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1 " The imagined memories had to have as much weight as the real, or we had to at least pretend they did to such a degree that they just very well might have. And so I never questioned Angela about that particular story, or about all the troubling things that it pointed to, content to believe that at least in this version things worked for her better than they did in the one I never heard. "
― Dinaw Mengestu , How to Read the Air
2 " This was the bad version. This version was what later events told her had happened. It was as real as the other. They played simultaneously in a loop, yet Mathilde could never quite believe it. That twitch of a leg, a later insertion, surely. She could not believe, and yet something in her did believe, and this contradiction that she held within her became the source of everything. All that remained were the facts. Before it all happened she had been so beloved, afterward, love had been withdrawn. And she had pushed or she hadn't, the result had been all the same. There had been no forgiveness for her, but she had been so very young. How could parents do this? How could she not have been forgiven? "
― Lauren Groff , Fates and Furies
3 " There were many versions of Gansey, but this one had been rare since the introduction of Adam's taming presence. It was also Ronan's favorite. It was the opposite of Gansey's most public face, which was pure control enclosed in a paper-thin wrapper of academia. But this version of Gansey was Gansey the boy. This was the Gansey who bought the Camaro, the Gansey who asked Ronan to teach him to fight, the Gansey who contained every wild spark so that it wouldn't show up in other versions. Was it the shield beneath the lake that had unleashed it? Orla's orange bikini? The bashed-up remains of his rebuilt Henrietta and the fake IDs they'd returned to? Ronan didn't really care. All that mattered was that something had struck the match, and Gansey was burning. "
― Maggie Stiefvater , The Dream Thieves (The Raven Cycle, #2)
4 " Yes" , Kumiko said, seriously. " Exactly that. The extraordinary happens all the time. So much, we can't take it. Life and happiness and heartache and love. If we couldn't put it in story - " " And explain it -" " No!" she said, suddenly sharp. " Not explain. Stories do not explain. They seem to, but all they provide is a starting point. The story never ends at the end. There is always after. And even within itself, even by saying that this version is the right one, it suggests other versions, versions that exist in parallel. No, story is not an explanation, it is a net, a net through which the truth flows. The net catches some of the truth, but not all, never all, only enough so that we can live with the extraordinary without it killing us." She sagged a little, as if exhausted by this speech. " As it surely, surely would. "
5 " Critical pessimists, such as media critics Mark Crispin Miller, Noam Chomsky, and Robert McChesney, focus primarily on the obstacles to achieving a more democratic society. In the process, they often exaggerate the power of big media in order to frighten readers into taking action. I don't disagree with their concern about media concentration, but the way they frame the debate is self-defeating insofar as it disempowers consumers even as it seeks to mobilize them. Far too much media reform rhetoric rests on melodramatic discourse about victimization and vulnerability, seduction and manipulation, " propaganda machines" and " weapons of mass deception" . Again and again, this version of the media reform movement has ignored the complexity of the public's relationship to popular culture and sided with those opposed to a more diverse and participatory culture. The politics of critical utopianism is founded on a notion of empowerment; the politics of critical pessimism on a politics of victimization. One focuses on what we are doing with media, and the other on what media is doing to us. As with previous revolutions, the media reform movement is gaining momentum at a time when people are starting to feel more empowered, not when they are at their weakest. "
6 " Has this version of me been lurking there all along, somewhere deep below the surface, biding its time, waiting for its chance to make an appearance? "
― Cat Clarke , Undone
7 " I can't bear the thought of living an entire lifetime on this planet and not getting to do all the things I dream of doing, simply because they aren't allowed. I don't think it will ever be enough, this version of freedom, until it is all-inclusive. I don't think I can be happy unless I'm truly independent. "
― , Unorthodox: The Scandalous Rejection of My Hasidic Roots
8 " It's our version of " me" that causes us the most stress and heartache. Which is why it comes as a relief to discover that this version is as transient as a cloud in the sky. Focus on the cloud and the result is uncertain. Focus on the sky and we discover clarity. "
