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1 " Ending a series is a difficult one .......where should a story that you have followed for so long end? When do you step away from the characters and let the readers decide their fate from there? When they can stand on their own is my only answer for that. "
― Shandy L. Kurth
2 " If I show up at your house ten years from now and find nothing in your living room but The Readers Digest, nothing on your bedroom night table but the newest Dan Brown novel, and nothing in your bathroom but Jokes for the John, I’ll chase you down to the end of your driveway and back, screaming ‘Where are your books? You graduated college ten years ago, so how come there are no damn books in your house? Why are you living on the intellectual equivalent of Kraft Macaroni and Cheese? "
― Stephen King
3 " Let the readers do some of the work themselves "
― Fyodor Dostoevsky
4 " I myself, as I’m writing, don’t know who did it. The readers and I are on the same ground. When I start to write a story, I don’t know the conclusion at all and I don’t know what’s going to happen next. If there is a murder case as the first thing, I don’t know who the killer is. I write the book because I would like to find out. If I know who the killer is, there’s no purpose to writing the story. "
5 " Novelists and the literary world play an important part in shaping languages. The Swahili they write influence the readers and their languages. The literary obstacle in Tanzania is not that people do not read, but that they don’t read because there are no interesting writers. "
― Enock Maregesi
6 " For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom. "
― Rebecca Solnit , Wanderlust: A History of Walking
7 " From the cave to the skyscraper, from the club to weapons of mass destruction, from the tautological life of the tribe to the era of globalization, the fictions of literature have multiplied human experiences, preventing us from succumbing to lethargy, self-absorption, resignation. Nothing has sown so much disquiet, so disturbed our imagination and our desires as the life of lies we add, thanks to literature, to the one we have, so we can be protagonists in the great adventures, the great passions real life will never give us. The lies of literature become truths through us, the readers transformed, infected with longings and, through the fault of fiction, permanently questioning a mediocre reality. Sorcery, when literature offers us the hope of having what we do not have, being what we are not, acceding to that impossible existence where like pagan gods we feel mortal and eternal at the same time, that introduces into our spirits non-conformity and rebellion, which are behind all the heroic deeds that have contributed to the reduction of violence in human relationships. Reducing violence, not ending it. Because ours will always be, fortunately, an unfinished story. That is why we have to continue dreaming, reading, and writing, the most effective way we have found to alleviate our mortal condition, to defeat the corrosion of time, and to transform the impossible into possibility. "
― Mario Vargas Llosa
8 " Every book begins and ends with other people- the readers who suggest the book to us and encourage us to read it, the talented author who crafted each word, the fascinating individuals we meet inside the pages- and the readers we discuss and share the book with when we finish. "
― Donalyn Miller , Reading in the Wild
9 " Novelists congratulate themselves on their creation of this kind of “character” or that kind of “character,” and readers pretend to talk knowingly about “character,” but all it amounts to is that the writers are enjoying themselves writing lies and the readers are enjoying themselves reading lies. In fact, there is no such thing as character, something fixed and final. The real thing is something that novelists don’t know how to write about. Or, if they tried, the end result would never be a novel. Real people are strangely difficult to make sense out of. Even a god would have his hands full trying. "
― Natsume Sōseki , The Miner
10 " It is not so much as to say that something has occured; but to describe the very essence of the occurance. One must take hold of his readers and pull them into his world...the world that he has penned, with the utmost care and attentiveness. And then, when the readers are fully submerged in this magnificently crafted place of wonder; they will see, and touch, and smell, and feel all the elements of the author's imagination. "
― Jason W. Blair
11 " When you write a story, don't just write it - live it;When putting words into the mouth of a protagonist (or any character) imagine yourself saying them and while writing about the reaction of the listener, write it the way you would react.Let the conversations not be meant merely to be read but felt as well.If you do not feel what you write; how can you expect the readers to feel it? "
― Arti Honrao
12 " When my father first took me to Ennis Library I went down among the shelves and felt company, not only the company of writers, but the readers too, because they had lifted and opened and read these books. The books were worn in a way they can only get worn by hands and eyes and minds "
― Niall Williams , History of the Rain
13 " Writers should cut as close to the vein as possible. The readers don't want to be covered in your warm sticky blood, but they want to come as close to it as possible. "
14 " To receive the compliments of being a good writer really annoys me, as this has been my perception that a writer as such has no value, it is the readers who invest their thought process, give life to dead words, coupled with their own imagination, thus syncing the content to their tastes and sensibilities, that matter. "
15 " Someone described a writer's world as tormented, and I had to laugh. A tormented writer? I personally wouldn't have put those two words together. Emotions have the power to torment a soul, yes, I agree to that. But writers, through the formation of our characters, delve so often into the depths of a vast range of emotions that we earn the advantage. For we've examined every little thrumming, fracture, spark, pang, and darkening of the heart to a point that we understand and appreciate the necessity and strength of emotions as well as the cause and effects manipulating them. We understand. We can imagine. We sympathize. Our knowledge is power over the torment of emotional ignorance. I would suggest that those truly tormented are the readers of our works because those poor souls shall never know with such clarity and sentiment all the tiny little details that make our characters breath, move, and live before our very eyes. Perhaps, if torment does lurk among writers, it comes simply through knowing more about an imagined friend than can ever be adequately expressed in words. "
― Richelle E. Goodrich
16 " Sometimes, authors' descriptions of unique fictional characters are like mirrors that reflect the readers image back. "
― Ben Abix
17 " For a while, Criticism travels side by side with the Work, then Criticism vanishes and it's the Readers who keep pace. The journey may be long or short. "
― Roberto Bolaño , The Savage Detectives
18 " What is without dispute...is that the readers need [the BookWorld] just as much as we need them—to bring order to their apparent chaos, if nothing else. "
― Jasper Fforde , One of Our Thursdays Is Missing (Thursday Next, #6)
19 " I’ve had librarians say to me, “People in my school don’t agree with homosexuality, so it’s difficult to have your book on the shelves.” Here’s the thing: Being gay is not an issue, it is an identity. It is not something that you can agree or disagree with. It is a fact, and must be defended and represented as a fact.To use another part of my identity as an example: if someone said to me, “I’m sorry, but we can’t carry that book because it’s so Jewish and some people in my school don’t agree with Jewish culture,” I would protest until I reached my last gasp. Prohibiting gay books is just as abhorrent…Discrimination is not a legitimate point of view. Silencing books silences the readers who need them most. And silencing these readers can have dire, tragic consequences. Never forget who these readers are. They are just as curious and anxious about life as any other teenager. "
― David Levithan
20 " I know what the attitudes of the readers are: These are guys who love women and respect women. "
