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1 " I’ll find out who’s inside. Wait here and keep alert!’ Hallam rasped. He skirted the main path to skulk towards one of the shuttered windows on the building’s eastern wall. There was a crack in the wood and he gently inched closer to peer inside.There was a hearth-fire with a pot bubbling away and a battered table made of a length of wood over two pieces of cut timber. A small ham hung from the rafters, away from the rats and mice. He couldn’t see anyone but there was a murmur of voices. Hallam leaned in even closer and a young boy with hair the colour of straw saw the movement to stare. It was Little Jim. Thank God, the child was safe. Snot hung from his nose and he was pale. Hallam put a finger to his lips, but the boy, not even four, did not understand, and just gaped innocently back.Movement near the window. A man wearing a blue jacket took up a stone bottle and wiped his long flowing moustache afterwards. His hair was shoulder-length, falling unruly over the red collar of his jacket. Tied around his neck was a filthy red neckerchief. A woman moaned and the man grinned with tobacco stained teeth at the sound. Laughter and French voices. The woman whimpered and Little Jim turned to watch unseen figures. His eyes glistened and his bottom lip dropped. The woman began to plead and Hallam instinctively growled.The Frenchman, hearing the noise, pushed the shutter open and the pistol’s cold muzzle pressed against his forehead. Hallam watched the man’s eyes narrow and then widen, before his mouth opened. Whatever he intended to shout was never heard, because the ball smashed through his skull to erupt in a bloody spray as it exited the back of the Frenchman’s head.There was a brief moment of silence. ‘28th!’ Hallam shouted, as he stepped back against the wall. ‘Make ready! "
― David Cook , Blood on the Snow (The Soldier Chronicles, #3)
2 " The camera was a hand-held auxiliary of wanting-to-know. It had more than information and accuracy to teach me. I learned in the doing how ready I had to be. Life doesn't hold still. A good snapshot stopped a moment from running away. Photography taught me that to be able to capture transience, by being ready to click the shutter at the crucial moment, was the greatest need I had. Making pictures of people in all sorts of situations, I learned that every feeling waits upon its gesture, and I had to be prepared to recognize this moment when I saw it. These were things a writer needed to know. And I felt the need to hold transient life in words - there's so much more of life that only words can convey - strongly enough to last me as long as I lived. The direction my mind took was a writer's direction from the start, not a photographer's or a recorder's. "
― Eudora Welty , On Writing
3 " True photographs tend to remain on the streets, the story almost about to enter the edge of the frame of the snapshot or the shutter closing a moment too late, the story having just abandoned the frame. "
― Doug Rice , An Erotics of Seeing: The force of photography as philosophy's broken sentence
4 " Tree' is the title of a dance, is the cadence of a song. The black silhouette is only a moment of stillness caught by the shutter of the eye. It is finely tuned to the harmonics of the air. It loves both the sun and the wind and is let turn towards its beloved and so become itself.This is the dance of all living things. This is why endangered peoples say if they have their dance they will never die. "
5 " At age four I was a camera. I took pictures with my eyes. I framed my photo within my vision and blinked my eyes to snap the shutter of my memory. Since that time, I've been impersonating inanimate objects at every opportunity. "
― Sophia Amoruso , #Girlboss