1
" The amorous shepherd has lost his staff,
And his sheep are straying on the hillside,
And he didn’t even play the flute he brought to play because he was thinking so much.
No one came to him or went away. He never found his staff again.
Others, cursing at him, gathered his sheep for him.
No one had loved him, in the end.
When he got up from the hillside and the false truth, he saw everything:
The great valleys full of the same green as always,
The great distant mountains, more real than any feeling,
All reality, with the sky and the air and the fields that exist, is present.
(And once again the air, that he’d missed for so long, entered coolly into his lungs)
And he felt that the air was opening again, but with pain, a liberty in his chest.
(7/10/1930) "
― Fernando Pessoa , O Pastor Amoroso
5
" John Farmer sat at his door one September evening, after a hard day's work, his mind still running on his labor more or less. Having bathed, he sat down to re-create his intellectual man. It was a rather cool evening, and some of his neighbors were apprehending a frost. He had not attended to the train of his thoughts long when he heard some one playing on a flute, and that sound harmonized with his mood. Still he thought of his work; but the burden of his thought was, that though this kept running in his head, and he found himself planning and contriving it against his will, yet it concerned him very little. It was no more than the scurf of his skin, which was constantly shuffled off. But the notes of the flute came home to his ears out of a different sphere from that he worked in, and suggested work for certain faculties which slumbered in him. They gently did away with the street, and the village, and the state in which he lived. A voice said to him--Why do you stay here and live this mean moiling life, when a glorious existence is possible for you? Those same stars twinkle over other fields than these.--But how to come out of this condition and actually migrate thither? All that he could think of was to practise some new austerity, to let his mind descend into his body and redeem it, and treat himself with ever increasing respect. "
― Henry David Thoreau , Walden
9
" I dined with Legrandin on the terrace of his house by moonlight. " There is a charming quality, is there not," he said to me, " in this silence; for hearts that are wounded, as mine is, a novelist whom you will read in time to come asserts that there is no remedy but silence and shadow. And you see this, my boy, there comes in all our lives a time, towards which you still have far to go, when the weary eyes can endure but one kind of light, the light which a fine evening like this prepares for us in the stillroom for darkness, when the ears can listen to no music save what the moonlight breathes through the flute of silence. "
