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1 " I don't mean to be rude—" he began, in a tone that threatened rudeness in every syllable." Yet, sadly, accidental rudeness occurs alarmingly often," Dumbledore finished the sentence gravely. "
2 " Is it time for your period, or something?" He turned around, all controlled aggression, and damned if he didn't push the button again. " What is it about having a period that makes women so bitchy?" " By the time the sentence ended the sweetness was long gone, my jaw was clenched, and I think my eyes were bugging out. Wyatt took a step back, belatedly looking alarmed. "
3 " Hans clacked his side-lips. " Do you have the sentence in your head that tomorrow's procession will halt this pest of yours, that it will bar the small-lives from the High Woods?" " If it is as you say, no. No more than prayer can stay a charging horse. But that is not why we pray. God is no cheap juggler as to play for a pfennig. "
4 " The man who passes the sentence should swing the sword. "
― George R.R. Martin
5 " Susan's gotta poker, you know," it said, as if anxious to be helpful. WELL, WELL. INDEED. MY GOODNESS ME. week she picked up a bogey by its nose." Death tried to imagine this. He felt sure he'd heard the sentence wrong, but it didn't sound a whole lot better however he rearranged the words. "
6 " Good writing is the hardest form of thinking. It involves the agony of turning profoundly difficult thoughts into lucid form, then forcing them into the tight-fitting uniform of language, making them visible and clear. If the writing is good, then the result seems effortless and inevitable. But when you want to say something life-changing or ineffable in a single sentence, you face both the limitations of the sentence itself and the extent of your own talent. "
― Pat Conroy , My Reading Life
7 " The ear is the only true writer and the only true reader. I know people who read without hearing the sentence sounds and they were the fastest readers. Eye readers we call them. They get the meaning by glances. But they are bad readers because they miss the best part of what a good writer puts into his work. "
― Robert Frost
8 " Writing keeps me at my desk, constantly trying to write a perfect sentence. It is a great privilege to make one’s living from writing sentences. The sentence is the greatest invention of civilization. To sit all day long assembling these extraordinary strings of words is a marvelous thing…For me, a line has to sing before it does anything else. The great thrill is when a sentence that starts out being completely plain suddenly begins to sing, rising far above itself and above any expectation I might have had for it. That’s what keeps me going on those dark December days when I think about how I could be living instead of writing. "
― John Banville
9 " This time it was the sentence opening the last part of a story I had worked on for months: a sentence as is often worked off paper first. The pace of narrative and interest in character do not readily help the writer's hand to set down a sentence of that order. For though characters must take things in their own stride – somewhere in his story the writer cannot hold back this sentence that judges them. He wants it unobtrusive to his pace and the characters that caused him to write. The difficulty is to judge without seeming to be there, with a finality in the words that will make them casual and part of the story itself, except perhaps to another age. "
― Louis Zukofsky , Collected Fiction
10 " The way you live your day is a sentence in the story of your life. Each day you make the choice whether the sentence ends with a period, question mark, or exclamation point. "
― Steve Maraboli , Unapologetically You: Reflections on Life and the Human Experience
11 " The more things change, the more they stay the same. I'm not sure who the first person was who said that. Probably Shakespeare. Or maybe Sting. But at the moment, it's the sentence that best explains my tragic flaw, my inability to change. I don't think I'm alone in this. The more I get to know other people, the more I realize it's kind of everyone's flaw. Staying exactly the same for as long as possible, standing perfectly still... It feels safer somehow. And if you are suffering, at least the pain is familiar. Because if you took that leap of faith, went outside the box, did something unexpected... Who knows what other pain might be out there, waiting for you. Chances are it could be even worse. So you maintain the status quo. Choose the road already traveled and it doesn't seem that bad. Not as far as flaws go. You're not a drug addict. You're not killing anyone... Except maybe yourself a little. When we finally do change, I don't think it happens like an earthquake or an explosion, where all of a sudden we're like this different person. I think it's smaller than that. The kind of thing most people wouldn't even notice unless they looked at us really close. Which, thank God, they never do. But you notice it. Inside you that change feels like a world of difference. And you hope this is it. This is the person you get to be forever... that you'll never have to change again. "
