Home > Topic > the kitchen table
1 " I leave the kitchen table to bathe, and to dress for church. If only my closet held on its shelves an array of faces I could wear rather than dresses, I would know which face to put on today. As for the dresses, I haven't a clue. "
― Tim Cummings , ORPHANS
2 " Thirty years ago my older brother, who was ten years old at the time, was trying to get a report written on birds that he'd had three months to write, which was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books about birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him put his arm around my brother's shoulder, and said, " Bird by bird, buddy. Just take it bird by bird. "
3 " They couldn't talk. They were not good talkers, either of them. And once, long ago now, she had bought a notebook for a course. It lay empty and forgotten on the kitchen table until one afternoon, when she had gone out to the shops and he was worried that she would be killed by a bus or by lightning, he opened the notebook and he wrote lines about how he loved her, the way he loved her, about his fucking heart and crap like that, about his body brimful and his scrambled head. All that. She came back from the shops. He left the notebook where it was, and he didn't mention it. And it wasn't until about a week later that he noticed it again, and he flicked it open, and he saw his lines followed by lines from her. She'd written words that she had never said. He sat down. He read them over and over for a long time. Then he wrote a paragraph for her to find. "
― Keith Ridgway , Hawthorn & Child
4 " I am sitting here, you are sitting there. Say even that you are sitting across the kitchen table from me right now. Our eyes meet; a consciousness snaps back and forth. What we know, at least for starters, is: here we- so incontrovertibly- are. This is our life, these are our lighted seasons, and then we die. In the meantime, in between time, we can see. The scales are fallen from our eyes, the cataracts are cut away, and we can work at making sense of the color-patches we see in an effort to discover where we so incontrovertibly are. I am as passionately interested in where I am as is a lone sailor sans sextant in a ketch on an open ocean. I have at the moment a situation which allows me to devote considerable hunks of time to seeing what I can see, and trying to piece it together. I’ve learned the name of some color-patches, but not the meanings. I’ve read books; I’ve gathered statistics feverishly: the average temperature of our planet is 57 degrees F…The average size of all living animals, including man, is almost that of a housefly. The earth is mostly granite, which is mostly oxygen…In these Appalachians we have found a coal bed with 120 seams, meaning 120 forests that just happened to fall into water…I would like to see it all, to understand it, but I must start somewhere, so I try to deal with the giant water bug in Tinker Creek and the flight of three hundred redwings from an Osage orange and let those who dare worry about the birthrate and population explosion among solar systems. So I think about the valley. And it occurs to me more and more that everything I have seen is wholly gratuitous. The giant water bug’s predations, the frog’s croak, the tree with the lights in it are not in any real sense necessary per se to the world or its creator. Nor am I. The creation in the first place, being itself, is the only necessity for which I would die, and I shall. The point about that being, as I know it here and see it, is that as I think about it, it accumulates in my mind as an extravagance of minutiae. The sheer fringe and network of detail assumes primary importance. That there are so many details seems to be the most important and visible fact about creation. If you can’t see the forest for the trees, then look at the trees; when you’ve looked at enough trees, you’ve seen a forest, you’ve got it. If the world is gratuitous, then the fringe of a goldfish’s fin is a million times more so. The first question- the one crucial one- of the creation of the universe and the existence of something as a sign and an affront to nothing is a blank one…The old Kabbalistic phrase is “the Mystery of the Splintering of the Vessels.” The words refer to the shrinking or imprisonment of essences within the various husk-covered forms of emanation or time. The Vessels splintered and solar systems spun; ciliated rotifers whirled in still water, and newts laid tracks in the silt-bottomed creek. Not only did the Vessels splinter; they splintered exceeding fine. Intricacy then is the subject, the intricacy of the created world. "
― Annie Dillard , Pilgrim at Tinker Creek
5 " In the summers we swam in the river and caught minnows with jam pots; on Sunday evenings my father fished in it, bringing home each time a bag of trout. In winter salmon came up to this quiet backwater to spawn and, of course, there was a certain amount of poaching, to which my father objected strongly. Once, when a generous neighbour gave us a present of a poached salmon, he lined us all up around the kitchen table and proceeded to open up the fish. As the eggs poured out he explained about the huge loss of fish life due to the poaching of this one salmon. In my father's world nature possessed a balance and man had no right to upset that balance to satisfy his own greed; killing this fish was going against the laws of nature. "
― Alice Taylor , To School Through The Fields
6 " I immersed myself in my relationship with my husband, in little ways at first. Dutch would come home from his morning workout and I’d bring him coffee as he stepped out of the shower. He’d slip into a crisp white shirt and dark slacks and run a little goop through his hair, and I’d eye him in the mirror with desire and a sultry smile that he couldn’t miss. He’d head to work and I’d put a love note in his bag—just a line about how proud I was of him. How beautiful he was. How happy I was as his wife.He’d come home and cook dinner and instead of camping out in front of the TV while he fussed in the kitchen, I’d keep him company at the kitchen table and we’d talk about our days, about our future, about whatever came to mind. After dinner, he’d clear the table and I’d do the dishes, making sure to compliment him on the meal. On those weekends when he’d head outside to mow the lawn, I’d bring him an ice-cold beer. And, in those times when Dutch was in the mood and maybe I wasn’t, well, I got in the mood and we had fun.As the weeks passed and I kept discovering little ways to open myself up to him, the most amazing thing happened. I found myself falling madly, deeply, passionately, head-over-heels in love with my husband. I’d loved him as much as I thought I could love anybody before I’d married him, but in treating him like my own personal Superman, I discovered how much of a superhero he actually was. How giving he was. How generous. How kind, caring, and considerate. How passionate. How loving. How genuinely good. And whatever wounds had never fully healed from my childhood finally, at long last, formed scar tissue. It was like being able to take a full breath of air for the first time in my life. It was transformative. And it likely would save our marriage, because, at some point, all that withholding would’ve turned a loving man bitter. On some level I think I’d known that and yet I’d needed my sister to point it out to me and help me change.Sometimes it’s good to have people in your life that know you better than you know yourself. "
