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1 " There’s a fine line between support and stalking and let’s all stay on the right side of that. "
― Joss Whedon
2 " You'll want all your strength for the wedding night." I cannot think why I should need strength," she said, ignoring a host of spine-tingling images rising in her mind's eye. " All I have to do is lie there." " Naked," he said grimly. " Truly?" She shot him a glance from under her lashes. " Well, if I must, I must, for you have the advantage of experience in these matters. Still, I do wish you'd told me sooner. I should not have put the modiste to so much trouble about the negligee." " The what?" " It was ghastly expensive," she said, " but the silk is as fine as gossamer, and the eyelet work about the neckline is exquisite. Aunt Louisa was horrified. She said only Cyprians wear such things, and it leaves nothing to the imagination." Jessica heard him suck in his breath, felt the muscular thigh tense against hers. " But if it were left to Aunt Louisa," she went on," I should be covered from my chin to my toes in thick cotton ruffled with monstrosities with little bows and rosebuds. Which is absurd, when an evening gown reveals far more, not to mention--" " What color?" he asked. His low voice had roughened. " Wine red," she said, " With narrow black ribbons threaded through the neckline. Here." She traced a plunging U over her bosom. " And there's the loveliest openwork over my...well, here." She drew her finger over the curve of her breast a bare inch above the nipple. " And openwork on the right side of the skirt. From here" --she pointed to her hip--" down to the hem. And I bought---" " Jess." Her name was a strangled whisper. " --slippers to match," she continued." Black mules with--" " Jess." In one furious flurry of motion he threw down the reins and hauled her into his lap. "
3 " The Hudson BurlesqueOf all the theaters I miss from that era, the Hudson Theatre tops the list. It was built in what was then called Union Hill, early in December 1907. We called it the Hudson Burlesque, and it featured striptease artists such as Lili St. Cyr, Gypsy Rose Lee and Tempest Storm. Being too young to get into the theatre on my own, I usually offered an adult standing in line some money to take me in. Once inside, I would head for the front of the theatre to the fire exit on the right side of the orchestra seating. It was all prearranged with my friends waiting outside! With one kick, the door would open, allowing them to come streaming in. There were not enough ushers to catch us all, so some of us would invariably be caught and evicted, only to try to gain access again. It was all great fun!“I don't think there is such a thing as being too raunchy when it comes to the art form of burlesque.” Christina Aguilera, American singer-songwriter and actress.From the upcoming book “Seawater One. "
― Hank Bracker
4 " Cultural and religious traditions that forbid cross-cultural unions prevent peace on earth. Instead of rejoicing that our sons and daughters are heart-driven and love other humans outside of their familiar religious, social or cultural domains, we punish and insult them. This is wrong. Honor killings are not honorable by God. They are driven by ignorance and ego and nothing more. The Creator favors the man who loves over the man who hates. If you think God will punish you or your child for allowing them to marry outside of your tribe or faith, then you do not know God. Love is his religion and the light of love sees no walls. Anybody who unconditionally loves another human being for the goodness of their heart and nothing more is already on the right side of God. "
― , Rise Up and Salute the Sun: The Writings of Suzy Kassem
5 " The Mind The mind is a hotel with a thousand rooms. When I tilt my head a certain way, I think about certain things. When I tilt my head another way, I think about other things. If I sleep on the right side of my face, for example, I’d dream of a pale rose, the future, or a continental diner in Passaic, New Jersey. When I sleep on the left side of my face, I’d dream that a hand is squeezing my heart, that I’m in prison, or that I’m watching hockey at an airport bar, about to miss a flight. "
6 " Far more often [than asking the question 'Is it true?'] they [children] have asked me: 'Was he good? Was he wicked?' That is, they were far more concerned to get the Right side and the Wrong side clear. For that is a question equally important in History and in Faerie. "
― J.R.R. Tolkien , Tolkien On Fairy-stories
