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1 " There is no ready vocabulary to describe the ways in which artists become artists, no recognition that artists must learn to be who they are (even as they cannot help being who they are.) We have a language that reflects how we learn to paint, but not how we learn to paint our paintings. How do you describe the [reader to place words here] that changes when craft swells to art?" Artists come together with the clear knowledge that when all is said and done, they will return to their studio and practice art alone. Period. That simple truth may be the deepest bond we share. The message across time from the painted bison and the carved ivory seal speaks not of the differences between the makers of that art and ourselves, but of the similarities. Today these similarities lay hidden beneath urban complexity -- audience, critics, economics, trivia -- in a self-conscious world. Only in those moments when we are truly working on our own work do we recover the fundamental connection we share with all makers of art. The rest may be necessary, but it's not art. Your job is to draw a line from your art to your life that is straight and clear. "
2 " Every maker of video games knows something that the makers of curriculum don't seem to understand. You'll never see a video game being advertised as being easy. Kids who do not like school will tell you it's not because it's too hard. It's because it's--boring "
― Seymour Papert
3 " The feminist story, she reminded me, is a counternarrative, a narrative of disobedience, a chronicle of battle, nto of surrender. Women who do not fit the mold are too often maneuvered, manipulated, and mangled into some culturally safe archetype. The makers of history transformed perpetua intoa cold, unfeeling mother - a villan of sorts. But who is to say that becoming a mother didn't also push Perpetua to become a martyr, didn't cause her to passionatley uphold her religious ideals because she wanted to offer her son the greatest gift she could - an ideal? Maybe, in the end, Perpetua's maternal instincts were precisely what gave her the strength to confront the burliest Roman gladiator and the to lie down with dignity? "
4 " My friend asked me if it had been cathartic, to write my memoir. I looked down at the sculptures—it was cathartic for me to look at them, but I could imagine it might have been hell to make them (I was cheered / when I came first to know / that there were flowers also / in hell). No, I answered—how was it for you to read it? Aristotle, in his Poetics, never promised catharsis for the makers of art, only for the audience. "
― Nick Flynn , The Reenactments
5 " Either the day must come when joy prevails and all the makers of misery are no longer able to infect it, or else, for ever and ever, the makers of misery can destroy in others the happiness they reject for themselves. "
― C.S. Lewis , The Great Divorce
6 " Alderic, Knight of the Order of the City and the Assault, hereditary Guardian of the King's Peace of Mind, a man not unremembered among the makers of myth, pondered so long upon the Gibbelins' hoard that by now he deemed it his. Alas that I should say of so perilous a venture, undertaken at dead of night by a valorous man, that its motive was sheer avarice! Yet upon avarice only the Gibbelins relied to keep their larders full, and once in every hundred years sent spies into the cities of men to see how avarice did, and always the spies returned again to the tower saying that all was well.It may be thought that, as the years went on and men came by fearful ends on that tower's wall, fewer and fewer would come to the Gibbelins' table: but the Gibbelins found otherwise.(" The Hoard Of The Gibbelins" ) "
7 " Baraccus had told her that while a number of wizards could make things, the same as the ungifted could make things, it was this component of artistic ability in creating new things that took to to another level and made the makers more than true prophets. Magda remembered the passion in his voice as he told her about such things. Making things was in his soul. Creating new things seemed to be his spark of life. "
― Terry Goodkind , The First Confessor (The Legend of Magda Searus, #1)
8 " When we trust the makers of baby formula more than we do our own ability to nourish our babies, we lose a chance to claim an aspect of our power as women. Thinking that baby formula is as good as breast milk is believing that thirty years of technology is superior to three million years of nature's evolution. Countless women have regained trust in their bodies through nursing their children, even if they weren't sure at first that they could do it. It is an act of female power, and I think of it as feminism in its purest form. "
― Christiane Northrup
