Home > Topic > the interview
1 " Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?”“Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says.“Your father? Why?” I ask.“He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says.“What? You’re making that up!” I exclaim.“No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’”“That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father.“So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says.“Oh, please,” I say, laughing.“No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.”“Without success,” I add.“Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death.It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true?“You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.”“I am now,” I say.“Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!”I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in. "
― Suzanne Collins , The Hunger Games (The Hunger Games, #1)
2 " Cat doesn’t have to work. She’s a woman of independent means. I settled enough money on her to allow her the freedom to do anything she wished. She went to boarding school for four years, and stayed to teach for another two. Eventually she came to me and said she’d accepted a position as a governess for the Hathaway family. I believe you were in France with Win at the time. Cat went for the interview, Cam and Amelia liked her, Beatrix and Poppy clearly needed her, and no one seemed inclined to question her lack of experience.”“Of course not,” Leo said acidly. “My family would never bother with something so insignificant as job experience. I’m sure they started the interview by asking what her favorite color was. "
― Lisa Kleypas , Married by Morning (The Hathaways, #4)
3 " FLATOW: So you would - how would you treat a patient like Sybil if she showed up in your officeBRAND: Well, first I would start with a very thorough assessment, using the current standardized measures that we have available to us that assess for the range of dissociative disorders but the whole range of other psychological disorders, too. I would need to know what I'm working with, and I'd be very careful and make my decisions slowly, based on data about what she has. And furthermore, with therapists who are well-trained in dissociative disorders, we do keep an eye open for suggestibility. But that research, too, is not anywhere near as strong as what the other two people in the interview are suggesting.It shows - for example, there's eight studies that have a total of 11 samples. In the three clinical samples that have looked at the correlation between dissociation and suggestibility, all three clinical samples found non-significant correlations. So it's just not as strong as what people think. That's a myth that's not backed up by science." Exploring Multiple Personalities In 'Sybil Exposed' October 21, 2011 by Ira Flatow "
4 " We can block our blessings with one thought, one decision. Sometimes your blessing may require certain actions on your behalf. You asked for the job? Now, you must get dressed and go to the interview and prove yourself worthy of the position. When you move, you activate your faith. And, suddenly everything falls into place. Faith without works is dead. "
― Amaka Imani Nkosazana
5 " She’d have to treat the interview more like risotto than instant rice, adding ingredients gradually while stirring gently. "
6 " [Howard Roark] was asked for a statement, and he received a group of reporters in his office. He spoke without anger. He said:'I can't tell anyone anything about my building. If I prepared a hash of words to stuff into other people's brains, it would be an insult to them and to me. But I am glad you came here. I do have something to say. I want to ask every man who is interested in this to go and see the building, to look at it and then to use words of his own mind, if he cares to speak.'The Banner printed the interview as follows:'Mr. Roark, who seems to be a publicity hound, received reporters with an air of swaggering insolence and stated that the public mind was hash. He did not choose to talk, but seemed well aware of the advertising angles of the situation. All he cared about, he explained, was to have his building seen by as many people as possible. "
― Ayn Rand , The Fountainhead
7 " Marriage is the interview that never ends. "
― J.J. Murray , The Real Thing
8 " She disliked him more for having mastered her inner will. How dared he say that he would love her still, even though she shook him off with contempt? She wished she had spoken more - stronger. Sharp, decisive speeches came thronging to her mind, now that it was too late to utter them. The deep impression made by the interview was like that of a horror in a dream; that will not leave the room although we waken up, and rub our eyes, and force a stiff rigid smile upon our lips. It is there - there, cowering and gibbering, with fixed ghastly eyes, in some corner of the chamber, listening to hear whether we dare to breathe of its presence to anyone. And we dare not; poor cowards that we are! "
― Elizabeth Gaskell , North and South
9 " Romance like a ghost escapes touching; it is always where you are not, not where you are. The interview or conversation was prose at the time, but it is poetry in the memory. "