7 " The physical shape of Mollies paralyses and contortions fit the pattern of late-nineteenth-century hysteria as well — in particular the phases of " grand hysteria" described by Jean-Martin Charcot, a French physician who became world-famous in the 1870s and 1880s for his studies of hysterics..." " The hooplike spasm Mollie experienced sounds uncannily like what Charcot considered the ultimate grand movement, the arc de de cercle (also called arc-en-ciel), in which the patient arched her back, balancing on her heels and the top of her head..." " One of his star patients, known to her audiences only as Louise, was a specialist in the arc de cercle — and had a background and hysterical manifestations quite similar to Mollie's. A small-town girl who made her way to Paris in her teens, Louise had had a disrupted childhood, replete with abandonment and sexual abuse.She entered Salpetriere in 1875, where while under Charcot's care she experienced partial paralysis and complete loss of sensation over the right side of her body, as well as a decrease in hearing, smell, taste, and vision. She had frequent violent, dramatic hysterical fits, alternating with hallucinations and trancelike phases during which she would " see" her mother and other people she knew standing before her (this symptom would manifest itself in Mollie). Although critics, at the time and since, have decried the sometime circus atmosphere of Charcot's lectures, and claimed that he, inadvertently or not, trained his patients how to be hysterical, he remains a key figure in understanding nineteenth-century hysteria. "
8 " We were familiar with the line that separates grief from madness, and we know that sometimes the only way to stay on the right side of it is to scream. "
― Carsten Jensen , We, the Drowned
9 " I watch Ethan try to connect the dots in his head, And suddenly his face falls into a sad smile." Oh," he says. And that's all.I walk over to him, my bare feet sinking into the sand as I trudge along. He's grinning at me now, but it's not the usual plastered-on smile he usually has. This one is somehow more authentic.When I'm within a few feet of him, he holds his arms out." You're going to be such a good leader," he says. " I'm so proud of you, Five." I embrace Ethan. His arms fold around me as he pats me on the back. He lets out a long, slow sigh and then starts to say something. I cut him off before he can get the words out. I can't stand to hear him say another thing." Ethan, I'm really sorry about this. But it's for the best." I can feel his body clench as the blade slips out of my forearm sheath and into his back. It slides between his ribs-a lucky shot- then retracts back into my hoodie sleeve. It's over in an instant. I step away from him. He stands frozen, probably in shock. There's a deep spot of read blooming across the right side of his chest where the blade must have broken the skin. Blood drops down from the hidden wrist sheath, running over my right hand before falling from my fingertips to the sand." It's over," I murmur, more to myself than to Ethan. He's probably not paying much attention to what I have to say. Tears are welling in his good eye, but I don't know if they're for me or for himself. He blinks once and then falls to the beach with a soft thud. "
10 " HlI watch Ethan try to connect the dots in his head, And suddenly his face falls into a sad smile." Oh," he says. And that's all.I walk over to him, my bare feet sinking into the sand as I trudge along. He's grinning at me now, but it's not the usual plastered-on smile he usually has. This one is somehow more authentic.When I'm within a few feet of him, he holds his arms out." You're going to be such a good leader," he says. " I'm so proud of you, Five." I embrace Ethan. His arms fold around me as he pats me on the back. He lets out a long, slow sigh and then starts to say something. I cut him off before he can get the words out. I can't stand to hear him say another thing." Ethan, I'm really sorry about this. But it's for the best." I can feel his body clench as the blade slips out of my forearm sheath and into his back. It slides between his ribs-a lucky shot- then retracts back into my hoodie sleeve. It's over in an instant. I step away from him. He stands frozen, probably in shock. There's a deep spot of read blooming across the right side of his chest where the blade must have broken the skin. Blood drops down from the hidden wrist sheath, running over my right hand before falling from my fingertips to the sand." It's over," I murmur, more to myself than to Ethan. He's probably not paying much attention to what I have to say. Tears are welling in his good eye, but I don't know if they're for me or for himself. He blinks once and then falls to the beach with a soft thud. "
11 " What are the inner man and woman? Our being consists of two energies: the male and female aspect. Irrespective of if we are a man or a woman, we have both a male and female side.Life develops through opposite poles and tendencies for example yes and no, joy and sorrow, light and darkness, positive and negative, day and night and life and death.Just as electricity needs both a negative and positive pole for a spark to arise, the human consciousness has also two poles. These two poles are the male and female side. The right side of the body represents the male side and the left side of the body represents the female side. We all have both a male and female side, which is represented by the right and left side of the body. "
