the sleeves QUOTES

1 " Once upon a time there was a young prince who believed in all things but three. He did not believe in princesses, he did not believe in islands, he did not believe in God. His father, the king, told him that such things did not exist. As there were no princesses or islands in his father's domains, and no sign of God, the young prince believed his father.

But then, one day, the prince ran away from his palace. He came to the next land. There, to his astonishment, from every coast he saw islands, and on these islands, strange and troubling creatures whom he dared not name. As he was searching for a boat, a man in full evening dress approached him along the shore.

Are those real islands?' asked the young prince.

Of course they are real islands,' said the man in evening dress.

And those strange and troubling creatures?'

They are all genuine and authentic princesses.'

Then God must exist!' cried the prince.

I am God,' replied the man in full evening dress, with a bow.

The young prince returned home as quickly as he could.

So you are back,' said the father, the king.

I have seen islands, I have seen princesses, I have seen God,' said the prince reproachfully.

The king was unmoved.

Neither real islands, nor real princesses, I have seen God,' said the prince reproachfully.

The king was unmoved.

Neither real islands, nor real princesses, nor a real God exist.'

I saw them!'

Tell me how God was dressed.'

God was in full evening dress.'

Were the sleeves of his coat rolled back?'

The prince remembered that they had been. The king smiled.

That is the uniform of a magician. You have been deceived.'

At this, the prince returned to the next land, and went to the same shore, where once again he came upon the man in full evening dress.

My father the king has told me who you are,' said the young prince indignantly. 'You deceived me last time, but not again. Now I know that those are not real islands and real princesses, because you are a magician.'

The man on the shore smiled.

It is you who are deceived, my boy. In your father's kingdom there are many islands and many princesses. But you are under your father's spell, so you cannot see them.'

The prince pensively returned home. When he saw his father, he looked him in the eyes.

Father, is it true that you are not a real king, but only a magician?'

The king smiled, and rolled back his sleeves.

Yes, my son, I am only a magician.'

Then the man on the shore was God.'

The man on the shore was another magician.'

I must know the real truth, the truth beyond magic.'

There is no truth beyond magic,' said the king.

The prince was full of sadness.

He said, 'I will kill myself.'

The king by magic caused death to appear. Death stood in the door and beckoned to the prince. The prince shuddered. He remembered the beautiful but unreal islands and the unreal but beautiful princesses.

Very well,' he said. 'I can bear it.'

You see, my son,' said the king, 'you too now begin to be a magician. "

― John Fowles

2 " Rylan!" Nadia and I turn our heads simultaneously towards the entrance to the living room as Tim Powers appears." Yeah?" I yell across the room.That's when I notice the expression on Power' face. A mixture of awe, amazement, appreciation, and a bit of jealousy." Your girlfriend's here," Tim informs me.He steps aside, and a goddess enters the room.It's been forever since I first had those dreams Ivy sent me with her in her disguise. But I still remember how she looks. Pale skin, long hair, bright-green eyes, and a model's figure. A perfect dream girl, who's now reality.Ivy smiles shyly as she steps into the room. Her skin is porcelain, unflawed and shiny. White-blind hair, straight and flowing, falls down her back and ends a little bit past her waist. She's not wearing her woven grass robe, but instead a dress mist likely altered from a piece of clothing from her clothes sack. It probably reached the floor at one point, with long sleeves, but the sleeves are gone and the skirt's been snipped away, leaving behind a green dress that shows off mile-long legs.But her face...all that pales in comparison to her face. Heart-shaped, with high cheekbones, an elegant nose, a well-shaped chin, and her lips—she's not covering them anymore—two shimmering, bright green pools I would be happy to drown in or go through. People believe the eyes are the window to your soul, and Ivy's soul is beautiful. "

3 " The mechanism of the clock was enclosed in a box resembling a large cupboard, but I was disappointed with the workings. They were much smaller than I had anticipated. The clock was worked by heavy weights suspended on long cables. My father picked up a handle like the crank handle of a car and wound them up. There were two of them. One to work the hands, the other controlling the hammer which struck out the hours on a large bell. Then the mousetraps were set, Not to catch mice, but to control the lighting. Previously my father had to make a special trip each evening to switch on the lights of the clock, returning near midnight to switch them off. To obviate this he invented a method of light control which may have been unique. Two switches, one for switching on and the other for switching off were used. They were fixed on the inside wall of the tower. A mousetrap mounted near each switch was so arranged that when the trap sprung, the arc traversed by the closing trap enabled the switch to be flicked on or off as required. Adjustable sleeves were set along the the cables for required times. The sleeves on the descending cables tripped the mouse traps which actuated the switches. "

