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1 " So they trust in the deity of the Old Testament, an incontinent dotard who soiled Himself and the universe with his corruption, a low-budget divinity passing itself off as the genuine article. (Ask the Gnostics.) They trust in Jesus Christ, a historical cipher stitched together like Frankenstein's monster out of parts robbed from the graves of messiahs dead and buried - a savior on a stick. They trust in the virgin-pimping Allah and his Drum Major Mohammed, a prophet-come-lately who pioneered a new genus of humbuggery for an emerging market of believers that was not being adequately served by existing religious products. They trust in anything that authenticates their importance as persons, tribes, societies, and particularly as a species that will endure in this world and perhaps in an afterworld that may be uncertain in its reality and unclear in its layout, but which states their craving for values " not of this earth" - that depressing, meaningless place their consciousness must sidestep every day. "
2 " All through life there were distinctions - toilets for men, toilets for women; clothes for men, clothes for women - then, at the end, the graves are identical. "
― Leila Aboulela , Minaret
3 " In her mind's eye she saw it, saw it all at last: the rolling armies and the flames of battle; the graves and pits and dying cries of a hundred million souls; the spreading darkness, like a black wing stretching over the earth; the last, bitter hours of cruelty and sorrow, and the terrible, final flights; death's great dominion over all, and, at the last, empty cities, becalmed by the silence of a hundred years. Already these things were coming to pass. "
― Justin Cronin , The Passage (The Passage, #1)
4 " It nods and curtseys and recoversWhen the wind blows above,The nettle on the graves of loversThat hanged themselves for love.The nettle nods, the wind blows over,The man, he does not move,The lover of the grave, the loverThat hanged himself for love. "
― A.E. Housman , A Shropshire Lad
5 " Like flies in amber, like corpses frozen in ice, that which according to the laws of nature should pass away is, by the miracle of ink on paper, preserved. It is a kind of magic. As one tends the graves of the dead, so I tend the books. And every day I open a volume or two, read a few lines or pages, allow the voices of the forgotten dead to resonate inside my head. "
― Diane Setterfield , The Thirteenth Tale
6 " As one tends to the graves of the dead, so I tend the books. I clean them, do minor repairs, keep them in good order. And every day I open a volume or two, read a few lines or pages, allow the voices of the forgotten dead to resonate inside my head. Do they sense it, these dead writers, when their books are read? Does a pinprick of light appear in their darkness? Is their soul stirred by the feather touch of another mind reading theirs? I do hope so, for it must be very lonely being dead. "
7 " And there they ring the walls, the young, the lithe. The handsome hold the graves they won in Troy; the enemy earth rides over those who conquered. "
― Aeschylus , Agamemnon (Oresteia, #1)
8 " When I was drafted into the army in April 1984, I was a nineteen-year-old boy. The club where they took us was a distribution centre. Officers came there from various military units and picked out the soldiers they wanted. My fate was decided in one minute. A young officer came up to me and asked, “Do you want to serve in the commandos, the Blue Berets?” Of course I agreed. Two hours later I was on a plane to Uzbekistan (a Soviet republic in Central Asia), where our training base was located.During the flight, I learned most of the soldiers from this base were sent to Afghanistan. I wasn’t scared. I wasn’t surprised. At that point I didn’t care anymore because I understood that it is impossible to change anything. ‘To serve in the Soviet army is the honourable duty of Soviet citizens” – as it’s written in our Constitution. And no one gives a damn whether you want to fulfil this “honourable duty” or not. But then I didn’t know anything about Afghanistan. Up until 1985, in the press and on television, they told us that Soviet soldiers in Afghanistan were planting trees and building schools and hospitals. And only a few knew that more and more cemeteries were being filled with the graves of eighteen- to twenty-year-old boys. Without the dates of their death, without inscriptions. Only their names on black stone …At the base we were trained and taught to shoot. We were told that we were being sent to Afghanistan not to plant trees. And as to building schools, we simply wouldn’t have the time …Three and a half months later, my plane was landing in Kabul, the capital of Afghanistan … We were taken to a club on base. A few minutes later, officers started to come by and choose soldiers. Suddenly, an officer with a smiling face and sad eyes burst in noisily. He looked us over with an appraising glance and pointed his finger at me: “Ah ha! I see a minesweeper!” That’s how I became a minesweeper. Ten days later, I went on my first combat mission. "
― , Afghanistan: A Russian Soldier's Story
9 " Men speak of dreaming as if it were a phenomenon of night and sleep. They should know better. All results achieved by us are self-promised, and all self-promises are made in dreams awake. Dreaming is the relief of labor,the wine that sustains us in act. We learn to love labor, not for itself, but for the opportunity it furnishes for dreaming, which is the great under-monotone of real life, unheard, unnoticed, because of its constancy. Living is dreaming. Only in the graves are there no dreams. "
― Lew Wallace , Ben-Hur: A Tale of the Christ
