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2 " The twin aspects of genius, the passive and the active, are possessed by the fully realized artist; they also form the necessary equipment of the Adept. Yet in very few people are these twin aspects manifested. Nearly everyone has a capacity for the passive aspect, which involves some sort of appreciation of aesthetic values. There are few people totally unresponsive to the beauties of nature, and none at all that is not responsive to its ferocious manifestations.Fewer are able to respond profoundly to the beauty of natural phenomena, and fewer still to so-called works of art. It takes a degree of genius to respond to such manifestations the whole time. Artists in this category are among the saints, some of whom thrilled with rapture at the constant awareness of the total unity, harmony, and beauty of things.

Such were Boehme, Ramakrishna, etc. Some yogis are immersed in an unsullied and vibrant bliss derived from the incessant contemplation of this 'world-bewitching maya'4-the breath-taking wonder of the great and glamorous illusion which surrounds us.
On the other side of the fence, on the side of active or creative genius, there are yet fewer. Active or creative genius means nothing less than the ability to translate the wonder or the terror of the great lfla (the great play of life) in terms of visual, tactile, audible, olfactory, or some other sensual presentation of phenomena.

But there is a third aspect of genius which is yet more rare. It is the ability to open the door of the theatre and admit the influences from outside, from the swarming gulfs beyond the grasp of the mind, and accessible only to the magical entity whose fantastic feelers can snare the most fugitive impulses as they flash through the holes in space, the kinks in time, to be reflected in the magic mirror of the artist's mind. "

Kenneth Grant , Outside the Circles Of Time

3 " I was contemplating on why I wanted to share this with you, can you handle it, can you handle me being blunt, will you just judge me for revealing how I may feel towards a person, topic or even you, so with all that being said... I wasn't going to show this but I feel like a collection of people need to hear it, and also profusion of weak-minded individuals are scared to say the truth amongst the masses (which are their friends, strangers, and family members); the reason why they might be hesitant on sharing their thoughts on a " strange topic" may consist of fear of being judged, fear of being an outcast, being alone, failing your loved ones, staying in a box, remaining in the hands of poor choices of leaders, fitting into this category of " weirdos" , and/or being placed in a barrel of deep-dark-matter, forming strange thoughts of abnormal voices and situations regarding inscrutable singleton/misfits. You tried comparing being cynical, introverted, using meaningless words of misfits, with being insane, psychotic, mentally deranged and " strange-minded" Really? if being motivated to be the very best of your abilities will take you, not knowing your own limits, never stopping until you have nothing left in your body and even then, you won't stop because you know, if you stop you may miss something significant, so then guess what; I assume I am a psychotic, deranged, mentally disturbed, insane, and strange-minded individual. but anyways, off topic, I'm always drawn towards the obscure, darker, deep-mined and vague individuals because I think it's just a lot more interesting. But it's also thought-provoking fun doing the meaningless antics sometimes, and I think that's why 'Misfits' have been great in that way, as you get a really good balance of unusual, obscured, introverted, thinks-loudly, randomness, provocative (in the way of, not caring what you may think of them, but keeping that mentality of self-respect and of others in mind), refreshing, and amusing. I will never understand the course of thought behind apotheosizing a person not knowing who they really are, it's strange, but whatever do you.Extra stuff:Like I said before, I honestly can care less what people have to tell me what I need to do in order to keep my sanity, composure, and how I may feel at this point in my life; but just know, I am in no way shape or form, saying everything that's happening in the world or in my life is all for a greater purpose, I'm simply saying, poor choices are a part of life, and if this is one of mine then so be it, I'll accept it as a learning experience, so peace out. PS: I am not directing this to anyone, in particular, it is just a series's concept, with underground meanings. "

5 " I have finished Russell's Nightmares and must confess that they did not come up to expectation. No doubt it was my fault for expecting too much, knowing how unsatisfactory I find his philosophical views; but I had hoped that, at least, when he was not writing normal philosophy, he would be entertaining. Alas! I found his wit insipid, and his serious passages almost intolerable—there was something of the embarrassment of meeting a Great Man for the first time, and finding him even more preoccupied with trivialities than oneself.In his Introduction, Russell says 'Every isolated passion is, in isolation, insane; sanity may be defined as a synthesis of insanities', and then he proceeds to give us examples of isolated insanities—the Queen of Sheba as Female Vanity, Bowdler as Prudery, the Psycho-Analyst as Social Conformity, and so on. Amongst these, as you noted, is the Existentialist as Ontological Scepticism. Here, Russell's satire is directed partly against what Sartre has called 'a literature of extreme situations'; and this, for an Englishman, is no doubt a legitimate target, since the English do not admit that there are such things—though, of course, this makes the English a target for the satire of the rest of Europe, particularly the French.But what Russell is not entitled to do is to group the insanity of doubting one's existence along with the other insanities, and this for the simple reason that it precedes them. One may be vain or modest; one may be prudish or broadminded; one may be a social conformist or an eccentric; but in order to be any of these things, one must at least be. The question of one's existence must be settled first—one cannot be insanely vain if one doubts whether one exists at all and, precisely, Russell's existentialist does not even succeed in suffering—except when his philosophy is impugned (but this merely indicates that he has failed to apply his philosophy to itself, and not, as Russell would have us believe, because he has failed to regard his philosophy in the light of his other insanities). The trouble really is, that Russell does not, or rather will not, admit that existence poses a problem at all; and, since he omits this category from all his thinking nothing he says concerns anybody in particular. "