Home > Topic > the velvet
1 " Someone was coming through the velvet.He was pulling it wide, he was stepping onto Kestrel’s balcony—close, closer still as she turned and the curtain swayed, then stopped. He pinned the velvet against frame. He held the sweep of it high, at the level of his gray eyes, which were silver in the shadows.He was here. He had come.Arin. "
― Marie Rutkoski , The Winner's Crime (The Winner's Trilogy, #2)
2 " Copying Juvven’s gaze over the treetops at the edge of the shooting range, he saw the fields of Flanders before his inner eye. “Yes, the wide horizon…” The memory made the corners of his mouth curl slightly. “…and in the night, you lie there, snuggled into the hay, and there is this huge sky above you.” He stared into the past, ignoring Juvven swivel his head to watch him and continued, “Although you are in the middle of war, death, and destruction, you can positively feel the velvet of the dark vault above you. And in it, like falling coins or lights carried by other beings, twinkle the stars, beckoning you to lift your hand and touch them, to feel happy and safe with them.” He broke off and turned to Juvven, without seeing him, still lost in his memories. “They gave a sense of security and…hope, I think. As if the Earth and the sky cradled me, telling me I was protected by them. "
3 " Silence is exhilarating at first - as noise is - but there is a sweetness to silence outlasting exhilaration, akin to the sweetness of listening and the velvet of sleep "
― Edward Hoagland
4 " I remember the strength of her body writhing inside the velvet. And, suddenly, the velvet was gone as though my greedy hands had worn it away and she stood flushed and trembling before me. I forgave every complaint I had leveled against God at the sight of her tremulous beauty—wisps of curls like trickles of burgundy trailing over breasts as plump and round as a pair of bandy hens fattened up for Sunday dinner. I could scarcely touch her. My fingertips traveled over her roundness. In rashness I gathered her to me, pressed against her ... lay her down. I was inside her before her back touched the sheets. Her sighs could give birth to new stars. "
5 " Then his tears came once more, and feeling cold he went into his dressing-room to look for something to throw around his shoulders. But he had lost control of his hand so that it moved like a brainless creature and completely failed to carry out the small mathematical operation which consisted, because the inside of the wardrobe was dark, in fumbling a way through the different velvets, silks and satins of his mother's outmoded dresses which, since she had given up wearing them, for many years, she had put away in this piece of furniture, until it could feel the wooden jamb, far back, which separated these garments from his own, and, on reaching the second rough-surfaced coat, to take it from the hanger from which it depended. Instead, it tore down the first piece of fabric it encountered. This happened to be a black velvet coat, trimmed with braid, and lined with cherry-coloured satin and ermine, which, mauled by the violence of his attack, he pulled into the room like a young maiden whom a conqueror has seized and dragged behind him by the hair. In just such a way did Jean now brandish it, but even before his eyes had sent their message to his brain, he was aware of an indefinable fragrance in the velvet, a fragrance that had greeted him when, at ten years old, he had run to kiss his mother—in those days still young, still brilliant and still happy—when she was all dressed up and ready to go out, and flung his arms about her waist, the velvet crushed within his hand, the braid tickling his cheeks, while his lips, pressed to her forehead, breathed in the glittering sense of all the happiness she seemed to hold in keeping for him. "
― Marcel Proust , Jean Santeuil
6 " To her despair was added a philosophical dejection, the feeling of every thinker who, venturing an inquisitive finger beneath the velvet of a throne, comes upon the coarse pinewood . . . And then it was she fell victim to a still more painful disquiet. The dead man they had just carted off, like a lump of matter no longer of any use, made it hideously plain how closely hospitals resemble factories. Under the scalpel, living flesh is treated there like wood under the plane or steel under the rolling-mill. "
― Maurice Renard , The Hands Of Orlac