no slip. They wiped out the Carkers twice because you see once didn't do any good. They wiped 'em out and still travelers vanished and still there were white gnawed bones. So they wiped 'em out again. After that they gave up, and people detoured the oasis.(" They Bite" ) "
9 " The townspeople outside the reservations had a very superior attitude toward Indians, which was kind of funny, because they weren't very wealthy; they were on the fringes of society themselves. "