― , The End of an Era: Life in Old Eaglehawk and Bendigo

4 " I skipped between the dancers, twirling my skirts. The seated, masked musicians didn’t look up at me as I leaped before them, dancing in place. No chains, no boundaries—just me and the music, dancing and dancing. I wasn’t faerie, but I was a part of this earth, and the earth was a part of me, and I would be content to dance upon it for the rest of my life.
One of the musicians looked up from his fiddling, and I halted.
Sweat gleamed on the strong column of his neck as he rested his chin upon the dark wood of the fiddle. He’d rolled up the sleeves of his shirt, revealing the cords of muscle along his forearms. He had once mentioned that he would have liked to be a traveling minstrel if not a warrior or a High Lord—now, hearing him play, I knew he could have made a fortune from it.
“I’m sorry, Tam,” Lucien panted, appearing from nowhere. “I left her alone for a little at one of the food tables, and when I caught up to her, she was drinking the wine, and—”
Tamlin didn’t pause in his playing. His golden hair damp with sweat, he looked marvelously handsome—even though I couldn’t see most of his face. He gave me a feral smile as I began to dance in place before him. “I’ll look after her,” Tamlin murmured above the music, and I glowed, my dancing becoming faster. “Go enjoy yourself.” Lucien fled.
I shouted over the music, “I don’t need a keeper!” I wanted to spin and spin and spin.
“No, you don’t,” Tamlin said, never once stumbling over his playing. How his bow did dance upon the strings, his fingers sturdy and strong, no signs of those claws that I had come to stop fearing … “Dance, Feyre,” he whispered.
So I did.
I was loosened, a top whirling around and around, and I didn’t know who I danced with or what they looked like, only that I had become the music and the fire and the night, and there was nothing that could slow me down.
Through it all, Tamlin and his musicians played such joyous music that I didn’t think the world could contain it all. I sashayed over to him, my faerie lord, my protector and warrior, my friend, and danced before him. He grinned at me, and I didn’t break my dancing as he rose from his seat and knelt before me in the grass, offering up a solo on his fiddle to me. "

― Sarah J. Maas , A Court of Thorns and Roses (A Court of Thorns and Roses, #1)

5 " Finally, it was all finished. September was quite proud of herself, and we may be proud of her, too, for certainly I have never made a boat so quickly, and I daresay only one or two of you have ever pulled off such a trick. All she lacked was a sail. September thought for a good while, considering what Lye, the soap golem, had said: " Even if you've taken off every stitch of clothing, you will still have your secrets, your history, your true name. It's hard to be really naked. You have to work hard at it. Just getting into a bath isn't being naked, not really. It's just showing skin. And foxes and bears have skin, too, so I shan't be ashamed if they're not." 'Well, I shan't be! My dress, my sail!' cried September aloud, and wriggled out of her orange dress. She tied the sleeves to the top of the mast and the tips of the skirt to the bottom. The wind puffed it out obligingly. She took off the Marquess's dreadful shoes and wedged them between the sceptres. There she stood, her newly shorn hair flying in every direction, naked and fierce, with the tide coming in. "

6 " That night, before bed, he goes first to Willem's side of the closet, which he has still not emptied. Here are Willem's shirts on their hangers, and his sweaters on their shelves, and his shoes lined up beneath. He takes down the shirt he needs, a burgundy plaid woven through with threads of yellow, which Willem used to wear around the house in the springtime, and shrugs it on over his head. But instead of putting his arms through its sleeves, he ties the sleeves in front of him, which makes the shirt look like a straitjacket, but which he can pretend—if he concentrates—are Willem's arms in an embrace around him. He climbs into bed. This ritual embarrasses and shames him, but he only does it when he really needs it, and tonight he really needs it. "

― Hanya Yanagihara , A Little Life

7 " He wore a white shirt with the sleeves rolled up to the good place, and a heart-shaped leaf lay trapped in the hollow if his throat as though it were planned, though of course it was so perfect it couldn't have been planned. "

― Elizabeth Berg , Range Of Motion

8 " Wait." Walter went to the basket, taking what was a gray sleeve, drawing it out fro the middle of the heap. " Oh," He said. He held the shapeless wool sweater to his chest. Joyce had knit for months the year Daniel died, and here was the result, her handiwork, the garment that would fit a giant. It was nothing more than twelve skeins of yarn and thousands of loops, but it had the power to bring back in a flash the green-tiled walls of the hospital, the sound of an ambulance trying to cut through city traffic in the distance, the breathing of the dying boy, his father staring at the ceiling, the full greasy bucket of fried chicken on he bed table. " I'll take this one," Walter said, balling up the sweater as best he could, stuffing it into a shopping bag that was half full of the books he was taking home, that he was borrowing." Oh, honey," Joyce said. " You don't want that old scrap." " You made it. I remember your making it." Keep it light, he said to himself, that's a boy. " There's a use for it. Don't you think so, Aunt Jeannie? No offense, Mom, but I could invade the Huns with it or strap the sleeves to my car tires in a blizzard, for traction, or protect our nation with it out in space, a shield against nuclear attack." Jeannie tittered in her usual way in spite of herself. " You always did have that sense of humor," she said as she went upstairs. When she was out of range, Joyce went to Walter's bag and retrieved the sweater. She laid it on the card table, the long arms hanging down, and she fingered the stitches. " Will you look at the mass of it," she exclaimed. " I don't even recall making it." " " 'Memory -- that strange deceiver,'" Walter quoted. "

