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1 " I've got about ten things to say to you right now. But at least nine of them would make me sound like a psycho.”In spite of the seriousness of the situation, I nearly smiled. “What’s the tenth thing?” I asked his shirtfront. He paused, considering it. “Never mind,” he grumbled. “That one would make me sound like a psycho, too. "
― Lisa Kleypas , Smooth Talking Stranger (Travises, #3)
2 " The maturity of man—that means, to have reacquired the seriousness that one had as a child at play "
― Friedrich Nietzsche , Beyond Good and Evil
3 " Human existence can relate to beings only if it holds itself out into the nothing. Going beyond beings occurs in the essence of Dasein. But this going beyond is metaphysics itself. This implies that metaphysics belongs to the " nature of man." It is neither a division of academic philosophy nor a field of arbitrary notions. Metaphysics is the basic occurrence of Dasein. It is Dasein itself. Because the truth of metaphysics dwells in this groundless ground it stands in closest proximity to the constantly lurking possibility of deepest error. For this reason no amount of scientific rigor attains to the seriousness of metaphysics. Philosophy can never be measured by the standard of the idea of science.If the question of the nothing unfolded here has actually questioned us, then we have not simply brought metaphysics before us in an extrinsic manner. Nor have we merely been " transposed" to it. We cannot be transposed there at all, because insofar as we exist we are always there already. " For by nature, my friend, man's mind dwells in philosophy" (Plato, Phaedrus, 279a). So long as man exists, philosophizing of some sort occurs. Philosophy―what we call philosophy―is metaphysics getting under way, in which philosophy comes to itself and to its explicit tasks. Philosophy gets under way only by a peculiar insertion of our own existence into the fundamental possibilities of Dasein as a whole. For this insertion it is of decisive importance, first, that we allow space for beings as a whole; second, that we release ourselves into the nothing, which is to say, that we liberate ourselves from those idols everyone has and to which he is wont to go cringing; and finally, that we let the sweep of our suspense take its full course, so that it swings back into the basic question of metaphysics which the nothing itself compels: 'Why are there beings at all, and why not rather nothing?'" ―from_What is Metaphysics?_ "
4 " Human existence can relate to beings only if it holds itself out into the nothing. Going beyond beings occurs in the essence of Dasein. But this going beyond is metaphysics itself. This implies that metaphysics belongs to the " nature of man." It is neither a division of academic philosophy nor a field of arbitrary notions. Metaphysics is the basic occurrence of Dasein. It is Dasein itself. Because the truth of metaphysics dwells in this groundless ground it stands in closest proximity to the constantly lurking possibility of deepest error. For this reason no amount of scientific rigor attains to the seriousness of metaphysics. Philosophy can never be measured by the standard of the idea of science.If the question of the nothing unfolded here has actually questioned us, then we have not simply brought metaphysics before us in an extrinsic manner. Nor have we merely been " transposed" to it. We cannot be transposed there at all, because insofar as we exist we are always there already. " For by nature, my friend, man's mind dwells in philosophy" (Plato, Phaedrus, 279a). So long as man exists, philosophizing of some sort occurs. Philosophy―what we call philosophy―is metaphysics getting under way, in which philosophy comes to itself and to its explicit tasks. Philosophy gets under way only by a peculiar insertion of our own existence into the fundamental possibilities of Dasein as a whole. For this insertion it is of decisive importance, first, that we allow space for beings as a whole; second, that we release ourselves into the nothing, which is to say, that we liberate ourselves from those idols everyone has and to which he is wont to go cringing; and finally, that we let the sweep of our suspense take its full course, so that it swings back into the basic question of metaphysics which the nothing itself compels: 'Why are there beings at all, and why not rather nothing?" ―from_What is Metaphysics?_ "
5 " Poetry is a will to put things right, an imaginary solution, a way of avoiding a catastrophe that already happened. Poetry is an escape, perhaps intelligent, perhaps idiotic, from a senile situation. It is a dialectical movement, it keeps tearing open the wounds while trying to heal them. Here we see the only acceptable path open up towards an existence worthy of human beings. Here the seriousness is unfaltering and absolute. Where it will lead no one knows. "
6 " When writing a novel a writer should create living people; people not characters. A character is a caricature. If a writer can make people live there may be no great characters in his book, but it is possible that his book will remain as a whole; as an entity; as a novel. If the people the writer is making talk of old masters; of music; of modern painting; of letters; or of science then they should talk of those subjects in the novel. If they do not talk of these subjects and the writer makes them talk of them he is a faker, and if he talks about them himself to show how much he knows then he is showing off. No matter how good a phrase or a simile he may have if he puts it in where it is not absolutely necessary and irreplaceable he is spoiling his work for egotism. Prose is architecture, not interior decoration, and the Baroque is over. For a writer to put his own intellectual musings, which he might sell for a low price as essays, into the mouths of artificially constructed characters which are more remunerative when issued as people in a novel is good economics, perhaps, but does not make literature. People in a novel, not skillfully constructed characters, must be projected from the writer’s assimilated experience, from his knowledge, from his head, from his heart and from all there is of him. If he ever has luck as well as seriousness and gets them out entire they will have more than one dimension and they will last a long time. A good writer should know as near everything as possible. Naturally he will not. A great enough writer seems to be born with knowledge. But he really is not; he has only been born with the ability to learn in a quicker ratio to the passage of time than other men and without conscious application, and with an intelligence to accept or reject what is already presented as knowledge. There are some things which cannot be learned quickly and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things and because it takes a man’s life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl. "
