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1 " What is the message that wild animals bring, the message that seems to say everything and nothing? What is this message that is wordless, that is nothing more or less than the animals themselves- that the world is wild, that life is unpredictable in its goodness and its danger, that the world is larger than your imagination. "
― Rebecca Solnit
2 " You know that euphemism, she’s expecting? It’s apt. The birth of a baby, so long as it’s healthy, is something to look forward to. It’s a good thing, a big, good, huge event. And from thereon in, every good things, too,” I added hurriedly, “but also, you know, first steps, first dates, first places in sack races. Kids, they graduate, they marry, they have kids themselves- in a way, you get to do everything twice. Even if our kid had problems,” I supposed idiotically, “at least they wouldn’t be our same old problems... ” (22) "
― Lionel Shriver , We Need to Talk About Kevin
3 " The state of mind above which my distraction floats like fog is suddenly perfectly clear, though the right word for it is less immediately available. Grief is too sharp and immediate; maybe it’s the high pitch of the vowel sound, or the monosyllabic impact of the word, as quick a jab as knife or cut. Sadness is too ephemeral, somehow; it sounds like something that comes and goes, a response to an immediate cause which will pass in a little while as another cause arises to generate a different feeling. Mourning isn’t bad, but there’s something a little archaic about it. I think of widows keening, striking themselves- dark-swathed years, a closeting of self away from the world, turned inward toward an interior dark. Sorrow feels right , for now. Sorrow seems large and inhabitable, an interior season whose vaulted sky’s a suitable match for the gray and white tumult arched over these headlands. A sorrow is not to be gotten over or moved through in quite the way that sadness is, yet sorrow is also not as frozen and monochromatic as mourning. Sadness exists inside my sorrow, but it’s not as large as sorrow’s realm. This sorrow is capacious; there’s room inside it for the everyday, for going about the workaday stuff of life. And for loveliness, for whatever we’re to be given by the daily walk. "
― Mark Doty , Heaven's Coast: A Memoir
4 " I had come to discover that " safe" was an illusion, a pretense that adults wrapped around their children- and sometimes themselves- to make the world seem comfortable. I had discovered that under that thin cover of let's-pretend, monsters and nightmares lay, and that not all of them came from places like the moonroads or the nightling cities. Some of the monsters were people we knew. People we thought we could trust. "
