1
" If you would take one step forward, darling, you could cry in my arms. And while you do, I'll tell you how sorry I am for everything I've done -" Unable to wait, Ian caught her, pulling her tightly against him. " And when I'm finished," he whispered hoarsely as she wrapped her arms around him and wept brokenly, " you can help me find a way to forgive myself." Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: " I'm sorry," he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. " I'm sorry." Slowly, he bent his head, covering her mouth with his. " I'm so damned sorry. "
3
" Ian saw the tears shimmering in her magnificent eyes and one of them traced unheeded down her smooth cheek.With a raw ache in his voice he said, " If you would take one step forward, darling, you could cry in my arms. And while you do, I'll tell you how sorry I am for everything I've done - " Unable to wait, Ian caught her, pulling her tightly against him. " And when I'm finished," he whispered hoarsely as she wrapped her arms around him and wept brokenly, " you can help me find a way to forgive myself." Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: " I'm sorry," he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. " I'm sorry." Slowly, he bent his head, covering her mouth with his. " I'm so damned sorry. "
6
" Jillian had charged into the bathroom on seven, but she just shot straight to ten. Her nature may be reserved, but she didn’t take shit off anybody. “Don’t patronize me. And don’t you dare come down here and judge us!” She pointed her finger directly at AJ. “We’re the ones doing the heavy lifting, so people like you can come along at the very end and ride along on our coattails. You can act tough all you want, but it’s just an act, AJ. You, with your expensive suits and shiny shoes,” she sneered. “You wouldn’t survive one minute out there on those streets. You’re weak.” Before she realized what was about to happen, AJ seized her by the shoulders and threw her against the wall. Pinning her with her own body, she pressed her index finger over Jillian’s lips. “That’s enough.” Those glittering green eyes warned Jillian not to say another word. The impact had completely knocked the breath out of her. AJ pressed her body tighter into hers, preventing Jillian from taking a replenishing breath, so she breathed short shallow breaths through her nose. Her heart pounded. What was happening? She wasn’t in control of the situation, and oddly enough, for once she didn’t want to be. She had just been manhandled, yet she had no desire to fight back. Instead, she wanted to hook her leg around AJ’s waist and draw her closer to where AJ’s heat seared her core. "
― Kat Evans , The Domme Tamer
11
" There's no way out," he announced with satisfaction, " and no amount of wishful dreaming will produce one. The demon won't go back in its bottle, the face-off is for ever, the embrace gets tighter and the toys cleverer with every generation, and there's no such thing for either side as enough security. Not for the main players, not for the nasty little newcomers who each year run themselves up a suitcase bomb and join the club. We get tired of believing that, because we're human. We may even con ourselves into believing the threat has gone away. It never will. Never, never, never." " So, who'll save us then, Walt?" Barley asked. " You and Nedsky?" " Vanity, if anything will, which I doubt," Walter retorted. " No leader wants to go down in history as the ass who destroyed his country in an afternoon. And funk, I suppose. Most of our gallant politicians do have a narcissistic objection to suicide, thank God. "
13
" both you and paintings are layered… first, ephemera and notations on the back of the canvas. Labels indicate gallery shows, museum shows, footprints in the snow, so to speak. Then pencil scribbles on the stretcher, usually by the artist, usually a title or date. Next the stretcher itself. Pine or something. Wooden triangles in the corners so the picture can be tapped tighter when the canvas becomes loose. Nails in the wood securing the picture to the stretcher. Next, a canvas: linen, muslin, sometimes a panel; then the gesso - a primary coat, always white. A layer of underpaint, usually a pastel color, then, the miracle, where the secrets are: the paint itself, swished around, roughly, gently, layer on layer, thick or thin, not more than a quarter of an inch ever -- God can happen in that quarter of an inch -- the occasional brush hair left embedded, colors mixed over each other, tones showing through, sometimes the weave of the linen revealing itself. The signature on top of the entire goulash. Then varnish is swabbed over the whole. Finally, the frame, translucent gilt or carved wood. The whole thing is done. "
― Steve Martin , An Object of Beauty
16
" Abruptly, the sea of people parted . . . and then there they were. Bella, with Nalla in her arms, Z standing beside his girls.
Beth broke down all over again as the female came forward.
God, it was impossible not to remember how Nalla had started this, putting into motion the need that had become undeniable.
Bella was tearing up, too, as she stopped. “We just want to say yay!”
At that moment, Nalla reached out to Beth, a gummy smile on her face, pure joy radiating out.
No turning that down, nope, not at all.
Beth took the little girl out of her mother’s arms and positioned her on her chest, capturing one of the pinwheeling hands and giving kisses, kisses, kisses. “You ready to be a big . . .” Beth glanced at Z and then her husband. “. . . a big sister?”
Yes, Beth thought. Because that’s what the Brotherhood and their families were. Close as siblings, tighter than blood because they were chosen.
“Yes, she is,” Bella said as she wiped under her eyes and looked back at Z. “She is so ready.”
“My brother.” Z shoved out his palm, his scarred face in a half smile, his yellow eyes warm. “Congratulations.”
Instead of shaking anything, Wrath shoved that ultrasound picture into his Brother’s face. “Do you see him? See my son? He’s big, right, Beth?”
She kissed Nalla’s supersoft hair. “Yes.”
“Big and healthy, right?”
Beth laughed some more. “Big and healthy. Absolutely perfect.”
“Perfect!” Wrath bellowed. “And this is a doctor saying it—I mean, she went to medical school.”
Even Z started laughing at that point.
Beth gave Nalla back to her parents. “And Dr. Sam told me she’s delivered over fifteen thousand babies over the course of her career—”
“See!” Wrath yelled. “She knows these things. My son is perfect! Where’s the champagne? Fritz! Get the fucking champagne! "
― J.R. Ward , The King (Black Dagger Brotherhood, #12)
18
" Tomas led a young woman by the hand and walked up into the foothills. Millian, the miner from Rosario, had introduced her to the patron, already buying points for himself. He was no fool. And the girl, no fool either, lifted her skirts for Tomas as he knelt before her, licking his way up her thighs -brown and sweet as candy, at the same time, tart and salty, musky, silken and cold in the warm air, refreshing as the sorbet he licked in Culiacan back when he was a student. She was amazed that this bit of her body could the great master to his knees before her. She was perhaps the most beautiful girl on that whole plain, but he did not her name and felt no need to ask. He pressed his face to her underwear, redolent with the burning scent of her, and he pulled the cotton down, over the bright points of her hips , the shadowy curve of her belly, until the fog of dark hair came into his sight, soft in the moonlight, tickling his face as he bent down to her again. He pressed his lips on the mound of her, breathing her in, tasting her like a dog, as her skirts fell over his head and her fingers pulled his head tighter to her, her legs moving apart in the dark, her beauty falling around him, his greatest gift to him, this flavor, this smell, her scent. "
― Luis Alberto Urrea , The Hummingbird's Daughter