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1 " Having an answer is a comfort. It's when you start asking questions and those questions pull threads in the larger fabric, you're forced to wonder what you're left with. And for people of any age, it's scary to think the fabric of the universe - or the universe as you've always believed it existed - can just unwind, you know? "
― Robin Epstein , God Is in the Pancakes
2 " Constructively challenging authority requires the basic habits of mind a liberal education seeks to instill: the ability to frame the essential questions; to think critically, analytically, and ethically about the problems those questions identify; and to respond effectively, creatively, and wisely to the implications of the analysis. It requires not only an ability to appreciate the complexity of a problem but also to identify its essence in order to achieve effective, just, and fair conclusions. "
3 " Do you suppose, gentlemen, that our children as they grow up and begin to reason can avoid such questions? No, they cannot, and we will not impose on them an impossible restriction. The sight of an unworthy father involuntarily suggests tormenting questions to a young creature, especially when he compares him with the excellent fathers of his companions. The conventional answer to this question is: 'He begot you, and you are his flesh and blood, and therefore you are bound to love him.' The youth involuntarily reflects: 'But did he love me when he begot me?' he asks, wondering more and more. 'Was it for my sake he begot me? He did not know me, not even my sex, at that moment, at the moment of passion, perhaps, inflamed by wine, and he has only transmitted to me a propensity to drunkenness- that's all he's done for me.... Why am I bound to love him simply for begetting me when he has cared nothing for me all my life after?Oh, perhaps those questions strike you as coarse and cruel, but do not expect an impossible restraint from a young mind. 'Drive nature out of the door and it will fly in at the window'. "
― Fyodor Dostoevsky , The Brothers Karamazov
4 " Here is the voice of my main Character in my Talon book series, I’ll let her introduce herself to you:My name is Matica and I am a special needs child with a growth disability. I am stuck in the body of a two year old, even though I am ten years old when my story begins in the first book of the Talon series, TALON, COME FLY WITH ME. Because of that disability, (I am saying ‘that’ disability, not ‘my’ disability because it’s a thing that happens to me, nothing more and because I am not accepting it as something bad. I can say that now after I learned to cope with it.) I was rejected by the local Indians as they couldn’t understand that that condition is not a sickness and so it can’t be really cured. It’s just a disorder of my body. But I never gave up on life and so I had lots of adventures roaming around the plateau where we live in Peru, South America, with my mother’s blessings. But after I made friends with my condors I named Tamo and Tima, everything changed. It changed for the good. I was finally loved. And I am the hero and I embrace my problem. In better words: I had embraced my problem before I made friends with my condors Tamo and Tima. I held onto it and I felt sorry for myself and cried a lot, wanting to run away or something worse. But did it help me? Did it become better? Did I grow taller? No, nothing of that helped me. I didn’t have those questions when I was still in my sorrow, but all these questions came to me later, after I was loved and was cherished. One day I looked up into the sky and saw the majestic condors flying in the air. Here and now, I made up my mind. I wanted to become friends with them. I believed if I could achieve that, all my sorrow and rejection would be over. And true enough, it was over. I was loved. I even became famous. And so, if you are in a situation, with whatever your problem is, find something you could rely on and stick to it, love that and do with that what you were meant to do. And I never run from conflicts. "
― Gigi Sedlmayer
5 " That's one of those questions that you think of a better answer for five minutes after you've answered it. "
― S.A. Tawks , Mule
6 " Christians don't think that Dawkins thinks that they think that God really has a beard. " Old man in the sky with a white beard" is a figure of speech – shorthand – which neatly encapsulates various errors which lazy atheists and naive theists sometimes make, for example: 1: They imagine that Christians think that God is a human being of some kind and therefore ask questions like: " What does he eat?" ; " If he made the world, what did he stand on?" ; " If he doesn't have a beard, how does he shave?" and " How did he evolve?" (Three guesses which of those questions troubles Professor Dawkins.) Christians don't think that God is an old man. They don't even think he is a man. They probably don't even think he's made of atoms. 2: They confuse symbols with representations: they think that when Michelangelo painted God on the Pope's ceiling, he was making an informed guess about what someone would have seen with their eyes if they bumped into God on the Roman metro – as opposed to using pictures to put across theological ideas. 3: They imagine that Christians think that God lives in some particular place in space and time. They may not think that we think that he lives in the sky, but I think that they think that we think that if you had a fast enough spaceship you could eventually track him down. Dawkins doesn't commit himself on the question of God's facial hair; but it is pretty clear that he thinks that God lives in the sky – or at any rate, in some place in the empirical universe. "
7 " Gotama's awakening involved a radical shift of perspective rather than the gaining of privileged knowledge into some higher truth. He did not use the words " know" and " truth" to describe it. He spoke only of waking up to a contingent ground--" this-conditionality, conditioned arising" --that until then had been obscured by his attachment to a fixed position. While such an awakening is bound to lead to a reconsideration of what one " knows," the awakening itself is not primarily a cognitive act. It is an existential readjustment, a seismic shift in the core of oneself and one's relation to others and the world. Rather than providing Gotama with a set of ready-made answers to life's big questions, it allowed him to respond to those questions from an entirely new perspective.To live on this shifting ground, one first needs to stop obsessing about what has happened before and what might happen later. One needs to be more vitally conscious of what is happening now. This is not to deny the reality of past and future. It is about embarking on a new relationship with the impermanence and temporality of life. Instead of hankering after the past and speculating about the future, one sees the present as the fruit of what has been and the germ of what will be. Gotama did not encourage withdrawal to a timeless, mystical now, but an unflinching encounter with the contingent world as it unravels moment to moment. "
