2
" ...Away, away, from men and towns, To the wild wood and the downs— To the silent wilderness Where the soul need not repress Its music lest it should not find An echo in another’s mind. While the touch of Nature’s art Harmonizes heart to heart. I leave this notice on my door For each accustomed visitor:— “I am gone into the fields To take what this sweet hour yields;...Awake! arise! And come away! To the wild woods and the plains, And the pools where winter rains Image all their roof of leaves, Where the pine its garland weaves Of sapless green, and ivy dun Round stems that never kiss the sun: Where the lawns and pastures be, And the sandhills of the sea:— Where the melting hoar-frost wets The daisy-star that never sets, And wind-flowers, and violets, Which yet join not scent to hue, Crown the pale year weak and new; When the night is left behind In the deep east, dun and blind, And the blue noon is over us, And the multitudinous Billows murmur at our feet, Where the earth and ocean meet, And all things seem only one In the universal sun. "
7
" Summer days, and the flat water meadows and the blue hills in the distance, and the willows up the backwater and the pools underneath like a kind of deep green glass. Summer evenings, the fish breaking the water, the nightjars hawking round your head, the smell of nightstocks and latakia. Don’t mistake what I’m talking about. It’s not that I’m trying to put across any of that poetry of childhood stuff. I know that’s all baloney. Old Porteous (a friend of mine, a retired schoolmaster, I’ll tell you about him later) is great on the poetry of childhood. Sometimes he reads me stuff about it out of books. Wordsworth. Lucy Gray. There was a time when meadow, grove, and all that. Needless to say he’s got no kids of his own. The truth is that kids aren’t in any way poetic, they’re merely savage little animals, except that no animal is a quarter as selfish.
A boy isn’t interested in meadows, groves, and so forth. He never looks at a landscape, doesn’tgive a damn for flowers, and unless they affect him in some way, such as being good to eat, he doesn’t know one plant from another. Killing things - that’s about as near to poetry as a boy gets. And yet all the while there’s that peculiar intensity, the power of longing for things as you can’t long when you’re grown up, and the feeling that time stretches out and out in front of you and that whatever you’re doing you could go on for ever. "
― George Orwell , Coming Up for Air
