Home > Topic > this inquiry
1 " The satyr, as the Dionysiac chorist, dwells in a reality sanctioned by myth and ritual. That tragedy should begin with him, that the Dionysiac wisdom of tragedy should speak through him, is as puzzling a phenomenon as, more generally, the origin of tragedy from the chorus. Perhaps we can gain a starting point for this inquiry by claiming that the satyr, that fictive nature sprite, stands to cultured man in the same relation as Dionysian music does to civilization. Richard Wagner has said of the latter that it is absorbed by music as lamplight by daylight. In the same manner, I believe, the cultured Greek felt himself absorbed into the satyr chorus, and in the next development of Greek tragedy state and society, in fact everything that separates man from man, gave way before an overwhelming sense of unity that led back into the heart of nature. This metaphysical solace (which, I wish to say at once, all true tragedy sends us away) that, despite every phenomenal change, life is at bottom indestructibly joyful and powerful, was expressed most concretely in the chorus of satyrs, nature beings who dwell behind all civilization and preserve their identity through every change of generations and historical movement.With this chorus the profound Greek, so uniquely susceptible to the subtlest and deepest suffering, who had penetrated the destructive agencies of both nature and history, solaced himself. Though he had been in danger of craving a Buddhistic denial of the will, he was saved through art, and through art life reclaimed him. "
― Friedrich Nietzsche , The Birth of Tragedy
2 " The real thing about evil… you figure out one side of it - the human side, say - and the eternal side goes into shadow. Or vice versa. The real disaster of this inquiry is that it is the nature of evil to be secret. "
― Gregory Maguire , Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1)
3 " The real thing about evil," said the Witch at the doorway, " isn't any of what you said. You figure out one side of it - the human side, say - and the eternal side goes into shadow. Or vice versa. It's like the old saw: What does a dragon in its shell look like? Well no one can ever tell, for as soon as you break the shell to see, the dragon is no longer in its shell. The real disaster of this inquiry is that it is the nature of evil to be secret. "
4 " What," " how," " when," etc are all questions more or less common to religion and philosophy. But to ask " why" is a transgression in religion, and this inquiry has undoubtedly taken the heaviest tolls on intellect. "
5 " I wished at that moment that the Wests had killed me, it would have been a merciful release from the hell that DC Smith was putting me through. This barrage of questions by DC Smith and his heavy-handedness into this inquiry and his bullying barrack-room interrogation style of interviewing had left me feeling shamed. "
― , The Lost Girl