9 " Take off that coat,' he told him.
'Sir?'
'You heard me.'
The boy slipped out of his jacket, whining, 'What you gonna do? What I'm gonna wear?'
The man untied the baby from her chest and wrapped it in the boy's coat, knotting the sleeves in front.
'What I'm gonna wear?'
The old man sighed and, after a pause, said, 'You want it back then go head and take it off that baby. Put the baby naked in the grass and put your coat back on. And if you can do it, then go on 'way somewhere and don't come back. "

― Toni Morrison , Beloved

10 " I'm still shy," I admit, pulling the sleeves over my hands, " and I might always be, I don't know, but I think you can be shy and still feel okay about yourself at the same time. "

11 " She tugged the sleeves down over her hands, stretching the fabric until the seams reached her fingernails. Then she locked her fingers around them to ensure they stayed down.
Veda fought the urge to rip those sleeves from Coco’s grip and force her to wear them appropriately, or at the very least roll them up so she wouldn’t be tempted to yank at them. She could remember a time when she’d had the same habit, back in middle school. As if hiding her hands behind a thin piece of fabric would protect her from the world. "

― Trevion Burns , Quiver

12 " I, too, am among those unable to step outside the realm of worldly distinctions. I hide my excesses of joy and sorrow beneath a robe of false contentment and drown in a pool of tears unseen by others. How I envy those naive enough to covet the glory of others. Do they not realize that tears fall not only on the sleeves of worn and tattered kimonos? The jewels that spill, glittering, onto my brocade are the very water of life, but they are mistaken for mere ornament. Although no one notices, my heart is shattered into a thousand pieces. "

13 " I gotta go but... I miss you. That's all." " I miss you too" , I say hugging my body tightly with the sleeves of his shirt.This... Is falling. "

14 " You are going to feel like hell if you never write the stuff that is tugging on the sleeves in your heart--your stories, visions, memories, songs: your truth, your version of things, in your voice. That is really all you have to offer us, and it's why you were born. "

― Anne Lamott

15 " She loathed her profile almost as much as she loathed the dress. If she didn't have to worry about people mistaking her for a boy--- not that they really did, but they couldn't stop remarking on the resemblance; at any rate, if she didn't have to worry about that--- she would never again wear pink. Or pearls. There was something dreadfully banal about the way the pearls shimmered.
For a moment she distracted herself by mentally ripping her dress apart, stripping it of its ruffles and pearls and tiny sleeves. Given a choice, she would dress in plum-colored silk and sleek her hair away from her face without a single flyaway curl. Her only hair adornment would be an enormous feather--- a black one--- arching backward so it brushed her shoulder. If her sleeves were elbow-length, she could trim them with a narrow edging of black fur. Or perhaps swansdown, with the same at the neck. Or she could put a feather trim at the neck; the white would look shocking against the plum velvet.
That led to the idea that she could put a ruff at the neck and trim that with a narrow strip of swansdown,. It would be even better if the sleeves weren't opaque fabric but nearly transparent, like that new Indian silk her friend Lucinda had been wearing the previous night, and she would have them quite wide, so they billowed and gathered tight at the elbow. Or perhaps the wrist would be more dramatic.... "

― Eloisa James , The Ugly Duchess (Fairy Tales, #4)

16 " Because who hasn't tried to pull their arms from the sleeves of gravity's lead coat?
Who doesn't have at least one pair of wax wings out in the garage? "

― Lucia Perillo , Luck Is Luck: Poems

17 " Facing problems is like looking at a sink piled up with dirty dishes. More you think more they stink. It takes only to roll up the sleeves and start washing them, one by one. In just ten minutes they are done. "

― Vinko Vrbanic

18 " Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—”
“If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.”
Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders.
“Where is it?” he asked.
“The key?”
His tone was deadly. “Yes, Daisy. The key.”
“It fell inside my corset. Which means… I’ll have to take that off too.”
There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew.
He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her.
Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap.
Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset.
She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise.
The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew.
His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her.
Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?”
“No.”
But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders.
He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat.
Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff.
Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer.
Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.”
He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap. "

― Lisa Kleypas , Scandal in Spring (Wallflowers, #4)

19 " I love my bubble skirt. I wear it with a belt and my shirt tucked in. Just like a t-shirt from Nordstrom's or something. And I wear this navy blue blazer with the sleeves crushed up. And I just feel like I'm such a cool girl when I walk out. I feel like, 'Yeah I'm cool, like a model.' "