1
" As melancholia replaced the jarring of my invention, I sat.
Unable to breathe in the smog I had created, unable to stand on my betraying legs, unable to howl at the heavens over my sordid soul.
In this inferno, I became paroxysmic, my self-hatred, superparamount, numbness dulling the agony of such a devilish act,
An iron curtain fell upon the surrounding world, or at least what I had left of it to be owned by the laconic eclipse.
All the angels fled, disowning my prayers, the lurid world backed away, leaving me forsaken and detached,
I could no longer hear the bombings, hear them fall, my own fabrication, only the dead air that came after, the intense silence.
Cynical and paralyzed, I realized I had purloined a portion of Hell and given it to the unwilling Earth,
Punishing those I had no right to punish, judging those I had no reason to condemn, destroying cities I had never set foot in.
This is how I became Death, the destroyer of Worlds. "
― Moonshine Noire
4
" Yeah, you’re right about having entire rooms full of film and photos… in that Sydney Mines house I have a darkroom, I have boxes of film and home movie footage… I have a few projectors, I have piles of Kodachrome slides… I like photographs. The world is always running away from society and the only way to keep the stuff that’s happened in the past is by taking photographs, I can keep memories of things alive with photographs,” Alecto responded. “People say that a time machine can’t be invented, but they’ve already invented a device that can stop time, cameras are the world’s first time machines… The steel mill, the coal mines, the train tracks, the smog in the sky, I’ve been able to rescue it on super-8 and Kodachrome, and no one can remediate those photographs, I can keep them as long as I want to. "
7
" And it was to this city, whenever I went home, that I always knew I must return, for it was mistress of one's wildest hopes, protector of one's deepest privacies. It was half insane with its noise, violence, and decay, but it gave one the tender security of fulfillment. On winter afternoons, from my office, there were sunsets across Manhattan when the smog itself shimmered and glowed… Despite its difficulties, which become more obvious all the time, one was constantly put to the test by this city, which finally came down to its people; no other place in America had quite such people and they would not allow you to go stale; in the end they were its triumph and its reward. "
― Willie Morris