1
" And now I’m looking at you,” he said, “and you’re asking me if I still want you, as if I could stop loving you. As if I would want to give up the thing that makes me stronger than anything else ever has. I never dared give much of myself to anyone before – bits of myself to the Lightwoods, to Isabelle and Alec, but it took years to do it – but, Clary, since the first time I saw you, I have belonged to you completely. I still do. If you want me. "
― Cassandra Clare , City of Glass (The Mortal Instruments, #3)
5
" So many words get lost. They leave the mouth and lose their courage, wandering aimlessly until they are swept into the gutter like dead leaves. On rainy days, you can hear their chorus rushing past: IwasabeautifulgirlPleasedon’tgoItoobelievemybodyismadeofglass-I’veneverlovedanyoneIthinkofmyselfasfunnyForgiveme….There was a time when it wasn’t uncommon to use a piece of string to guide words that otherwise might falter on the way to their destinations. Shy people carried a little bunch of string in their pockets, but people considered loudmouths had no less need for it, since those used to being overheard by everyone were often at a loss for how to make themselves heard by someone. The physical distance between two people using a string was often small; sometimes the smaller the distance, the greater the need for the string. The practice of attaching cups to the ends of string came much later. Some say it is related to the irrepressible urge to press shells to our ears, to hear the still-surviving echo of the world’s first expression. Others say it was started by a man who held the end of a string that was unraveled across the ocean by a girl who left for America.When the world grew bigger, and there wasn’t enough string to keep the things people wanted to say from disappearing into the vastness, the telephone was invented.Sometimes no length of string is long enough to say the thing that needs to be said. In such cases all the string can do, in whatever its form, is conduct a person’s silence. "
8
" I know I want you," he heard himself say, all his vows and his honor all forgotten. She stood before him naked as her name day, and he was as hard as the rock around them. He had been in her half a hundred times by now, but always beneath furs, with others all around them. He had never seeen how beautiful she was. Her legs were skinny and well muscled, the hair at the juncture of her thighs a brighter red than that on her head. Does that make it even luckier? He pulled her close. " I love the smell of you," he said. " I love your red hair. I love your mouth, and the way you kiss me. I love your smile. I love your teats." He kissed them, one and then the other. " I love your skinny legs, and what's between them." He knelt to kiss her there, lightly on her mound at first, but Ygritte moved her legs apart a little, and he saw the pink inside and kissed that as well, and tasted her. She gave a little gasp. " If you love me all so much, why are you still dressed?" she whispered. " You know nothing, Jon Snow. Noth---oh. Oh. OHHH." Afterward, she was almost shy, or as shy as Ygritte ever got. " The thing you did," she said, when they lay together on their piled clothes. " With your...mouth." She hesistated. " Is that...is it what lordss do to their ladies, down in the south?" " I don't think so." No one had ever told Jon just what lords did with their ladies. " I only...wanted to kiss you there, that's all. You seemed to like it." " Aye. I...I liked it some. No one taught you such?" " There's been no one," he confessed. " Only you. "
13
" When someone is seeking,” said Siddartha, “It happens quite easily that he only sees the thing that he is seeking; that he is unable to find anything, unable to absorb anything, because he is only thinking of the thing he is seeking, because he has a goal, because he is obsessed with his goal. Seeking means: to have a goal; but finding means: to be free, to be receptive, to have no goal. You, O worthy one, are perhaps indeed a seeker, for in striving towards your goal, you do not see many things that are under your nose. "
― Hermann Hesse , Siddhartha
16
" When we are mired in the relative world, never lifting our gaze to the mystery, our life is stunted, incomplete; we are filled with yearning for that paradise that is lost when, as young children, we replace it with words and ideas and abstractions - such as merit, such as past, present, and future - our direct, spontaneous experience of the thing itself, in the beauty and precision of this present moment. "
― Peter Matthiessen