― Swami Dhyan Giten , The Silent Whisperings of the Heart - An Introduction to Giten's Approach to Life
12 " When I first saw her she dropped her purse and was scrambling to find her glasses. I was two doors down on the right side of the hall, so I walked over and picked them up. I handed them to her and she slipped them on. Her hair was a mess and her face was pouring sweat. I was too and I was itching to get into my apartment. Living on the fourth of five floors was hot, but I had air conditioners in every room with big enough windows. The four machines made it like an ice box and I loved it. Some nights when it got cool enough outside, my windows would fog and I’d see my breath. I turned and walked back to my small place and she called out. “Thank you! Most people don’t notice me!” I turned back to her and smiled, our eyes locked. Her glasses were thick, and they magnified her eyes several times. It was strange looking at them, but I kept my gaze on her for a few seconds as I turned back to my place. I looked her over. Her small breasts stood out against her stomach, which bulged slightly as if she was three or four months pregnant. I didn’t think she was, because she wasn’t straining as hard as I would think a pregnant woman would in this heat. She was attractive in a subtle way, not my usual type. She was tall, about six feet almost, and her long hair was curly, the bones in her hands and wrists stood out. She was skinnier than I ever liked. I’ve always preferred girls with a heft to them. Something about her made me curious, she felt…different. "
― Todd Misura , Divergence: Erotica from a Different Angle
13 " Crossing the meadow, he came again to the mouth of the cave where he had stood so undecided only the twilight before. Knowing what he would find, he yet wanted the final confirmation. Pushing the evergreen branches aside from the smooth rock on the right side of the opening he found, deeply carved in the rock, an Ankh, Egyptian symbol of ever-lasting life, made possible only by the union of male and female. Partly covered by lichens, weather-worn by centuries of storm, it remained as he had seen it in his first dream. It was the first cross, and on it, generation by generation, humanity had crucified itself in order that future generations might live.(" The God Wheel" ) "
14 " Ethics and I had crossed paths recently, and I’m not sure that I fell on the right side of the morality line. "
― S.C. Stephens , Effortless (Thoughtless, #2)
15 " Bodily vigor is good, and vigor of intellect is even better, but far above both is character. It is true, of course, that a genius may, on certain lines, do more than a brave and manly fellow who is not a genius; and so, in sports, vast physical strength may overcome weakness, even though the puny body may have in it the heart of a lion. But, in the long run, in the great battle of life, no brilliancy of intellect, no perfection of bodily development, will count when weighed in the balance against that assemblage of virtues, active and passive, of moral qualities, which we group together under the name of character; and if between any two contestants, even in college sport or in college work, the difference in character on the right side is as great as the difference of intellect or strength the other way, it is the character side that will win. "
― Theodore Roosevelt
16 " The trouble with living alone, she had discovered-and the reason why most people she knew didn't like to be alone even for a little while-was that the longer you lived alone, the louder the voices on the right side of your brain got. "
― Stephen King , The Tommyknockers
17 " The Mafia’s involvement with gay bars is ironic on so many levels. Macho guys ruled gangland but supported a subculture for nelly queens. Most mobsters were evil sociopaths motivated only by financial self-interest but nevertheless were doing a good thing in providing social spaces for the gay community. The mob was on the wrong side of the liquor laws by serving gay folk but on the right side of the 14th Amendment in arguing for equal protection. The Mafia exploited an oppressed community but advanced the gay cause. "
― Phillip Crawford Jr. , The Mafia and the Gays
18 " The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead......When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin.It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus......Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever. "
― Rupert Thomson , The Five Gates of Hell
19 " I cannot think who my residents hurt but how I can give them tools to remain on the right side of civilization. "
― ,
20 " Still, it becomes clearer every day that organizing or joining massive protests and demanding new policies fail to sufficiently address the crisis we face. They may demonstrate that we are on the right side politically, but they are not transformative enough. They do not change the cultural images or the symbols that play such a pivotal role in molding us into who we are. "
― , The Next American Revolution: Sustainable Activism for the Twenty-First Century
