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1 " Every fairy tale offers the potential to surpass present limits, so in a sense the fairy tale offers you freedoms that reality denies. In all great works of fiction, regardless of the grim reality they present, there is an affirmation of life against the transience of that life, an essential defiance. The affirmation lies in the way the author takes control of reality by retelling it in his own way, thus creating a new world. Every great work of art, I would declare pompously, is a celebration, an act of insubordination against the betrayals, horrors and infidelities of life. The perfection and beauty of form rebels against the ugliness and shabiness of the subject matter. This is why we love " Madame Bovary" and cry for Emma, why we greedily read " Lolita" as our heart breaks for its small, vulgar, poetic and defiant orphaned heroine. "
2 " In real life I fell easily under the spell of all traveling artists. En route to New Orleans, entertainments of many kinds would stop over in those days for a single performance in Jackson's Century Theatre. Then, as now, my imagination was magnetized toward transient artists - toward the transience as much as the artists. I must have seen " Acrobats in a Park" at the time I wrote the story as exotic, free of any experience as I knew it. At the center of the little story is the Zorro's act: the feat of erecting a structure of their bodies that holds together, interlocked, and stands like a wall. Writing about the family act, I was writing about the family itself, its strength as a unit, testing its frailty under stress. I treated it in an artificial and oddly formal way; the stronghold of the family is put on view as a structure built each night; on the night before the story opens, the Wall has come down when the most vulnerable member slips, and the act is done for. But from various points within it and from outside it, I've been writing about the structure of the family in stories and novels ever since. In spite of my uncompromising approach to it, my fundamental story form might have been trying to announce itself to me. "
3 " Nabokov calls every great novel a fairy tale, I said. Well, I would agree. First, let me remind you that fairy tales abound with frightening witches who eat children and wicked stepmothers who poison their beautiful stepdaughters and weak fathers who leave their children behind in forests. But the magic comes from the power of good, that force which tells us we need not give in to the limitations and restrictions imposed on us by McFate, as Nabokov called it.Every fairy tale offers the potential to surpass present limits, so in a sense the fairy tale offers you freedoms that reality denies. In all great works of fiction, regardless of the grim reality they present, there is an affirmation of life against the transience of that life, an essential defiance. "
― Azar Nafisi , Reading Lolita in Tehran: A Memoir in Books
4 " It is the transience of life which proves its inestimable worth. "
― D.B. Harrop
5 " To know yourself you must know the transience of your self. "
― Ilyas Kassam
6 " The song is an unvarnished love shout, an implorement tinged with...anger? Something like anger, but the anger of a philosoher, the anger of a pot. An anger directed at the transience of the world, at its heartbreaking beauty that collides constantly with our awareness of the fact that everything gets taken away, that we're being shown marvels but reminded always that they don't belong to us. They're sultans' treasures; we're lucky, we're expected to feel lucky to have been invited to see them at all. "
― Michael Cunningham , The Snow Queen
7 " A writer observes. A writer records for posterity. The moments in the transience of the labyrinth of time that would go unrecorded otherwise! A writer records for value. A writer records for sentimentalism. A writer tries in earnest to carry the emotions and sentiments that make us what we ultimately are. For what are we? Empty spaces in an atom! "
― Avijeet Das
8 " The human species – mammalian primates though undoubtedly (s)he is, and made out of the dust of exploded suns - does have the need for the transcendent, the numinous, even the ecstatic. I wouldn’t trust anyone who hadn’t had this. This has to do with landscape, light, music, love and an awareness of the transience of all things, and the melancholy that invests all this. So it isn’t just gaping happily at the sunset while listening to music, and doing that while knowing that it can’t last very long. But there is no need for the supernatural in this at all. There is no dimension of the supernatural of which this gives one a share. "
― Christopher Hitchens
9 " In addition to the transience of their members, churches themselves face a crisis of hypermobility. Many churches have put down only shallow roots in their neighborhood, or no roots at all. We’ve all heard the question, “If our church suddenly moved to a new location fifteen miles away, would anyone in our neighborhood notice we were gone?” But what if we asked ourselves this question: “If our church was magically lifted off the ground and moved to a location fifteen miles away, would we notice the difference?” Western churches have become so disentangled from their own places that this question could be a cold, hard look in the mirror for many faith communities. "
― C. Christopher Smith , Slow Church: Cultivating Community in the Patient Way of Jesus
10 " Perception through emptiness is existential, as the transience of all phenomena affirms the indivisibility of existence itself, before, within and behind all manifestation. "
― Georgi Y. Johnson , I Am Here: Opening the Windows of Life and Beauty