8 " I truly don’t understand why at every Q and A, someone always asks, “Do you have a routine?” or “Do you write every morning?” Why those questions remain interesting, I really have no idea. But since no one’s putting a gun to their head to ask them, they must compel. They’re probably necessary on a symbolic level more than a literal one, as people cobble together an imagination of what a life devoted to “making” might be like.[I think people want a path to follow. They want a checklist so they can say, “Alright cool, so if I get up at six and I write for this long and I watch this film and I do that…”]It’s weird, because I might have wanted that, too. I used to dance in New York. My Lower East Side days. Modern dance, or whatever. One thing I learned as a dancer was that people learn combinations different ways. Some people, if they get the right side, they can also get the left side right off the top of their head. Some people need to be taught both right and left. Some people count, some people never count, you know? I noticed then that, for me, it was really watching the whole person dancing, trying to take in the whole combination at once, that helped me learn it. I think I’m the same way as a reader—I like to take in the whole book, not getting too specific about how they did it, but ride the bigger example.I mean, at the end of the day, the answer to the question “How did you do it?” is right there, on the page. They’re showing you how they did it, by doing it. Maybe it’s different with art, when you don’t know if someone had all their sculptures knitted or welded by elves somewhere, but with writing, the answer to the question “How do you write a book like this?” is usually, “Like this” [points to book]. "
― Maggie Nelson
9 " My recommendation instead, however, is that we do not surrender questions of value, whether absolute matters of truth, goodness, and beauty or relative judgment of more or less truth, goodness, and beauty. With those questions to the fore, in fact, we can interrogate various other traditions and truly learn something that can improve our own. Perhaps the Presbyterians really do know more than we do about due process in church government. Perhaps the Orthodox really do know some things we do not about iconography. Perhaps the Mennonites really can teach us the meaning of 'enough.' Perhaps the Pentecostals can help liberate us from dull and disembodied worship. Baptists who have learned to improve their procedures from Presbyterians, their art from the Orthodox, their finances from the Mennonites, and their worship from the Pentecostals do not therefore become worse Baptists but better ones. And so around the ecumenical circle, no? "
― John G. Stackhouse Jr. , Finally Feminist: A Pragmatic Christian Understanding of Gender
10 " The cult of self dominates our cultural landscape. This cult has within it the classic traits of psychopaths: superficial charm, grandiosity, and self-importance; a need for constant stimulation, a penchant for lying, deception, and manipulation, and the inability to feel remorse or guilt. This is, of course, the ethic promoted by corporations. It is the ethic of unfettered capitalism. It is the misguided belief that personal style and personal advancement, mistaken for individualism, are the same as democratic equality. In fact, personal style, defined by the commodities we buy or consume, has become a compensation for our loss of democratic equality. We have a right, in the cult of the self, to get whatever we desire. We can do anything, even belittle and destroy those around us, including our friends, to make money, to be happy, and to become famous. Once fame and wealth are achieved, they become their own justification, their own morality. How one gets there is irrelevant. Once you get there, those questions are no longer asked. "
― Chris Hedges , Empire of Illusion: The End of Literacy and the Triumph of Spectacle
11 " The nights now are full of wind and destruction; the trees plunge and bend and their leaves fly helter skelter until the lawn is plastered with them and they lie packed in gutters and choke rain pipes and scatter damp paths. Also the sea tosses itself and breaks itself, and should any sleeper fancying that he might find on the beach an answer to his doubts, a sharer of his solitude, throw off his bedclothes and go down by himself to walk on the sand, no image with semblance of serving and divine promptitude comes readily to hand bringing the night to order and making the world reflect the compass of the soul. The hand dwindles in his hand; the voice bellows in his ear. Almost it would appear that it is useless in such confusion to ask the night those questions as to what, and why, and wherefore, which tempt the sleeper from his bed to seek an answer. "
― Virginia Woolf
12 " Finally, her father spoke. “Are you sure? I mean, I don’t understand how this could have happened. She’s only fifteen; I didn’t even know she was sexually active.” Mallory’s father, normally in control, was on the verge of tears. He refused to look at his daughter, his little girl. As much as he had preached abstinence to her, he still kept a watchful eye over her, yet here they were, facing the unthinkable. He wanted to know when this happened, and with whom—but those questions would have to wait. "
13 " Most people don't know how to ask the right questions. Mondo knew how to ask questions, just at the right time, when you weren't expecting it. People paused for a few seconds, they stopped thinking about themselves and their own business, they thought, and their eyes seemed to blur, because they remembered asking those questions themselves, long ago. "
― J.M.G. Le Clézio , Mondo et autres histoires
14 " People flock in, nevertheless, in search of answers to those questions only librarians are considered to be able to answer, such as " Is this the laundry?" " How do you spell surreptitious?" and, on a regular basis, " Do you have a book I remember reading once? It had a red cover and it turned out they were twins. "
15 " My friends and the people I know understand that I'm going to ask them what they're doing, how they're dating, who they're dating, where they're going and what they're doing. I'm constantly asking those questions and making sure I'm in touch with the customer. "