― Ernest Hemingway , Death in the Afternoon
7 " It isn't the subjects we write about but the seriousness and subtlety of our expression that determines the worth of or effort. "
― Joyce Carol Oates
8 " The Nobel Prize is the best thing that can happen to a writer in terms of how it affects your contracts, the publishers, and the seriousness with which your work is taken. On the other hand, it does interfere with your private life, or it can if you let it, and it has zero effect on the writing.It doesn't help you write better and if you let it, it will intimidate you about future projects. "
― Toni Morrison
9 " Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl. "
10 " The forsaking of all others is a keeping of faith, not just with the chosen one, but with the ones forsaken. The marriage vow unites not just a woman and a man with each other; it unites each of them with the community in a vow of sexual responsibility toward all others. The whole community is married, realizes its essential unity, in each of its marriages...Marital fidelity, that is, involves the public or institutional as well as the private aspect of marriage. One is married to marriage as well as to one's spouse. But one is married also to something vital of one's own that does not exist before the marriage: one's given word. It now seems to me that the modern misunderstanding of marriage involves a gross misunderstanding and underestimation of the seriousness of giving one's word, and of the dangers of breaking it once it is given. Adultery and divorce now must be looked upon as instances of that disease of word-breaking, which our age justifies as " realistic" or " practical" or " necessary," but which is tattering the invariably single fabric of speech and trust.(pg.117, " The Body and the Earth" ) "
11 " The imagination and trust of a young child are immeasurable. Through the prism of their eyes all things are possible, all dreams come true, and all people are friends. There is beauty in the seriousness of their play and their laughter is pure and unspoiled. Regardless of what other people say…go ahead and act like a child. Hang on to that simple spirit of living for as long as you possibly can. "
― Jason Versey , A Walk with Prudence
12 " Males lack the seriousness of temperament required of persons with such great responsibilities. "
― Ransom Riggs , Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1)
13 " It is wrong to say that schoolmasters lack heart and are dried-up, soulless pedants! No, by no means. When a child's talent which he has sought to kindle suddenly bursts forth, when the boy puts aside his wooden sword, slingshot, bow-and-arrow and other childish games, when he begins to forge ahead, when the seriousness of the work begins to transform the rough-neck into a delicate, serious and an almost ascetic creature, when his face takes on an intelligent, deeper and more purposeful expression - then a teacher's heart laughs with happiness and pride. It is his duty and responsibility to control the raw energies and desires of his charges and replace them with calmer, more moderate ideals. What would many happy citizens and trustworthy officials have become but unruly, stormy innovators and dreamers of useless dreams, if not for the effort of their schools? In young beings there is something wild, ungovernable, uncultured which first has to be tamed. It is like a dangerous flame that has to be controlled or it will destroy. Natural man is unpredictable, opaque, dangerous, like a torrent cascading out of uncharted mountains. At the start, his soul is a jungle without paths or order. And, like a jungle, it must first be cleared and its growth thwarted. Thus it is the school's task to subdue and control man with force and make him a useful member of society, to kindle those qualities in him whose development will bring him to triumphant completion. "
― Hermann Hesse , Beneath the Wheel
14 " For many of us, especially being so fortunate to live in a first-world country, the vast majority of pain we experience is due to the seriousness with which we identify with our thoughts. "
― Chris Matakas , #Human: Learning To Live In Modern Times
15 " When I deny the seriousness of my abuse I agree with my abuser and those who wouldn't acknowledge it. When I am in denial, I have the tendency to minimize my abuse, believe the lies others have said, as well as deny it ever happened. It is important for me to remember as much detail as I can so I can trust my own perceptions of what really happened and not depend on the validations from others. "
― Patty Hite
16 " It is important to take the seriousness out of things that do not deserve it. Take the seriousness out of it, and the thing loses its power. "
― S.A. Tawks , The Spirit of Pessimism (The Spirit of Imagination, #2)
17 " The journey is part of the experience - an expression of the seriousness of one's intent. One doesn't take the A train to Mecca. "
― Anthony Bourdain , A Cook's Tour: Global Adventures in Extreme Cuisines
18 " Men are never convinced of your reasons, of your sincerity, of the seriousness of your sufferings, except by your death. So long as you are alive, your case is doubtful; you have a right only to their skepticism. "
― Albert Camus , The Fall
19 " The cross shows the seriousness of our sin—but it also shows us the immeasurable love of God. "
― Billy Graham , Billy Graham in Quotes
20 " If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl. "
― Ernest Hemingway
