the glimpse QUOTES

2 " V.S. Pritchett's definition of a short story is 'something glimpsed from the corner of the eye, in passing.' Notice the 'glimpse' part of this. First the glimpse. Then the glimpse gives life, turned into something that illuminates the moment and may, if we're lucky -- that word again -- have even further ranging consequences and meaning. The short story writer's task is to invest the glimpse with all that is in his power. He'll bring his intelligence and literary skill to bear (his talent), his sense of proportion and sense of the fitness of things: of how things out there really are and how he sees those things -- like no one else sees them. And this is done through the use of clear and specific language, language used so as to bring to life the details that will light up the story for the reader. For the details to be concrete and convey meaning, the language must be accurate and precisely given. The words can be so precise they may even sound flat, but they can still carry; if used right they can hit all the notes. "

― Raymond Carver , Call If You Need Me: The Uncollected Fiction and Other Prose

4 " Even as a child the glimpse of what a normal life would have been was always beyond my vision and my grasp. No matter what I glimpsed - whether hope or warning, happiness or sadness - it all led to the same present, to me being numb.I have been formed by the events of my life and the people involved. The loss of my innocence; the watchful, paranoid eye of my mother; the rejection of the adults around me; my abusive ex-boyfriend; the ignorance of my peers; I’ve allowed all of them to shape me into this faceless, identity-less mass which in my mind, I’ve been all my life.I repress my feelings for personal autonomy by dropping them into the fathomless waters of my subconscious. Trapped behind a colossal wall made from the pain and repressed emotions of my life, I seem to search desperately for anything that will help me reconnect with the world I’ve just left behind, whether it be a way out or simply a person on the other side willing to listen. My cry for someone to feel and touch me are all the more paradoxical considering that those are the very things I am unable to do in my life. I’ve built this wall out of the fear of feeling something, and out of my paranoia of being emotionally touched and leaving myself vulnerable.I want to regress back to my childhood, back to where it all began, so that I might be able to start over and see where things went wrong. For me to progress, I must comprehend the people, the events, and most importantly the decisions that have lead to my current imprisonment behind this wall.The violent battle of selves continues inside me, and they’re forming my most deranged persona yet. "

6 " Was he hungry? He'd had an enormous breakfast, but the transition from the glimpse had taken a lot out of him. Did they serve lunch in Hell? Should he have packed a snack? Why was he suddenly thinking about food? "

― Melissa de la Cruz , Lost in Time (Blue Bloods, #6)

8 " I look back at the glimpse of light in the center of Magdalene, near her heart, and remember the beauty to be found even in sorrow--beauty as a result of transformation, an admission of weakness, and a total dependence on the Creator. Even in the darkest hour, our hearts can allow us to see the light. "

― Erika Robuck , The House of Hawthorne

10 " Antonia Valleau cast the first shovelful of dirt onto her husband’s fur-shrouded body, lying in the grave she’d dug in their garden plot, the only place where the soil wasn’t still rock hard. I won’t be breakin’ down. For the sake of my children, I must be strong. Pain squeezed her chest like a steel trap. She had to force herself to take a deep breath, inhaling the scent of loam and pine. I must be doing this.
She drove the shovel into the soil heaped next to the grave, hefted the laden blade, and dumped the earth over Jean-Claude, trying to block out the thumping sound the soil made as it covered him. Even as Antonia scooped and tossed, her muscles aching from the effort, her heart stayed numb, and her mind kept playing out the last sight of her husband. The memory haunting her, she paused to catch her breath and wipe the sweat off her brow, her face hot from exertion in spite of the cool spring air.
Antonia touched the tips of her dirty fingers to her lips. She could still feel the pressure of Jean-Claude’s mouth on hers as he’d kissed her before striding out the door for a day of hunting. She’d held up baby Jacques, and Jean-Claude had tapped his son’s nose. Jacques had let out a belly laugh that made his father respond in kind. Her heart had filled with so much love and pride in her family that she’d chuckled, too.
Stepping outside, she’d watched Jean-Claude ruffle the dark hair of their six-year-old, Henri. Then he strode off, whistling, with his rifle carried over his shoulder. She’d thought it would be a good day—a normal day. She assumed her husband would return to their mountain home in the afternoon before dusk as he always did, unless he had a longer hunt planned.
As Antonia filled the grave, she denied she was burying her husband. Jean-Claude be gone a checkin’ the trap line, she told herself, flipping the dirt onto his shroud.
She moved through the nightmare with leaden limbs, a knotted stomach, burning dry eyes, and a throat that felt as though a log had lodged there. While Antonia shoveled, she kept glancing at her little house, where, inside, Henri watched over the sleeping baby. From the garden, she couldn’t see the doorway.
She worried about her son—what the glimpse of his father’s bloody body had done to the boy. Mon Dieu, she couldn’t stop to comfort him. Not yet. Henri had promised to stay inside with the baby, but she didn’t know how long she had before Jacques woke up.
Once she finished burying Jean-Claude, Antonia would have to put her sons on a mule and trek to where she’d found her husband’s body clutched in the great arms of the dead grizzly. She wasn’t about to let his last kill lie there for the animals and the elements to claim. Her family needed that meat and the fur.
She heard a sleepy wail that meant Jacques had awakened. Just a few more shovelfuls. Antonia forced herself to hurry, despite how her arms, shoulders, and back screamed in pain.
When she finished the last shovelful of earth, exhausted, Antonia sank to her knees, facing the cabin, her back to the grave, placing herself between her sons and where their father lay. She should go to them, but she was too depleted to move. "

― Debra Holland , Healing Montana Sky (Montana Sky, #5)

12 " Not unlike a selfie on Instagram or a well-crafted tweet, the computer screen projects the image I choose to portray. We all do it. My life - the glimpse obtained through Youtube - is no more perfect than yours. I'm no different. "

― Connor Franta