10 " The drinking dens are spilling outThere's staggering in the squareThere's lads and lasses falling aboutAnd a crackling in the airDown around the dungeon doorsThe shelters and the queuesEverybody's looking forSomebody's arms to fall intoAnd it's what it isIt's what it is nowThere's frost on the graves and the monumentsBut the taverns are warm in townPeople curse the governmentAnd shovel hot food downThe lights are out in the city hallThe castle and the keepThe moon shines down upon it allThe legless and asleepAnd it's cold on the tollgateWith the wagons creeping throughCold on the tollgateGod knows what I could do with youAnd it's what it isIt's what it is nowThe garrison sleeps in the citadelWith the ghosts and the ancient stonesHigh up on the parapetA Scottish piper stands aloneAnd high on the windThe highland drums begin to rollAnd something from the past just comesAnd stares into my soulAnd it's cold on the tollgateWith the Caledonian BluesCold on the tollgateGod knows what I could do with youAnd it's what it isIt's what it is nowWhat it isIt's what it is nowThere's a chink of light, there's a burning wickThere's a lantern in the towerWee Willie Winkie with a candlestickStill writing songs in the wee wee hoursOn Charlotte Street I takeA walking stick from my hotelThe ghost of Dirty DickIs still in search of Little NellAnd it's what it isIt's what it is nowOh what it isWhat it is now "
― Mark Knopfler , Sailing to Philadelphia
11 " In the middle of the night, I saw chaos bleeding out of darkness and peace. Everything that was said and seen before seemed like a paradox. I saw the graves of lies breaking open and the truth crawling out silently into the cold hearts. "
― Akshay Vasu
12 " Is there any good left in the world/ And if there is, can you still find it in the places that matter? Why is it that the only places i see it now, is in the graves of the victims, and the tears of those who mourn them? "
― , For Love of Leelah
13 " The elephants are dancing on the graves of squeeling mice. "
14 " Belgium! name unromantic and unpoetic, yet name that whenever uttered has in my ear a sound, in my heart an echo, such as no other assemblage of syllables, however sweet or classic, can produce. Belgium! I repeat the word, now as I sit alone near midnight. It stirs my world of the past like a summons to resurrection; the graves unclose, the dead are raised; thoughts, feelings, memories that slept, are seen by me ascending from the clods--haloed most of them--but while I gaze on their vapoury forms, and strive to ascertain definitely their outline, the sound which wakened them dies, and they sink, each and all, like a light wreath of mist, absorbed in the mould, recalled to urns, resealed in monuments. "
― Charlotte Brontë , The Professor
15 " With the first jolt he was in daylight; they had left the gateways of King’s Cross, and were under blue sky. Tunnels followed, and after each the sky grew bluer, and from the embankment at Finsbury Park he had his first sight of the sun. It rolled along behind the eastern smokes — a wheel, whose fellow was the descending moon — and as yet it seemed the servant of the blue sky, not its lord. He dozed again. Over Tewin Water it was day. To the left fell the shadow of the embankment and its arches; to the right Leonard saw up into the Tewin Woods and towards the church, with its wild legend of immortality. Six forest trees — that is a fact — grow out of one of the graves in Tewin churchyard. The grave’s occupant — that is the legend — is an atheist, who declared that if God existed, six forest trees would grow out of her grave. These things in Hertfordshire; and farther afield lay the house of a hermit — Mrs. Wilcox had known him — who barred himself up, and wrote prophecies, and gave all he had to the poor. While, powdered in between, were the villas of business men, who saw life more steadily, though with the steadiness of the half-closed eye. Over all the sun was streaming, to all the birds were singing, to all the primroses were yellow, and the speedwell blue, and the country, however they interpreted her, was uttering her cry of “now. ” She did not free Leonard yet, and the knife plunged deeper into his heart as the train drew up at Hilton. But remorse had become beautiful. "
― E.M. Forster , Howards End
16 " On Decoration Day, while everyone else in town was at the cemetery decorating the graves of our Glorious War Dead, Willie Beaner and me, Robert Burns Hewitt, took Mabel Cramm's bloomers and run them up the flagpole in front of the town hall. That was the beginning of all my troubles. "
― Katherine Paterson , Preacher's Boy
17 " Walpurgis Night, when, according to the belief of millions of people, the devil was abroad - when the graves were opened and the dead came forth and walked. When all evil things of earth and air and water held revel. This very place the driver had specially shunned. This was the depopulated village of centuries ago. This was where the suicide lay; and this was the place where I was, alone - unmanned, shivering with cold in a shroud of snow with a wild storm gathering again upon me! It took all my philosophy, all the religion I had been taught, all my courage, not to collapse in a paroxysm of fright.(Dracula's Guest) "
― Bram Stoker , Dracula's Guest and Other Weird Tales
18 " Pye turned his paw over and chewed his claws. “Humph. What you think of me is none of my business.”“You don’t know, do you?”“Know more than you . . . Know what?”“You are dead.”Pye patted his paws. “No, I’m not.” He rolled on his back and stretched, enjoying the warmth of the fire.“I’ve been here since 1665.”Pye chuckled. “You are, if I may so, in remarkably good condition.” Apart from the hole in your head, missing tail, and pulmonic plague cough.“I’ve seen them come. Seen them go. Seem them hang around in limbo. That’s what it’s called when beings don’t leave this Earth.”“Purgatory!”“I am responsible for many deaths,” Rita said.“You!?”“They couldn’t build the graves fast enough to bury the bodies.”“I don’t understand how a mere stump-tailed fur ball could endanger life.”“If I were you I'd think that.” A silence followed before Rita said, “I did not work alone.”“Oh? "
― , Heaven Won't Wait
19 " Spring came late. For the children, shut in the dark, cold parsonage, adjusting to Aunt and getting over the death that brought her, the winter had seemed endless. But now the rough moor was flecked with racing cloud shadows; the maltreated holly tree had stopped weeping; the green mould on the graves had dried to an unsuggestive grey.The church could never look cheerful. It was too black, and its voice, the bell, always said 'Fu - ner -al... fu - ner- al...' even when it was only calling them to hear one of their Papa's dramatic sermons. "
― , Dark Quartet: The Story of the Brontës
20 " The hearts of the noble are the graves of confidences. "
― Idries Shah , The Dermis Probe