12 " The Hitchhiker's Guide to the Galaxy is an indispensable companion to all those who are keen to make sense of life in an infinitely complex and confusing Universe, for though it cannot hope to be useful or informative on all matters, it does at least make the reassuring claim, that where it is inaccurate it is at least definitively inaccurate. In cases of major discrepancy it's always reality that's got it wrong.This was the gist of the notice. It said " The Guide is definitive. Reality is frequently inaccurate." This has led to some interesting consequences. For instance, when the Editors of the Guide were sued by the families of those who had died as a result of taking the entry on the planet Tralal literally (it said " Ravenous Bugblatter Beasts often make a very good meal for visiting tourists: instead of " Ravenous Bugblatter Beasts often make a very good meal of visiting tourists" ), they claimed that the first version of the sentence was the more aesthetically pleasing, summoned a qualified poet to testify under oath that beauty was truth, truth beauty and hoped thereby to prove that the guilty party in this case was Life itself for failing to be either beautiful or true. The judges concurred, and in a moving speech held that Life itself was in contempt of court, and duly confiscated it from all those there present before going off to enjoy a pleasant evening's ultragolf. "
13 " THE VOICE YOU HEAR WHEN YOU READ SILENTLYis not silent, it is a speaking-out-loud voice in your head; it is *spoken*,a voice is *saying* itas you read. It's the writer's words,of course, in a literary sensehis or her " voice" but the soundof that voice is the sound of *your* voice.Not the sound your friends knowor the sound of a tape played backbut your voicecaught in the dark cathedralof your skull, your voice heardby an internal ear informed by internal abstractsand what you know by feeling,having felt. It is your voicesaying, for example, the word " barn" that the writer wrotebut the " barn" you sayis a barn you know or knew. The voicein your head, speaking as you read,never says anything neutrally- some peoplehated the barn they knew,some people love the barn they knowso you hear the word loadedand a sensory constellationis lit: horse-gnawed stalls,hayloft, black heat tape wrappinga water pipe, a slipperyspilled *chirr* of oats from a split sack,the bony, filthy haunches of cows...And " barn" is only a noun- no verbor subject has entered into the sentence yet!The voice you hear when you read to yourselfis the clearest voice: you speak itspeaking to you. ~~-Thomas Lux "
14 " Every form is an image. Every image is a name. Every name is an attribute, every attribute a verb. Every verb forms the sentence to be read on Judgement Day, from the very Qur’aanulQariim that is found within the breastplate of all that is ‘created’ in the form of humankind. Every object be it animated or non-animated is an image!! "
― AainaA-Ridtz
15 " One day, I was on the front lawn of the property and aimed the gun at a sparrow perched high in a tree. Hazel Goldreich, Arthur's wife, was watching me and jokingly remarked that I would never hit the target. But she had hardly finished the sentence when the sparrow fell to the ground. I turned to her and was about to boast, when the Goldreichs' son Paul, then about five years old, turned to me with tears in his eyes and said, " David, why did you kill that bird? Its mother will be sad." My mood immediately shifted from one of pride to shame; I felt that this small boy had far more humanity than I did. It was an odd sensation for a man who was the leader of a nascent guerrilla army. "
16 " Desperate, lonely, cut off from the human community which in many cases has ceased to exist, under the sentence of violent death, wracked by desires for intimacy they do not know how to fulfil, at the same time tormented by the presence of women, men turn to logic. "
17 " ... endowing the imperfect and the preterite with all the sweetness which there is in generosity, all the melancholy which there is in love; guided the sentence that was drawing to an end towards that which was waiting to begin, now hastening, now slackening the pace of the syllables so as to bring them, despite their difference in quantity, into a uniform rhythm, and breathed into this quite ordinary prose a kind of life, continuous and full of feeling. "
― Marcel Proust , Swann's Way
18 " We must abandon completely the notion of blaming the past for any kind of situation we're in and reverse our thinking and see that the past always flows back form the present. That now is the creative point of life. So you see its like the idea of forgiving somebody, you change the meaning of the past by doing that...Also watch the flow of music. The melody as its expressed is changed by notes that come later. Just as the meaning of a sentence...you wait till later to find out what the sentence means...The present is always changing the past. "
― Alan W. Watts
19 " For the first time his mind grasped the fact that when life has sentenced you to suffer, the sentence is neither a fancy nor a threat, but you are dragged to the rack, and you are tortured, and there is no marvelous rescue at the last moment, no awakening as from a bad dream. He felt it as a foreboding which struck him with terror. "
― Jens Peter Jacobsen , Niels Lyhne
20 " Jesus,” I prayed silently, “please fix it so that my turn to read won’t come around.” And then the nun called my name, but before I stood I thought, “I’ll bet you think this is funny, huh, Jesus?” I stood and stared at the sentence assigned to me and believed that, through some miracle, I would suddenly be able to read it and not be humiliated. I stood there and stared at it until the children started giggling and snickering and Sister told me to sit down. "
― John William Tuohy
