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1 " Compassion is the signature of Higher Consciousness. Non-violence is the tool to evolve into the Higher Consciousness. "
― Amit Ray , Nonviolence: The Transforming Power
2 " In this couple defects were multiplied, as if by a dangerous doubling; weakness fed upon itself without a counterstrength and they were trapped, defaults, mutually committed, left holes everywhere in their lives. When you read their letters to each other it is often necessary to consult the signature in order to be sure which one has done the writing. Their tone about themselves, their mood, is the fatal one of nostalgia--a passive, consuming, repetitive poetry. Sometimes one feels even its most felicitious and melodious moments are fixed, rigid in experession, and that their feelings have gradually merged with their manner, fallen under the domination of style. Even in their suffering, so deep and beyond relief, their tonal memory controls the words, shaping them into the Fitzgerald tune, always so regretful, regressive, and touched with a careful felicity. "
― Elizabeth Hardwick , Seduction and Betrayal: Women and Literature
3 " With thought, patience, and discrimination, book passion becomes the signature of a person's character. "
4 " Two days ago, the Preserve received a curious visitor. Our logbook shows the signature of a Ms. Notah Reelnaym, hailing from the foreign-sounding port of Nowareneerheer, arriving at 10:00 am on the nose with a child and leaving an hour and three minutes later without one. Log notes indicate that Ms. Reelnaym spent precisely one hour touring the Preserve. Mr. Gubbens, our Chief Orphan Wrangler, reports spending that hour walking around the Preserve alone, loudly explaining Preserve policies to no one for no obvious reason. Remaining three minutes of Ms. Reelnaym’s visit unaccounted for. "
― Carrie Ryan
5 " both you and paintings are layered… first, ephemera and notations on the back of the canvas. Labels indicate gallery shows, museum shows, footprints in the snow, so to speak. Then pencil scribbles on the stretcher, usually by the artist, usually a title or date. Next the stretcher itself. Pine or something. Wooden triangles in the corners so the picture can be tapped tighter when the canvas becomes loose. Nails in the wood securing the picture to the stretcher. Next, a canvas: linen, muslin, sometimes a panel; then the gesso - a primary coat, always white. A layer of underpaint, usually a pastel color, then, the miracle, where the secrets are: the paint itself, swished around, roughly, gently, layer on layer, thick or thin, not more than a quarter of an inch ever -- God can happen in that quarter of an inch -- the occasional brush hair left embedded, colors mixed over each other, tones showing through, sometimes the weave of the linen revealing itself. The signature on top of the entire goulash. Then varnish is swabbed over the whole. Finally, the frame, translucent gilt or carved wood. The whole thing is done. "
― Steve Martin , An Object of Beauty
6 " Our inner beauty is that Kingdom of Heaven that lies within. It is a fragrance and the signature of our soul. "
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7 " We always search for the signature of God to prove His existence. And now I say unto you that Art is His very signature! "
8 " The wave is the signature of every experience of life. By understanding the nature of waves and their characteristics, and applying that understanding to our lives, we can navigate life with a little more grace. "
― , The Nature of Things - Navigating Everyday Life with Grace
9 " Smiling face of every little girl is the signature of God’s presence. "
― Amit Ray
10 " He lay on his back in his blankets and looked our where the quartermoon lay cocked over the heel of the mountains. In the false blue dawn the Pleiades seemed to be rising up into the darkness above the world and dragging all the stars away, the great diamond of Orion and Cepella and the signature of Cassiopeia all rising up through the phosphorous dark like a sea-net. He lay a long time listening to the others breathing in their sleep while he contemplated the wildness about him, the wildness within. "
― Cormac McCarthy , All the Pretty Horses (The Border Trilogy, #1)
11 " In a well-balanced, reasoning mind there is no such thing as an intuition - an inspired guess! You can guess, of course - and a guess is either right or wrong. If it is right you can call it an intuition. If it is wrong you usually do not speak of it again. But what is often called an intuition is really impression based on logical deduction or experience. When an expert feels that there is something wrong about a picture or a piece of furniture or the signature on a cheque he is really basing that feeling on a host of a small signs and details. He has no need to go into them minutely - his experience obviates that - the net result is the definite impression that something is wrong. But it is not a guess, it is an impression based on experience. "
― Agatha Christie , The A.B.C. Murders (Hercule Poirot, #12)
12 " Art is the signature of civilizations. "