― Victoria Laurie , Sense of Deception (Psychic Eye Mystery, #13)
7 " Every morning I sit at the kitchen table over a tall glass of water swallowing pills. (So my hands won’t shake.) (So my heart won’t race.) (So my face won’t thaw.) (So my blood won’t mold.) (So the voices won’t scream.) (So I don’t reach for knives.) (So I keep out of the oven.) (So I eat every morsel.) (So the wine goes bitter.) (So I remember the laundry.) (So I remember to call.) (So I remember the name of each pill.) (So I remember the name of each sickness.) (So I keep my hands inside my hands.) (So the city won’t rattle.) (So I don’t weep on the bus.) (So I don’t wander the guardrail.) (So the flashbacks go quiet.) (So the insomnia sleeps.) (So I don’t jump at car horns.) (So I don’t jump at cat-calls.) (So I don’t jump a bridge.) (So I don’t twitch.) (So I don’t riot.) (So I don’t slit a strange man’s throat.) "
― Jeanann Verlee
8 " We hold these stories and mad idea and events in our head and they run around and around telling us we are different, separate, broken. Then one day the mad idea escapes the asylum. Most times it’s unplanned. It just tumbles out on the lap of the man sitting next to us on the bus, or it slips sideways into a conversation on line at the Trader Joe’s or it falls out at the kitchen table when your neighbor comes to pick up her cat. And there is a terrifying moment when it first hits the light of day, where we think, “holy mother of God! What have I done? How could I have been to casual with my crazy ways?”But the man on the bus just smiles and nods his head, and the casher takes a moment to look us in the eye and the neighbor sits for a cup of tea and together we move into some new agreements that we are all in fact crazy and it’s so much nicer to be out of the closet with it all. "
― Maureen Muldoon
9 " Her next words took me by surprise. I lay as still as I could, barely breathing, afraid that if I moved she would stop speaking her heart.“My mom wanted six children. She only got me, and that sucks for her because I was a total weirdo.”“You were not,” I said.She twisted her head up to look at me.“I used to line my lips in black eyeliner and sit cross-legged on the kitchen table … meditating.”“Not that bad,” I said. “Crying out for attention.”“Okay, when I was twelve I started writing letters to my birth mother because I wanted to be adopted.”I shook my head. “Your childhood sucked, you wanted a new reality.”She snorted air through her nose. “I thought a mermaid lived in my shower drain, and I used to call her Sarah and talk to her.”“Active imagination,” I countered. She was becoming more insistent, her little body wriggling in my grip.“I used to make paper out of dryer lint.”“Nerdy.”“I wanted to be one with nature, so I started boiling grass and drinking it with a little bit of dirt for sugar.”I paused. “Okay, that’s weird.”“Thank you!” she said. Then, she got serious again. “My mom just loved me through all of it. "
― Tarryn Fisher , Thief (Love Me with Lies, #3)
10 " For a few weeks you got up at six to compose short stories at the kitchen table with while Amanda slept in the other room. Then your night life started getting more interesting and complicated, and climbing out of bed became harder and harder. You were gathering experience for a novel. You went to parties with writers, cultivated a writerly persona. You wanted to be Dylan Thomas without the paunch. F. Scott Fitzgerald without the crack-up. You wanted to skip over the dull grind of actual creation. "
11 " I know more about my father than I used to know: I know he wanted to be a pilot in the war but could not, because the work he did was considered essential to the war effort… I know he grew up on a farm in the backwoods of Nova Scotia, where they didn’t have running water or electricity. This is why he can build things and chop things… He did his high school courses by correspondence, sitting at the kitchen table and studying by the light by a kerosene lamp; he put himself through university by working in lumber camps and cleaning out rabbit hutches, and was so poor he lived in a tent in the summers to save money… All this is known, but unimaginable. Also I wish I did not know it. I want my father to be just my father, the way he has always been, not a separate person with an earlier, mythological life of his own. Knowing too much about other people puts you in their power, they have a claim on you, you are forced to understand their reasons for doing things and then you are weakened. "
― Margaret Atwood , Cat's Eye
12 " I wish I had another chance to write that school composition, 'What I Did Last Summer.' When I wrote it in fifth grade, I was scared and just recorded: 'It was interesting. It was nice. My summer was fun.' I snuck through with a B grade. But I still wondered, How do you really do that? Now it is obvious. You tell the truth and you depict it in detail: 'My mother dyed her hair red and polished her toenails silver. I was mad for Parcheesi and running the sprinkler catching beetles in a mason jar and feeding them grass. My father sat at the kitchen table a lot staring straight ahead, never talking, a Budweiser in his hand. "
― Natalie Goldberg , Writing Down the Bones: Freeing the Writer Within
13 " The truth is that she was always much more forgiving of animals than people...Her sympathy for the underdog--or the underwasp, underrat, undercat, undersnail, underbird, underspider, undermouse, undergecko, undercentipede--was limitless. In the depths of a gloomy London winter she would trudge to the park with a bag of snacks--stale bread specially sautéed in drippings--for the poor freezing seagulls and ducks. At the height of a Provencal summer she would fill a shallow bowl with water, put it on the terrace, and watch, transfixed, as the poor thirsty wasps hovered just above the surface to take a restorative sip or two. Dogs and cats slept in her bed, baby birds were fed warm milk with eyedroppers, spiders were fished out of baths, and a colony or red ants, which feasted on honey and scurried around inside a special box with a glass lid, lived on the kitchen table in London for many years. "