9 " I believe in the ability to choose. I believe this life is made up of our choices and their consequences— the good and the bad. I do not believe in letting anything up to fate. We are the makers of our own destinies, our own futures, our own paths. To blindly follow is an insult to the miracle of being human. To be human is to make choices; the moment you allow others to make decisions for you is the moment you do an injustice to not only mankind but to yourself. "
― Kelseyleigh Reber , If I Resist (Circle and Cross, #2)
10 " It does not matter what I believe. The past is done. Hope is irrelevant. We measure success and failure in history with a cost of lives. Penicillin saved people, and the world wars exterminated them. Success and failure. Feelings, regrets, the point where they knew they made mistakes...it is interesting but unfortunately, irrelevant. Did they go to their death and grieve for what they did? Did the makers of the atomic bomb grieve for the destruction they dedicated their lives towards creating? Who cares? They did it. Whether they knew what they were creating, or whether they talked themselves into believing it was for the best, the glory of history is being able to view it in black-and-white. However honorable one's initial intention, a villain will always be a villain. "
― Caroline Hanson , Love Is Mortal (Valerie Dearborn, #3)
11 " Every week seems to bring another luxuriantly creamy envelope, the thickness of a letter-bomb, containing a complex invitation – a triumph of paper engineering – and a comprehensive dossier of phone numbers, email addresses, websites, how to get there, what to wear, where to buy the gifts. Country house hotels are being block-booked, great schools of salmon are being poached, vast marquees are appearing overnight like Bedouin tent cities. Silky grey morning suits and top hats are being hired and worn with an absolutely straight face, and the times are heady and golden for florists and caterers, string quartets and Ceilidh callers, ice sculptors and the makers of disposable cameras. Decent Motown cover-bands are limp with exhaustion. Churches are back in fashion, and these days the happy couple are travelling the short distance from the place of worship to the reception on open-topped London buses, in hot-air balloons, on the backs of matching white stallions, in micro-lite planes. A wedding requires immense reserves of love and commitment and time off work, not least from the guests. Confetti costs eight pounds a box. A bag of rice from the corner shop just won’t cut it anymore. "
― David Nicholls , One Day
12 " The theologians dead, knew no more than the theologians now living. More than this cannot be said. About this world little is known,—about another world, nothing.Our fathers were intellectual serfs, and their fathers were slaves. The makers of our creeds were ignorant and brutal. Every dogma that we have, has upon it the mark of whip, the rust of chain, and the ashes of "
13 " In reaffirming the greatness of our nation, we understand that greatness is never a given. It must be earned. Our journey has never been one of shortcuts or settling for less. It has not been the path for the faint-hearted, for those who prefer leisure over work, or seek only the pleasures of riches and fame. Rather, it has been the risk-takers, the doers, the makers of things -- some celebrated, but more often men and women obscure in their labor -- who have carried us up the long, rugged path towards prosperity and freedom. "
― Barack Obama
14 " I always wondered why the makers leave housekeeping and cooking out of their tales. Isn't it what all the great wars and battles are fought for -- so that at day's end a family may eat together in a peaceful house? "
― Ursula K. Le Guin , Voices (Annals of the Western Shore, #2)
15 " I always wondered why the makers leave housekeeping and cooking out of their tales. Isn't it what all the great wars and battles are fought for -- so that at day's end a family may eat together in a peaceful house? The tale tells how the Lords of Manva hunted & gathered roots & cooked their suppers while they were camped in exile in the foothills of Sul, but it doesn't say what their wives & children were living on in their city left ruined & desolate by the enemy. They were finding food too, somehow, cleaning house & honoring the gods, the way we did in the siege & under the tyranny of the Alds. When the heroes came back from the mountain, they were welcomed with a feast. I'd like to know what the food was and how the women managed it. "
16 " You know, Willie Wonka said it best: we are the makers of dreams, the dreamers of dreams. "
17 " For you are the makers of the flag and it is well that you glory in the making. "
18 " If help and salvation are to come, they can only come from the children, for the children are the makers of men. "
