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1 " With a chaste heart With pure eyes I celebrate your beautyHolding the leash of bloodSo that it might leap out and trace your outline Where you lie down in my Ode As in a land of forests or in surfIn aromatic loam, or in sea musicBeautiful nudeEqually beautiful your feetArched by primeval tap of wind or soundYour ears, small shellsOf the splendid American seaYour breasts of level plentitudeFulfilled by living lightYour flying eyelids of wheatRevealing or enclosingThe two deep countries of your eyesThe line your shoulders have divided into pale regionsLoses itself and blends into the compact halves of an apple Continues separating your beauty down into two columns ofBurnished goldFine alabasterTo sink into the two grapes of your feetWhere your twin symmetrical tree burns again and risesFlowering fireOpen chandelierA swelling fruit Over the pact of sea and earth From what materialsAgate?Quartz?Wheat?Did your body come together?Swelling like baking bread to signal silvered hills The cleavage of one petal Sweet fruits of a deep velvet Until alone remainedAstonished The fine and firm feminine form It is not only light that falls over the world spreading inside your bodyYet suffocate itselfSo much is clarity Taking its leave of youAs if you were on fire within The moon lives in the lining of your skin. "
― Pablo Neruda
2 " ...what is romance, but a mutual pact of delusion? When the pact ends, there's nothing left. "
― Zoë Heller , What Was She Thinking? [Notes on a Scandal]
3 " The last thing we want to admit is that the forbidden fruit on which we have been gnawing since reaching the magic age of twenty-one is the same mealy Golden Delicious that we stuff into our children’s lunch boxes. The last thing we want to admit is that the bickering of the playground perfectly presages the machinations of the boardroom, that our social hierarchies are merely an extension of who got picked first for the kickball team, and that grown-ups still get divided into bullies and fatties and crybabies. What’s a kid to find out? Presumably we lord over them an exclusive deed to sex, but this pretense flies so fantastically in the face of fact that it must result from some conspiratorial group amnesia. […] In truth, we are bigger, greedier versions of the same eating, shitting, rutting ruck, hell-bent on disguising from somebody, if only from a three-year-old, that pretty much all we do is eat and shit and rut. The secret is there is no secret. That is what we really wish to keep from our kids, and its supression is the true collusion of adulthood, the pact we make, the Talmud we protect. "
― Lionel Shriver , We Need to Talk About Kevin
4 " I got hold of a copy of the video that showed how Saddam Hussein had actually confirmed himself in power. This snuff-movie opens with a plenary session of the Ba'ath Party central committee: perhaps a hundred men. Suddenly the doors are locked and Saddam, in the chair, announces a special session. Into the room is dragged an obviously broken man, who begins to emit a robotic confession of treason and subversion, that he sobs has been instigated by Syrian and other agents. As the (literally) extorted confession unfolds, names begin to be named. Once a fellow-conspirator is identified, guards come to his seat and haul him from the room. The reclining Saddam, meanwhile, lights a large cigar and contentedly scans his dossiers. The sickness of fear in the room is such that men begin to crack up and weep, rising to their feet to shout hysterical praise, even love, for the leader. Inexorably, though, the cull continues, and faces and bodies go slack as their owners are pinioned and led away. When it is over, about half the committee members are left, moaning with relief and heaving with ardent love for the boss. (In an accompanying sequel, which I have not seen, they were apparently required to go into the yard outside and shoot the other half, thus sealing the pact with Saddam. I am not sure that even Beria or Himmler would have had the nerve and ingenuity and cruelty to come up with that.) "
― Christopher Hitchens , Hitch 22: A Memoir