Home > Topic > the tellers
1 " What is literature but the expression of moods by the vehicle of symbol and incident? And are there not moods which need heaven, hell, purgatory, and faeryland for their expression, no less than this dilapidated earth? Nay, are there not moods which shall find no expression unless there be men who dare to mix heaven, hell, purgatory, and faeryland together, or even to set the heads of beasts to the bodies of men, or to thrust the souls of men into the heart of rocks? Let us go forth, the tellers of tales, and seize whatever prey the heart long for, and have no fear. Everything exists, everything is true, and the earth is only a little dust under our feet." (A Teller of Tales) "
2 " When a person sets out upon a journey - whether to hunt for food or knowledge, to make war, or even to visit the Otherworld - they are never the same when they return. Traveling changes us. Journeys shapes our memories and expand our experiences. Those things we bring back from the hunt - either food or knowledge - sustain us and keep us curious about the world. Think of your own travels and adventures out upon the land or in foreign countries: What wonderful stories do you have to tell? What experiences have you " hunted" or sought on your travels? What have you learned from the land? The stories told about journeys are as important (perhaps more important) than the destination. The journey lasts for only a fixed time, but the stories told of it, the wisdom brought back, can keep traveling forever, keep living, even after the tellers have traveled on. "
3 " Not the historians. No, not them. Their greatest crime is that they presume to know what happened, how things come about, when they have only what the past chose to leave behind-- for the most part, they think what they were meant to think, and it's a rare one that sees what really happened, behind the smokescreen of artifacts and paper...No, the fault lies with the artists...The writers, the singers, the tellers of tales. It's them that take the past and re-create it to their liking. Them that could take a fool and give you back a hero, take a sot and make him a king...Liars?...or sorcerers? Do they see the bones in the dust of the earth, see the essence of a thing that was, and clothe it in new flesh, so the plodding beast reemerges as a fabulous monster? "
― Diana Gabaldon , Dragonfly in Amber (Outlander, #2)
4 " The accounts of rape, wife beating, forced childbearing, medical butchering, sex-motivated murder, forced prostitution, physical mutilation, sadistic psychological abuse, and other commonplaces of female experience that are excavated from the past or given by contemporary survivors should leave the heart seared, the mind in anguish, the conscience in upheaval. But they do not. No matter how often these stories are told, with whatever clarity or eloquence, bitterness or sorrow, they might as well have been whispered in wind or written in sand: they disappear, as if they were nothing. The tellers and the stories are ignored or ridiculed, threatened back into silence or destroyed, and the experience of female suffering is buried in cultural invisibility and contempt… the very reality of abuse sustained by women, despite its overwhelming pervasiveness and constancy, is negated. It is negated in the transactions of everyday life, and it is negated in the history books, left out, and it is negated by those who claim to care about suffering but are blind to this suffering.The problem, simply stated, is that one must believe in the existence of the person in order to recognize the authenticity of her suffering. Neither men nor women believe in the existence of women as significant beings. It is impossible to remember as real the suffering of someone who by definition has no legitimate claim to dignity or freedom, someone who is in fact viewed as some thing, an object or an absence. And if a woman, an individual woman multiplied by billions, does not believe in her own discrete existence and therefore cannot credit the authenticity of her own suffering, she is erased, canceled out, and the meaning of her life, whatever it is, whatever it might have been, is lost. This loss cannot be calculated or comprehended. It is vast and awful, and nothing will ever make up for it. "
5 " I did not want to tell her what happened, but I had to now. I could not stop talking because now I had started my story, it wanted to be finished. We cannot choose where to start and stop. Our stories are the tellers of us. "
― Chris Cleave , Little Bee
6 " I could not stop talking because now I had started my story, it wanted to be finished. We cannot choose where to start and stop. Our stories are the tellers of us. "