1
" She opened her mouth to answer, but he was already kissing her. She had kissed him so many times—soft gentle kisses, hard and desperate ones, brief brushes of the lips that said good-bye, and kisses that seemed to go on for hours—and this was no different. The way the memory of someone who had once lived in a house might linger even after they were gone, like a sort of psychic
imprint,
her
body remembered
Jace.
Remembered the way he tasted, the slant of his mouth over hers, his scars under her fingers, the shape of his body under her hands. "
― Cassandra Clare , City of Lost Souls (The Mortal Instruments, #5)
3
" But Tilo had crept up on him, and become a kind of compulsion, an addiction almost. Addiction has its own mnemonics – skin, smell, the length of the loved one’s fingers. In Tilo’s case it was the slant of her eyes, the shape of her mouth, the almost invisible scar that slightly altered the symmetry of her lips and made her look defiant even when she did not mean to, the way her nostrils flared, announcing her displeasure even before her eyes did. The way she held her shoulders. The way she sat on the pot stark naked and smoked cigarettes. So many years of marriage, the fact that she was not young any more – and did nothing to pretend otherwise – didn’t change the way he felt. Because it had to do with more than all that. It was the haughtiness (despite the question mark over her ‘stock’, as his mother had not hesitated to put it). It had to do with the way she lived, in the country of her own skin. A country that issued no visas and seemed to have no consulates. "
― Arundhati Roy , The Ministry of Utmost Happiness
